THEA110StagecraftIntroduction to the principal topics and practices of technical support for theatre production: construction of stage scenery, scene painting, properties, rigging/focusing of lights, sound techniques, basic technical craft skills, and production communication practices. Fifteen-hour production lab required.
THEA115Activating Theatre Techniques for Community DialogueA workshop course based on the Activating Theatre techniques of Augusto Boal. A developmental skills course in creating forum theatre for community and social change, and for moderating effective group dialogue. Interdisciplinary links with psychology, sociology, women's studies, and education with a focus on both experiential education and interpersonal communications.
THEA120Fundamentals of ActingIntroduction to the skills necessary for performing on stage. This course is an exploration of the fundamental techniques necessary for beginning scene and monologue study in modern and contemporary realism. Through physical and vocal exercises, text and character analysis, and scene studies, the student is introduced to the process of acting preparation and performance. Excellent course for nonmajors seeking an introduction to the art of acting.
THEA155Introduction to African-American TheatreSurvey/lecture course from an African-American perspective, examining the activities and developments of Black American life as evidenced through its theatre, with emphasis on history, philosophy, dramatic creations, criticism, and socio-psychological concerns. Includes lectures in theatrical contributions of Western and African civilizations.
THEA200Theatre Production LaboratoryEach student involved in a significant role on regular theatre productions is a participant in the Festival Playhouse company and shall thereby earn 1/4 unit of credit per production. Students may earn a maximum of two full units through THEA 200. Theatre Arts majors and minors must distribute each 1/4 unit in a different area of production (acting, stage management, costuming, lighting, scenery, sound, properties, publicity, etc.).
THEA210Lighting DesignExperiments and studies in the theories and techniques of stage lighting; emphasis on play analysis, sculpting with light, color theory, drafting, projection, and practical laboratories. Fifteen-hour production lab required.
THEA225Developing a CharacterAdvanced work in characterization with emphasis placed on building a character through various acting techniques, including Stanislavski, Suzuki, Viewpoints, and improvisational exercises. A continuation of THEA 120, this course is designed to deepen the student's understanding of their acting process combined with the discovery of voice and body in relation to character development. The course includes scene and monologue work, as well as written assignments. Prerequisite: THEA-120
THEA235Costuming and Stage MakeupThis course is split into two sections: stage makeup and costuming. The makeup section will introduce the student to the basic principles of makeup application and design for the stage. The costume section will introduce the student to the basic techniques, tools, and materials used in costume construction along with an introduction to costume shop organization. Fifteen-hour production lab required.
THEA240Scenic DesignPractical application and study of scenic design, including play analysis and historical research, followed by sketches, decor, drafting, construction of models, and color renderings. Focus upon the principles of movement, scale, color, light, silhouette, environment, and composition. Fifteen-hour production lab required.
THEA255PlaywritingAn introduction to playwriting, examining such topics as script analysis, dramatic structure, characterization, rhythm, and imagery. In addition to specific writing projects, students will also read and analyze representative plays.
THEA/SEMN265First TheatresThis sophomore seminar will survey the "first theatres" of many different areas of the pre-modern world -- including the Abydos Passion Play of ancient Egypt, Yoruba ritual, ancient Greek & Rome, Japanese Noh Theatre, early Chinese music drama, Sanskrit theatre of India, and European Medieval theatre. Through research, discussion, and critical thinking exercises, students will be encouraged to view performance as an intercultural and continually developing phenomenon in both art and daily life. This course is a Shared Passages Sophomore Seminar.Prerequisite: Sophomores Only
THEA/SEMN275Theatres in the Age of PrintThis sophomore seminar will survey the theatre in Cultures in the Age of Print 1500-1900, including the Italian Renaissance, Spanish Golden Age, Neoclassical France, Elizabethan England, Japanese Kabuki and Bunraku Theatre, Indian Kathakali Theatre, English Restoration, and European and American melodrama of the 19th century. Through research, discussion, and critical thinking exercises, students will be encouraged to view performance as an intercultural and continually developing phenomenon in both art and daily life. This course is a Shared Passages Sophomore Seminar.
THEA280The Theatre of Revolt: Modernism and Post-Modernism in Western TheatreA study of the Theatre of Revolt, an overview of Western theatre history and dramatic literature over the last 125 years including Brecht, Artaud, and Beckett. Emphasis on comparing realism and various forms of nonrealism, such as expressionism and absurdism, through the plays and trends in acting, directing, and design. Examination of what constitutes the modern theatre and our current age of post-modernism.
THEA290Asian TheatreA survey of selected topics in classical Asian theatre and performance from among the Noh, Kabuki, and Bunraku Theaters of Japan; Yuan Drama and Classical Opera of China; Sanskrit Drama and Kathakali Dance Theatre of India; and some other historical and current performance trends and styles. A study of theories of intercultural performance and Asian theatre influences on the West.
THEA305Voice and DictionStudy of techniques for actors to develop the vocal production necessary for stage performance. Training in the Fitzmaurice Voicework and Skinner Method for Standard American English and phonetic ear training. Class exercises, monologues, vocal physiology, proper warm-up techniques, and care for the professional voice. Prerequisite: THEA-120 and sophomore standing.
THEA380Directing I with LabIntroduction to the art of stage direction including its history, development, functions, and components; study of script analysis, composition, working with actors, and the organization of a production. Weekly rehearsal lab required. Prerequisite: Permission of Instructor
THEA395Mask PerformanceIn this upper level course students will learn performance techniques through the use of mask and mask physicalization. Course will focus on mask reflection technique, Laban work, and Commedia Dell Arte and use these styles to play large intentions, use broad tactics, and work within a world of non-naturalistice theatre to develop a wider range of expression. Students will also learn the sculpting and crafting methods of mask making to produce their own masks for performance work. Prerequisite: THEA-120 or THEA-110
THEA420Advanced Acting with LabIntroduction to the skills necessary to act in plays from some major periods and styles of dramatic literature: Shakespeare and Restoration. Class exercises, monologues, scene study, workshop performances, written assignments, and analysis of dramatic literature will form the basis of the course work. Specific costume pieces, including shoes, which are not provided by the department, are required to be worn during the classes and in the labs. Weekly rehearsal lab required.Prerequisite: THEA-305
THEA445Advanced DesignAdvanced forms of scenery, costume, or lighting study selected in consultation with the instructor. May involve portfolio development and design of main-stage productions. Prerequisite: THEA-210, THEA-235, or THEA-240
THEA465Theatre & Production ManagementThis course combines the fundamentals of theatre production management with the principles and practice of theatre arts management. Production fundamentals will include aspects of stage management and production supervision while stressing the application of efficient production methods. Theatre Arts management will study areas of management incldugin personnel, budget, audience analysis, fundraising, promotion, operation, and organizational strategies for academic, community and professional theatre.
THEA480Advanced DirectingAdvanced problems in directing for the upper-level student, with a focus on independent projects and directing a one-act play. Prerequisite: THEA-380
THEA490Senior SeminarPreparation for the professional working world in theatre. Résumé preparation, various workshops and professional guest speakers. Discovery and articulation of artistic goals through group activities, written assignments, and readings. Class group agenda project. Preparation for required departmental SIP presentations. Prerequisite: Theatre major with senior standing.
THEA593Senior Individualized ProjectEach program or department sets its own requirements for Senior Individualized Projects done in that department, including the range of acceptable projects, the required background of students doing projects, the format of the SIP, and the expected scope and depth of projects. See the Kalamazoo Curriculum -> Curriculum Details and Policies section of the Academic Catalog for more details.Prerequisite: Permission of department and SIP supervisor required.