African Languages as Literary Medium

African Languages as Literary MediumKalamazoo College’s African studies program invites everyone to the public lecture, “African Languages as Literary Medium: Prospects and Challenges.” Dr. Abdou Ngom (Cheik Anta Diop University, Senegal) will deliver the address on Wednesday, May 11, at 4:30 p.m. in the Mandelle Hall Olmsted Room. The event is free and open to the public.

“The lecture addresses the distribution of indigenous languages in Africa, the negative impact of colonization on the promotion of indigenous languages, and the difficult choice made by governments regarding their official languages,” said Ngom. Ngom will discuss the controversial issue of the literary medium for African writers, especially the relationships between language and cultural identity. “The matter of authenticity and language (indigenous or non-indigenous) involves very difficult and interesting questions,” he said. For example, is literature written in European languages authentic African literature?  Should any literature written by an African scholar be considered African literature? What type of readership do African writers have in mind when writing literature and why? What are the main challenges posed by African literature written in indigenous languages? How does literature written in foreign languages affect African indigenous languages? “The lecture,” said Joseph Bangura, associate professor of history and director of the African studies program, “seeks to address these questions.”

Disabling Life’s Challenges: A Paradigm Shift

Sean Bogue ’18, Emma Franzel ’17, and Kyle Lampar ’17 in a scene from IMMOBILE
Sean Bogue ’18, Emma Franzel ’17, and Kyle Lampar ’17 in a scene from IMMOBILE by Brittany Worthington ’13. Photo by Emily Salswedel ’16.

Festival Playhouse of Kalamazoo College presents the world premiere of Immobile, a play by alumna Brittany Worthington ’13, on April 28 through May 1. The play is directed by senior Maddie Grau ’16 as part of Festival Playhouse’s annual Senior Performance Series

Immobile is a story of relationships and self. Megan’s husband Alexander (Kyle Lampar ’17) is a quadriplegic as a result of an auto accident. Though he loves Megan (Emma Franzel ’17), who is also his primary caregiver, Alexander encourages her to start a new chapter—-with a new man, Caleb (Sean Bogue ’18)—-thereby challenging each character to reexamine what being mobile—-both physically and emotionally—-really means.

“These three characters are on the path of realizing their able-bodied privilege, and the loss of that privilege,” says Grau. “Megan struggles to find happiness once Alexander asks her to prioritize herself in a world that tells her to put him first. The unconventional relationships that develop in the wake of his decision are unchartered territory that Worthington explores through moments of unforgiving humor and emotional uncertainty.”

Worthington originally wrote Immobile for a playwriting class in her senior year. It was chosen for a showcase reading in the Student Playwrights Staged Reading Series at Kalamazoo College in 2014, and then featured in the Theatre Kalamazoo New Play Festival that same year. This month’s show is the first completely staged full production.

Says Worthington of her play, “I wanted to explore this idea of ‘selflessness,’ of putting others before yourself. What I found while writing Immobile is that every relationship in life forces us to make sacrifices but also provides unique gains. How do we reconcile those relationships that come into conflict with each other? If you’re a different person depending on the relationship you’re in, is one identity more authentic than another? In order to have a full sense of self, must we in fact be ‘selfless,’ and give up something we love or should we strive to ‘have it all,’ despite the pain it may cause others?”

The play opens in The Dungeon Theatre (139 Thompson Street) on Thursday, April 28, at 7:30 p.m.; continues Friday and Saturday, April 29 and 30, at 8 p.m.; and concludes with a final performance on Sunday, May 1, at 2 p.m. Tickets are $5. All students, faculty/staff members of Kalamazoo College are invited to attend the performance at no charge. Tickets may also be purchased at the door one hour prior to performance. To make reservations, please call 269.337.7333. For more information, please visit the Festival Playhouse website.

Street Improvements Meeting

Street Improvements MeetingStreet changes are coming to areas close to campus, and you have a chance to express questions and concerns. The public is invited to participate in a public open house to help determine future improvements within the downtown Kalamazoo Planning and Environmental Linkages (PEL) study area. The open house occurs from 4 p.m. to 7 p.m. on Wednesday, April 20, at the Metro Transit Center (530 N. Rose Street).

The Michigan Department of Transportation (MDOT) will be using the PEL process to determine future improvements within the downtown Kalamazoo study area: Stadium Drive between Howard Street and Michigan Avenue; Michigan Avenue between Stadium Drive and Kalamazoo Avenue; Kalamazoo Avenue between Douglas Avenue and Harrison Street; Michikal Street between Michigan Avenue and Kalamazoo Avenue; Riverview Drive between Harrison Street and Gull Road; and Douglas Avenue between West Main Street and Kalamazoo Avenue.

The PEL process is a planning tool used to streamline the project development process. It is an approach to transportation decision-making that helps the community consider environmental, historical, cultural, and feasibility issues early in the transportation planning process.

Residents and business owners are encouraged to attend and share ideas, suggestions and concerns as part of the planning process.

War Crimes Trial Anniversary Occasion for Human Rights Workshop

David Barclay
David Barclay

A workshop on human rights (April 14-16) at Kalamazoo College will offer the opportunity for some of the world’s leading scholars to discuss their work among themselves and an audience that includes students, faculty and the general public. The workshop is titled “Seventy Years After Nuremberg: Genocide and Human Rights in Comparative Perspective.”

“Seventy years after the end of the Second World War and the Nuremberg War Crimes Trials of 1945-46 is a particularly appropriate time to reflect on genocide and responses to genocide in the 20th and 21st centuries,” said workshop organizer David Barclay, the Margaret and Roger Scholten Professor of International Studies. “Although the study of genocide, the Holocaust, international human right and related issues has become an essential component of academic scholarship and civic education, the current anniversary of the first war-crimes trials after World War II offers important opportunities to reflect comparatively, and in a focused way, on these vital matters.”

The workshop begins on Thursday evening, April 14, with a keynote address by Daniel Chirot (University of Washington) titled “No End in Sight: Why Mass Political Murder Continues to Occur.” Friday morning’s session focuses on genocide prior to the Second World War (and before the invention of the word), locating the phenomenon of genocide in the larger context of global history from the 19th to the 21st centuries. The session includes new scholarship concerning the Armenian genocide and new work detailing colonialism and genocide in Africa. Friday afternoon features two sessions on recent discussions of the Holocaust.

The workshop will conclude on Saturday morning with a consideration of other examples of 20th-century genocide, responses to genocide, and genocide and the protection of international human rights. Public participation and discussion will be encouraged. The event occurs in the Mandelle Hall Olmsted Room and is free to the public. In addition to Chirot and Barclay, among the other scholars featured are Joseph Bangura, Kalamazoo College; Carter Dougherty ’92, Bloomberg News; John Dugas, Kalamazoo College; Hilary Earl, Nipissing University, Canada; Amy Elman, Kalamazoo College; Geoffrey J. Giles, University of Florida; Lesley Klaff Sheffield Hallam University, United Kingdom; Paul Gordon Lauren, University of Montana; Wendy Lower, Claremont McKenna College; Samuel Moyn, Harvard Law School; James Nafziger, Willamette University and American Society of Comparative Law; Raffael Scheck, Colby College; and Ronald Suny, University of Michigan.
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Nights (and Days) in the Museums

Melany Simpson
Melanie Sympson

Join an evening of “Exploring Museum Careers with Kalamazoo College Alumni” on Thursday, April 21, at 7:30 p.m. in Dewing Hall Room 103. The discussion and Q&A comes from the inspiration of Professor Emerita of Art History Billie Fischer and Visiting Instructor of Art History Melanie Sympson. Sympson is teaching the spring term course “The Modern Art Museum,” and she has enlisted the three alumni panelists to visit her class in addition to sharing their stories with the general public. The alumni participants are John Cummins Steele ’83, Holly (Rarick) Witchey ’83, and Courtney Tompkins ’08. Each will speak about 10 minutes, sharing their from-there-to-here stories (where “there” is K and “here” is working in museums) and then take questions from the audience. The evening will be a true liberal arts fest, says Sympson, for museums are situated at the intersection of many disciplines. Steele is the director of conservation and conservator of sculpture and decorative arts at the Detroit Institute of Arts. He supervises conservation department staff in the examination, documentation, analysis, scientific research, conservation treatment, preservation, exhibition and interpretation of the DIA’s permanent collection. He earned his M.A. and certificate of advanced studies at Buffalo State College. At K he majored in history and earned a concentration in art history. He studied abroad in Erlangen, Germany.

Witchey is director of the Wade Project at the Western Reserve Historical Society. The Wade Project is a multi-year collaborative effort to create a model for studying individual family histories. She also teaches museum work related courses for Johns Hopkins University. Witchey earned her Ph.D. at Case Western Reserve University. At K she majored in political science and art history. She studied abroad in Muenster, Germany.

Tompkins is assistant to the program of research, Center for Advanced Study in the Visual Arts, at the National Gallery of Art in Washington, D.C. CASVA is a research institute that fosters study of the production, use, and cultural meaning of art, artifacts, architecture, urbanism, photography, and film worldwide from prehistoric times to the present. Tompkins earned her M.A. at American University. At K she majored in art history, and she studied abroad in Rome, Italy.

Better than a “Night at the Museum” is an evening exploring museum careers with these three distinguished alums. The event is free and open to the public.

Behind Closed Doors

Photo by Van Forsman
Photo by Van Forsman

I want to talk about being uncomfortable—or, rather, being comfortable with what is uncomfortable—in order to learn and progress as an individual in a progressive society. Maybe this means I want to talk about art, or education, or both.

How important is disquiet to learning? How comfortable must I become with discomfort in order to progress as an educated citizen? I have been thinking about these questions a great deal lately, based on my experience with the recent art exhibit at K, “Behind Closed Doors.” The exhibit was sponsored by Arcus Center for Social Justice Leadership (ACSJL) and appeared in various locations around campus during winter term (Dow Science Center, Mandelle Hall, Anderson Athletic Center, Dalton Theatre, ACSJL, Hicks Center, among others)
The exhibit featured a comment box open to anyone—faculty, staff and students of K as well as members of the general community. The exhibit’s purpose was to get people to have a conversation that they might not normally have about segregation and racism in our country.

Artist and Kalamazoo native J.D. Brink took two old doors, scarred them with bullet holes and shattered their windows. Perhaps the most violent stroke employed by the artist was affixing two original signs, one on each door: “Whites Only” and “Colored Only: No Whites Allowed”. The art exhibit was first displayed in Balch Playhouse on the opening night of The Mountaintop, a dramatic depiction of the Reverend Martin Luther King’s last night alive, set in Room 306 of the Lorraine Motel in Memphis, Tennessee, on the eve of his assassination on April 4,1968.

Author Aunye Scott- Anderson
Author Aunye Scott- Anderson

The comment box offered people the chance to engage with Brink’s artwork and become part of a silent conversation with the campus community. A forum was held on February 26 in the social justice center to converse about the significance of the exhibit. Arcus Center Fellows Kiavanni Williams ‘18 and Erin Butler ‘18 revealed the comments from the box for reflection and discussion.

Unfortunately the event was poorly attended. I shared the nearly empty room with Kiavanni and Erin. The comments were neatly taped to the backs of smooth wooden doors like paintings in a gallery. The three of us read each comment to ourselves. Some comments provided personal anecdotes of racism experienced in the U.S., others questioned the purpose of the exhibit and seemed to resent the discomfort it inspired. Some were hauntingly irreverent about racism in the present day, and too many showed a troubling ignorance of the history of Black people in America (a group that includes persons of various backgrounds: African-American, Afro-Caribbean, Caribbean, Afro-Latino, African, and a number of mixed raced individuals). Twenty-six people commented, all anonymously, and, sadly, the comments ranged from overt racism to a disturbing obliviousness to the issue of racial discrimination in America as a present day issue.

I was most struck by what each comment shared: a sense of deep and brooding discomfort. It is indeed jarring to see, in 2016, a “Whites Only” and “Coloreds Only” sign, and several commenters wanted the exhibit removed. As a Black woman I have made a habit out of ignoring stares and holding my tongue when I hear people appropriate aspects of my culture for pleasure. I have felt the stiffness of a classroom where I am one of just a few Black students. I have endured jokes that stab instead of tickle. My freshman year I felt #unsafeatK and that sensation still lingers. My African-American peers as well as other students of color on this campus have also experienced the discomfort that those dilapidated doors with Jim Crow signs seemed to inspire in every building they stood.

To me, those doors are too familiar; I’d seen them before in the eyes of some who judged me entirely by my skin, in the eyes of politicians and teachers throughout my life. The duration of that discomfort has no doubt made a callus over once vulnerable parts of myself and my soul. But it has also made me aware, made me tolerant to the wiles of ignorance, and made me strong. It is through discomfort that we can truly discover the purest elements of our humanity. Hopefully struggle and education will guide us to a greater understanding of what needs to occur for all to live in peace.

Happy Birthday, Center for Civic Engagement

Center for Civic Engagement turns 15 this yearThe Mary Jane Underwood Stryker Center for Civic Engagement (CCE) turns 15 this year, and its hard to imagine better origins. It began as a joint brainstorming effort between students, faculty and several community partners with the intent on redefining what a liberal arts education was all about. Students were not just de facto city residents while they studied at K; they were community assets as well. Annually, about 600 K students participate in service-learning in some way with the CCE.

From work on sustainability issues to girl’s and women’s empowerment to health and economic equality to food justice, CCE programming engages students in work that promotes social justice, further pushing the College’s mission to create lifelong learners.

“For some of our students, it’s the first time they’ve witnessed first-hand a variety of ‘isms,’” says Alison Geist, CCE’s director. “We put students on the front lines of many societal issues in a way that sitting in a lecture or classroom just can’t.”

Center for Civic Engagement (CCE) turns 15 this yearSusmitha Daggubati ’16 mentors a second-grader at Woodward Elementary School in Kalamazoo’s Stuart Neighborhood, adjacent to K’s campus. Daggubati, a senior majoring in chemistry and earning a concentration in biochemistry and molecular biology, is in her second year at Woodward and serves as a Civic Engagement Scholar, a kind of on-site leader who mentors other K students working at sites across the community, scheduling their shifts and organizing meetings to brainstorm programming ideas.

Daggubati moved with her family to the Kalamazoo area from their native India ten years ago. Still very much tied to her Indian roots, her time in service-learning has also given her a greater understanding of the complex social issues at play in American society “In many classes, we learn the theories about the roots of so many social problems,” she says. “But I am able to make those connections to the real world when I’m involved. It keeps me rooted in the realities of the world, and it has given me a greater understanding of American culture.”

Tom Thornburg is the managing attorney at Farmworker Legal Services, a non-profit agency based in Bangor, Mich., a small community about 25 miles west of Kalamazoo, in an agricultural area where hundreds of migrant workers flock each year to work in fields and orchards. His agency assists these workers – overwhelmingly Hispanic – with everything from language services to information on their legal rights to informing them of resources available to them. He’s been working with the CCE for almost a decade, and the K students who’ve come through his doors have become an invaluable resource.

“The students from K are some of the brightest, best-equipped and most professional volunteers we get,” Thornburg says. “They come here with a sense of enthusiasm to help, a sense of what to do, an autonomy. They’re excellent, right up there in many ways with the law students we have working here.”

Over the years, hundreds of the nearly 2,000 students Associate Professor of Psychology Karyn Boatwright has taught have participated in service-learning programs, in a diverse group of local agencies, from the Kalamazoo Public Schools to Planned Parenthood to Goodwill Industries.

Through more than 30 different courses at the College designed with community partners, faculty at K have engaged thousands of students, community residents and leaders to create opportunities for experiential learning and impact derived organically and intentionally from service-learning work.

Says Boatwright, “The CCE and their students consistently impress upon us the need for reflection to ensure that we are not only connecting the proverbial dots, but understanding the political and social connections between success and social factors. Civic engagement experiences improve the quality of learning for our students and strengthen our community.”

The College’s solid commitment to developing the next generation of leaders who are observant, lifelong learners intent on crafting solutions to problems plaguing a suffering world is stronger now than ever. Concludes Geist: “The founders of K were always interested in social justice, and our programming is a manifestation of that. It’s the idea that we should be creating a fellowship of learning, not just working in ivory towers tucked away from society.”

(Text by Chris Killian; photo by Keith Mumma)

Pro Voice: “You are not in her shoes.”

Throughout Winter Quarter 2016, students in the Kalamazoo College “Feminist Psychology of Women” course have interviewed a range of individuals associated with Planned Parenthood Mid and South Michigan. “ProVoice: The Abortion Monologues — You Are Not in Her Shoes,” a presentation in Dewing 103, Thursday March 3 at 7:00 p.m., is the result.

Directed by Lindsay Worthington ’17, ProVoice features K students presenting monologues based on their interviews with Planned Parenthood patients, advocates, and health care professionals. A “talk back” panel discussion will follow the presentation and feature K students, plus representatives from K faculty and Planned Parenthood. A reception follows the panel discussion.

The event is held in partnership with the College’s Mary Jane Underwood Stryker Center for Civic Engagement, Planned Parenthood of Mid and South Michigan, and the Kalamazoo College departments of Psychology, English, and Women, Gender and Sexuality.

Colloquium About Blackness to Occur at Kalamazoo College

Colloquium About Blackness at KKalamazoo College will present the Physics of Blackness Colloquium on March 31 and April 1. March 31 features a lecture (7 p.m. in Dalton Theatre) by Michelle M. Wright, Professor of African American Studies and Comparative Literary Studies at Northwestern University, and author of The Physics of Blackness: Beyond the Middle Passage Epistemology. Wright’s lecture is titled “Blackness by Other Names: Beyond Linear Histories.” On the next day (April 1, 5 p.m. in the Arcus Center for Social Justice Leadership) will follow an interactive event developed by the Beyond the Middle Passage Organizers. That group includes Justin Berry, assistant professor of political science; Nakeya Boyles ’16; Quincy Crosby ’17; Reid Gómez, the Mellon visiting assistant professor of ethnic studies; Allia Howard ’17; Bruce Mills, professor of English; and Shanna Salinas, assistant professor of English. “Wright looks at the argument of race, particularly Blackness, and the ways that argument plays out in economic, political and physically embodied ways,” says Gómez. “Her work will help us look at differences within difference and move beyond thinking in categories.”

According to Gómez, the colloquium will stress three themes, all of which relate to one another: horizontal connections instead of vertical frameworks; the inability of temporally linear progress narratives (which often structure the notion of Blackness) alone to realize the broad and complicated truth and meaningfulness of Blackness; and a “See Me-Hear Me” approach during the colloquium that will ask participants to enter each others’ lives in meaningful ways. Wright’s book uses concepts from physics to expand thinking and discussion beyond linearity that makes “it difficult to understand or accept people, places, or event that do not easily fit inside a single narrative,” explains Gómez. Toward that end Gómez has helped facilitate “The Physics of Blackness at Kalamazoo College,” a blog in the form of a mosaic that makes approaching the subject of Blackness nonlinear and dynamic.

Nonlinearity is the true nature of the physical universe, wrote Gómez in a summary of Wright’s book. Such nonlinearity doesn’t preclude all cause and effect, but instead complicates it. Gómez writes that Wright “cautions against cause and effect laws that make history solely the consequence of oppression, where Blackness only appears in terms of resistance to, or the direct result of, that oppression.” The ability to think and discuss freed from such overly narrow restrictions allows us to “reimagine choice and agency in relationship to Blackness,” says Gómez, “the choice to ’notice and wonder’ at what is left out of linear progress narratives, and to conceive of self outside those terms.”

The Beyond the Middle Passage Organizers group invites colloquium participants to help one another prepare for the event by sharing talking points, images and points of entry into Wright’s theory via Instagram _bmp._ and Twitter @_bmpo_.

Festival Playhouse Presents Joshua Harmon’s “Bad Jews”

Festival Playhouse Presents Joshua Harmon’s "Bad Jews"
Rehearsal for the Festival Playhouse production of Bad Jews. (left to right) Aidan Johnson ’17, Kate Kreiss ’19, Lauren Landman ’18, Kyle Lampar ’17. (Photo by Emily Salswedel ’17)

Festival Playhouse of Kalamazoo College presents the contemporary comedy Bad Jews, a play that explores what it means to be Jewish in contemporary American society. Written by Joshua Harmon, the play will have four performances in the Dungeon Theatre (Light Fine Arts Building) on Thursday through Sunday (Feb. 25-28). It is part of Festival Playhouse’s 2015-16 season “Theatre and Belonging: Stories of Ethnicity and Racial Identity.”

Staged in the round, with production design by Lanny Potts (professor of theatre arts) and costumes by Elaine Kauffman, the story takes place in an apartment in New York City shortly after the death of the family patriarch, the grandfather of Liam, his younger brother Jonah, and their cousin, Daphna.

Liam is Jewish in name only and chooses to pursue everything that has nothing to do with his heritage. Daphna intentionally embraces all things Jewish. Like Melody, Liam’s shiksa girlfriend, Jonah often seems caught in the middle between the extremes of his cousins. It is not until the end of the play we learn where he stands on the question, “How Jewish are you?”  The New York Times praised the play as the best comedy of the season, characterized by ”delectably savage humor.” The subject matter and language are for mature audiences.

K’s production is a collaboration between director Ed Menta (the James A. B. Stone College Professor of Theatre Arts) and Jeffrey Haus (associate professor of history and religion and director of the College’s Jewish Studies Program). Menta and Haus invited Dr. Jonathan Freedman, Jewish studies scholar from the University of Michigan, to speak about the play and its themes on Wednesday, February 24, in the Olmsted Room at 7 p.m.. Freedman and Haus will also lead a talkback following the Thursday performance of the play.

The play opens Thursday, February 25, at 7:30 p.m. Additional evening performances occur Friday and Saturday, February 26 and 27, at 8 p.m., and a matinee concludes the run on Sunday, February 27, at 2 p.m. Tickets are $5 for students, $10 for senior citizens, and $15 for other adults. For reservations call 269.337.7333. For more information, visit the Festival Playhouse website.