A writer, author and professor will visit Kalamazoo College to deliver the 2024 Moritz Lecture at 5:30 p.m. Thursday, April 18, in 103 Dewing. A livestream will also be available.
University of Delaware Professor of English Martin Brückner will discuss “The Social Life of Maps in Early America: A Material History of Design, Technology and Nation-Building.” Brückner has been the acting director and director of the Winterthur Program in American Material Culture, a co-director of the Center for Material Culture Studies, a co-director of the Delaware Public Humanities Institute, and a visiting curator of the Winterthur Museum. He also is known for writing more than 30 essays for journals such as American Quarterly, American Art, American Literary History and English Literary History; and two award-winning books, The Social Life of Maps in America, 1750-1860 (2017) and The Geographic Revolution in Early America: Maps, Literacy, and National Identity (2006).
Brückner’s honors have included the Fred B. Kniffen Book Award, the Louis Gottschalk Book Prize, and numerous grants and fellowships from the Andrew W. Mellon Foundation, the National Endowment for the Humanities, the Program in Early American Economy and Society at the Library Company of Philadelphia, the American Antiquarian Society and the Obama Institute for Transnational American Studies at the University of Mainz in Germany.
The history department’s annual Edward Moritz Lecture honors the late professor Edward Moritz, who taught British and European history at K from 1955–1988 and served for many years as the department chair. For more information, contact the Office of Alumni Engagement at alumni@kzoo.edu or 269.337.7300.
A new Kalamazoo College student organization will participate in the winter term’s International Percussion concert at 7 p.m. Wednesday, March 13, in Dalton Theatre at Light Fine Arts.
The Steel Drum Club—dedicated to classic rock, modern pop and calypso music—will play mainstream songs such as Free Fallin’ by Tom Petty, Smells Like Teen Spirit by Nirvana and Story of My Life by One Direction.
Separately, the music department’s Taiko Drums group, led by International Percussion Ensemble Director Carolyn Koebel, also will perform. The Taiko ensemble unites individuals with varied musical backgrounds from K, nearby institutions and the general community. The ensemble’s performances regularly include solos, group drumming and collaborations with other complementary instruments.
The concert is free and open to the public. For more information on this event and others sponsored by the Department of Music, visit music.kzoo.edu/events, call 269.337.7070 or email Susan.Lawrence@kzoo.edu.
The Kalamazoo Philharmonia will spotlight three composers in a concert at 7:30 p.m. Saturday, March 9, in Dalton Theatre at Light Fine Arts. All three are known for taking the smallest components of their music and transforming them in brilliant ways to show how contrasting passages can share many of the same fundamental features.
The performance will include music from mid-20th century Czech composer Miloslav Kabeláč, who developed inspiration from a divine cosmic order of stars into The Mystery of Time; German composer Johannes Brahms who looked to the stately St. Anthony Chorale of Joseph Haydn for his inspiration in the piece Variations on a Theme by Haydn; and American composer Samuel Barber, who took the contrasts of a four-movement symphonic form and combined them into a unified piece titled Symphony in One Movement.
The Philharmonia, conducted by Music Director Andrew Kohler, unites students, faculty, amateur musicians and professional musicians of a variety of ages to perform symphonic music. Having grown since its inception in 1990, the ensemble has been recognized as an arts organization of high importance in greater Kalamazoo.
Tickets are available at the door and cost $7 for general admission, $3 for students, and are free for students of Kalamazoo College. For more information, contact Susan Lawrence in the Department of Music at 269.337.7070 or Susan.Lawrence@kzoo.edu.
Black identity, racism and allusions to the slave trade will be put center stage this week when Kalamazoo College’s Festival Playhouse presents Dutchman.
The 1964 play—written by Amiri Baraka, who then was known as LeRoi Jones—is the second of the Festival Playhouse’s 60th season, which has a theme of “Systems as Old as Time,” focusing on the harmful systems that hold back the oppressed and how people fight against them.
The plot features Clay, a 20-year-old, college-educated Black man portrayed by Jared Pittman ’20, who also played Martin Luther King, Jr. last winter in the Festival Playhouse’s production of The Mountaintop. Pittman notes that Clay is traveling on the subway to a friend’s house for a get-together when he meets Lula, a young white woman.
“He’s shy and timid upon his introduction to Lula on the train, given the racial climate during the 1960s,” Pittman said. “He’s polished in his three-piece suit and speaks with great intellect. Clay doesn’t want to be grouped amongst the stereotype of Black men, so he makes a conscious effort to be above the stereotype.”
Lula, however, played by Abigail Nelson ’24, is symbolic of white America during the Civil Rights Movement. She enters the train eating an apple beginning references to Adam and Eve that occur throughout the play as Clay attempts to be his own man even though his name might suggest that he should be easily shaped and molded.
“She’s very flirtatious with Clay, and although he is shy, he is intrigued by Lula, so he entertains her advances,” Pittman said. “She has a bipolar personality, and it keeps Clay on his toes, not really knowing if she is joking or serious. This allows her to antagonize Clay, and ultimately push him over the edge.”
The play is guest directed by Anthony J. Hamilton, a former visiting assistant professor of theatre arts at K and guest professor and director at Western Michigan University. His career directing credits include The Piano Lesson, The 1940s Radio Hour and Once on This Island at the Kalamazoo Civic Theatre; Into the Woods and Skeleton Crew at WMU; You’re a Good Man, Charlie Brown and Joseph and the Amazing Technicolor Dream Coat at Hackett Catholic Prep; Grandma’s Quilt and Playwright’s Competition at the Negro Ensemble Company in New York; and Next to Normal at the Festival Playhouse last spring.
Dutchman will be staged at 7:30 p.m. Thursday, February 29–Saturday, March 2, and at 2 p.m. Sunday, March 3, in the Festival Playhouse Theatre at 129 Thompson St. Thursday’s show will include American Sign Language interpretation and an audience talkback.
Tickets are available online or by calling the Festival Playhouse at 269.337.7333. K students, faculty and staff are admitted free with a College ID. Adult tickets are $25, seniors are $20 and children younger than 12 are $5. Audiences should be aware that the play’s content includes adult language, themes and situations that include simulated violence and may be triggering.
Pittman said that audiences are certain to appreciate the performances, even as they provoke a profound emotional response. “I think those who come to see the show, should know that this is theatre, and we are people portraying characters,” he said. “Although a very real experience for some people, we ask that the audience members provide the performers with grace. We’ve worked hard to tell this iconic story and we understand the sensitivity of it all.”
Two Kalamazoo College music ensembles, the Bayati Ensemble and College Singers, will blend their instrumental and vocal talents in a unified concert this Sunday, February 25.
The Bayati Ensemble specializes in Middle Eastern music. Its members range from people who grew up with Middle Eastern music and culture to others who are learning about it for the first time. The group is co-directed by Associate Processor of Music Beau Bothwell and Ahmed Tofiq. The College Singers, led by Associate Professor of Music and Director Chris Ludwa, includes about 30 students who are music majors and non-music majors, offering a different approach to choral singing with a focus on social justice.
The free concert is scheduled for 4 p.m. at the Dalton Theatre. For more information, contact Susan Lawrence in the Department of Music at 269.337.7070 or Susan.Lawrence@kzoo.edu.
A handful of musical classics such as The Girl from Ipanema, Unforgettable, Red Clay, Nutville and Dat Dere will highlight the Kalamazoo College Jazz Band winter concert—themed “Inside the Night Café”—this Friday, February 23.
The ensemble, directed by Professor of Music Thomas Evans, pulls together an expansive collection of contemporary and classic jazz arrangements to provide the students participating and audiences with an electric experience. This group varies in size each year, making the music selections continuously diverse and exciting.
The concert, scheduled for 7:30 p.m. in the Dalton Theatre, is free and open to the public, although free-will donations are gratefully accepted.
For more information on the concert, contact Susan Lawrence in the Department of Music at 269.337.7070 or Susan.Lawrence@kzoo.edu.
A national tour featuring a period chamber orchestra without a conductor will make its final stop in the Great Lakes at 7:30 p.m. Saturday in the Dalton Theatre at Light Fine Arts, 1140 Academy St.
Relic connects with audiences through intimate, imaginative and dramatic representations of early music. This performance’s instrumentation will include violins, violas, cellos, bassoon, basses, theorbos and harpsichords in a concert titled Enchanted Forest.
As a whole, the ensemble will tell stories of dancing elves, frolicking nymphs, marching trolls and more through drama and curiosities through English and French baroque. General admission tickets are available for $10 through EventBrite. Kalamazoo College students will be admitted free.
Kalamazoo College’s Student-Athlete Advisory Committee (SAAC) developed an idea last fall that is supporting local charities and foundations with the help of students, faculty, staff, parents and the community.
SAAC representatives, including co-presidents Savera Rajendra-Nicolucci ’24 and Ty Horky ’24, created Compete for a Cause, which allows K athletic teams that play in a specific season to select a beneficiary to back and a cause to amplify during a chosen Michigan Intercollegiate Athletic Association (MIAA) game on their schedule. Starting last term, student-athletes collaborated with local nonprofits, donning custom warm-up shirts on game day to raise community awareness. These custom shirts were available for sale, with all proceeds benefitting their partner organizations.
“Savera and I have been on the SAAC board since we were sophomores and we’ve moved up the committee together along the way,” Horky said. “Doing this was about how we can make something for the SAAC organization that lasts longer than us being here and how we can implement a plan to give back to the communities around us.”
SAAC’s first steps toward such efforts involved meeting with MIAA Commissioner Chris Brown and K athletics administrative representatives with the hope of getting the entire conference involved and initiate introductions with local charities. Their support proved to be inspiring.
“I think the support from administration, from the MIAA Commissioner all the way down, was nothing but positive,” Horky said. “Right off the bat, they just asked, ‘How can we help you? What can we do to get the ball rolling?’ Everybody being behind us has been a huge help.”
Then, despite weathering some in-game storms, the first season of Compete for a Cause was successful. Rajendra-Nicolucci’s women’s soccer squad, for example, chose breast cancer awareness as its cause, selected a game that coincided with a football contest, and conducted a united breast-cancer awareness day between the teams to benefit the West Michigan Cancer Center (WMCC).
Compete for a Cause Games
Kalamazoo College’s volleyball team raised women’s health awareness by supporting the YWCA of Kalamazoo with red t-shirt sales last fall.
In October, the football and women’s soccer teams raised breast cancer awareness by supporting the West Michigan Cancer Center with pink t-shirts.
The men’s soccer team raised food insecurity awareness by supporting Loaves and Fishes in Kalamazoo with orange t-shirt sales in October.
K’s men’s and women’s basketball squads are teaming up to support the houseless and the Kalamazoo Gospel Mission in their games on February 3.
K’s swimming and diving teams will raise mental health awareness and support Gryphon Place during their home meets on February 3.
A special thank you to Capital National Bank, HAP, Miller Johnson Attorneys of Kalamazoo and Underground Printing of Kalamazoo for their support.
WMCC Director of Development Anne Witherspoon was invited to attend, raise awareness, share information and accept donations to support their mission.
“It was wonderful to see the student-athletes support the community through this initiative,” Witherspoon said. “Beyond just being incredible students, who I enjoyed spending time with, their impressive organization and professionalism fostered a meaningful connection with the K community, letting us share the WMCC mission with parents, fans and donors.”
Athletes were gratified by the support they received and the end result.
“It was definitely more work than we thought, especially with the business aspect of things, but we’ve learned that there’s so much in the Kalamazoo community to love,” Rajendra-Nicolucci said. “It was interesting to see how much we can do just by talking to people. Anne Witherspoon, who works at the West Michigan Cancer Center, said one of her best memories of the day was sitting with Ty and getting to know him and our school. Those connections go a long way and show there’s more to playing a college sport than the gear and winning.”
In serving SAAC, Rajendra-Nicolucci and Horky have consistently organized campus events for students, including student-athletes. But the first Compete for a Cause events have been special as they’ve reached out to the at-large community. And now, it’s time for K’s winter athletics teams, including Horky’s men’s basketball team, to take the effort’s reins.
The men’s and women’s basketball teams are combining their efforts to support homelessness awareness and the Kalamazoo Gospel Mission during their home games on Saturday, February 3. The same day, the swimming and diving teams will spread mental health awareness and donate all of their proceeds to Gryphon Place.
Separately in their time at K, Rajendra-Nicolucci played women’s golf for two years and taught biology and English to children in Spain during her study abroad experience. After graduating, she hopes to develop a career in medical or pharmaceutical sales. Horky also wants to build a career in medical and pharmaceutical sales and might consider playing basketball as a graduate student to fulfill a final year of eligibility. But Compete for a Cause’s effectiveness will be what they and other SAAC participants point to as they define their legacies at K.
“Students are busy all year, whether it is with school responsibilities, work responsibilities, athletic responsibilities or extracurriculars,” Rajendra-Nicolucci said. “Something as simple as this initiative can remind us that there is always more to be done. Giving back is something you will never regret. Whether it is the connections that you make along the way or the touching moments, these feelings are just as good or even better than the feeling of winning a double overtime game. Everyone is welcome to these games, and we hope to see you and the rest of the Kalamazoo community continue to give back to something greater than just a game.”
Kalamazoo College will recognize and honor the life and legacy of Martin Luther King Jr. at 7 p.m. Wednesday, January 17, at the Arcus Center for Social Justice Leadership as a part of events during the week of Martin Luther King Jr. Day.
The center and Student Development will host community organizer and Wayne State University Assistant Professor of Urban Education and Critical Race Studies Aja Denise Reynolds as she presents an open-to-the-public lecture, “Dr. King’s Legacy: Fighting for Justice at Home and Abroad.” The keynote is the reimagining of a love letter from King to young activists in celebration of their fight for a more just world. The event will celebrate him as a radical and phenomenal leader, organizing for freedom and justice.
Reynolds received her doctorate in educational policy studies and social foundations at the University of Illinois at Chicago. Her scholarly work has focused on her collaborative work in creating freedom spaces with Black girls through art, activism and healing as she explores the geographies of Black girlhood. Her dissertation is titled “Ain’t Nobody Checking for Us: Race, Fugitivity and the Urban Geographies of Black Girlhood.” She has more than 12 years of experience as an educator and youth worker and is a part of national education organizations, including the Education for Liberation Network, in which she organizes with teachers, youth, and community organizations to develop more equitable educational structures for marginalized youths.
A celebrated actor fresh off his role as Magic Johnson in an HBO series and an up-and-coming movie producer, both alumni of Kalamazoo College, returned to campus last week, seeking a chance to change society’s views regarding marijuana incarceration policies.
Quincy Isaiah ’17—an actor known for Winning Time: The Rise of the Lakers Dynasty—and Producer Adam Edery ’19 met students for a conversation about social justice in the entertainment industry and screened their new independent movie, Grassland, with a discussion panel and a private audience at the Arcus Center for Social Justice Leadership.
Grassland is expected to premier at a variety of film festivals in 2024 with Isaiah, Edery and Consulting Producer Shon Powell ’18—a third K alumnus—among those in its credits. The movie, set in 2008 during the Great Recession, follows a single Latina mother whose illegal marijuana business is jeopardized when her son befriends new neighbors, a young white boy and his police officer grandfather. According to production research, Latino people were four times more likely to be arrested for marijuana possession than white people at the time, while Black people were seven times more likely.
Actors Mía Maestro and Jeff Kober star alongside Isaiah, who plays Brandon. Maestro’s credits include the 2014–15 TV series The Strain and the 2012 film The Twilight Saga: Breaking Dawn, Part 2. Kober’s credits include TV series such as The Walking Dead, Sons of Anarchy and China Beach. His movie roles include a part in the 2016 film Sully.
Edery was among the first to join the project with one of his jobs being to secure funding for it, a role he relished considering the film’s subject matter.
“For me, I feel like my participation in the creation of the film was because of my K experience,” Edery said. “I was an anthropology-sociology major, and even before I had anything to do with film, I wanted to go into social justice and activism. A lot of the early projects that I produced were comedy based or random opportunities. There was nothing that felt like, ‘Wow, this is the type of story I want to tell.’ And then I read the script for Grassland. It was like a light flipped on in my head. The passion to do this project was inspired by me coming to K.”
Edery had previously reached out to Isaiah to connect as both were in Los Angeles, both were in the entertainment industry, and both were K alumni. Isaiah didn’t have a lot of time to meet until his work with Winning Time had finished, but when they finally got together, their networking proved to be mutually beneficial.
“We met for lunch and Adam slid the script to me,” Isaiah said of Grassland. “I read it and I loved it. It was beautiful and it had a lot of heart to it. I think that’s what pulled me to it, and with the K connection, I think there’s a different expectation you feel about certain people. Just meeting with him and hearing his thoughts about social justice made me feel very comfortable to work with him. I felt a kinship.”
Edery never had a doubt that Isaiah would flourish in his role as Brandon, but the producer said watching Isaiah act in person was amazing.
“I was blown away while watching him on set,” Edery said. “I always knew that Quincy is a super nice, hard-working, super talented actor, but I had never been there before to see him physically act. I remember a graveyard scene where it felt like I was looking at a different person. I think that’s a testament to how great Quincy is as an actor and how he crushed the role by pouring himself into it. When we watch it on screen, it almost doesn’t register that I’m watching Quincy. It’s like me and Quincy are watching Brandon.”
Beyond the film’s acting talent, Edery hopes the film will be known for asking its audiences an important question: How did we get here?
“The movie takes place in 2008 and something Quincy and I talk about is that this film has no villain,” he said. “It doesn’t say the police officer is the villain or that Sophia, who is growing weed, is the villain. It points at the system in place. Then being in 2023, it forces us to ask, ‘What are the systems that allowed us to have 40,000 people in prison for something that’s legal in Michigan now?’”
Isaiah said the film’s importance, in his opinion, is about viewers seeing different perspectives while following characters on a journey of emotions.
“These are people you could pass on the street and never pay much attention to, but when you see their story on the big screen, it’s right in front of you,” he said. “You have to pay attention and care about them.”
With there being no villain in Grassland, Isaiah said any character could potentially resonate with any viewer at any time.
“Some might gravitate toward Brandon,” he said. “Some people will gravitate toward Sophia and John (a police officer) or even Sophia’s mom. She’s so good in it and it’s for such a short time, but there’s so much weight to her role. I think everybody will find some character they see themselves in and that’s what you want a movie to be. You want to see yourself represented on the screen.”
His own character, though, is somebody who feels stuck with few options for moving on.
“I don’t want to spoil the movie, but he’s just finding himself in tough position after tough position because of something he did as a child,” Isaiah said. “He’s looked at like a dog and that’s the story of so many people. I relate to Brandon because I want the freedom to mess up and not be reprimanded for life because of it. But as sad as his story is, there’s something in him that will allow him to have a second life. He just has to put in more effort than his counterparts, which is difficult, but it’s his reality and I think he’s strong enough to figure that out.”
Ultimately, Edery said the opportunity to screen the film at K felt obvious, especially after discussing the possibility with President Jorge G. Gonzalez and Associate Vice President for Development Andy Miller ’99 and connecting with Arcus Center Executive Director Emily Williams.
“Even when we were filming, Quincy and I were saying that we have to bring this film back to campus,” Edery said. “One of the reasons we made the film was the K connection, but this is a movie that people can engage with through debate and conversation, laughter and crying. I think K students are the perfect crowd for it because they’re thoughtful and they want to reflect. It was a no-brainer to bring it back to K.”
“I double down on that,” Isaiah added. “K students are thoughtful and open to conversation, and we’re alumni, so it’s like being back home. We met with some students and we were able to have some candid conversations about the film, about our roles and our jobs, and about their curiosity regarding us as people and professionals. There were some big questions, so it was an excellent experience. It’s so surreal to walk down that cobblestone road. Coming into K, I was a kid. When I left, I had the tools to figure myself out. I think the K influence is that I can be fully transparent and vulnerable on screen. That’s what I learned to do here: I learned how to be a man.”
With the movie complete, Edery and Isaiah will be among those teaming up to nominate Grassland for inclusion in film festivals such as Sundance while participating in social justice campaigns to advance its cause.
“We want to get it in front of as many people as possible whether it’s here at K, at film festivals or wherever,” Edery said. “I’m proud of it, and when people watch it, I hope it inspires them to change their hearts and minds. We’re also partnering with organizations like the Last Prisoner Project to support the work that they’re doing to get people out of prison or their sentences commuted if they’re in prison because of marijuana. If we could boil it down to one goal, I’d like us to focus on the people who are still locked up right now and push that charge to get people out.”
Isaiah hopes that one day he will hear stories about how the film changed people’s hearts and minds.
“Marijuana is everywhere now,” Isaiah said. “It’s not fair for people to be locked up for that and then be unable to find a job or feed themselves or their families because of a mistake they made 10 or 15 years ago when it wasn’t OK. If we can make a change for even one person, that would be cool because hearing their stories breaks my heart. I hope people will hit up their representatives, talk to a formerly incarcerated person, take a virtual prison tour or do whatever it is that the film inspires them to do to push for change.”