Shaping Space and Social Interaction

Hannah Knoll's ArtPrize entryHannah Knoll ’13 is a recent Kalamazoo College graduate with a passion for design and an aspiration to be an architect. She majored in physics with minors in mathematics and studio art. “I am interested primarily in the relationship between community and the physical landscape, leading to my desired career in architecture or urban design, fields I began to explore through jobs, internships and my study abroad experience in Copenhagen, Denmark,” said Knoll. She is currently updating architectural drawings for K’s facilities management department and serving as the Post-Baccalaureate Fellow in Art for the 2013-2014 academic year. Her busy schedule nevertheless left her time to enter ArtPrize. Her submission is called “Spaces Between.” The entry includes five bench-like objects that together outline a single rectangular form that relates to the room it is in.

“The fragmentation of this rectangle creates spaces between the individual pieces, spaces that can be experienced by the viewer as they sit and interact with the work. This is part of a series of projects exploring how physical elements and objects that shape space can influence social interactions.”

Healthy Body May Mean Healthy Bacteria

Rob Dunn ’97 is extensively quoted (and his best-selling book cited, The Wild Life of Our Bodies: Predators, Parasites, and Partners That Shape Who We Are Today) in an article by Nancy Churnin that appeared in the Dallas Morning News’ “Dallas News Life.” The article, “Be nice to your bacteria and they’ll be nice to you, doctors say,” notes a growing belief among experts that good health is strongly influenced by the ecology of the multitudes of bacteria that reside in our bodies and in our natural environment. It cites examples of probiotic treatment, or the introduction of bacteria as a therapeutic measure to restore the balance of bacterial populations in the body. It is a fascinating read, and Dunn is at his curious K best, equating excitement with the new found extent of all we don’t know. Dunn is a scientist and professor at North Carolina State.

The Art of a Scientist

Kalamazoo College alumnus Dan Van HornWhen Dan Van Horn ’50 earned his degree in biology, focusing on ornithology, at Kalamazoo College, he came to science with an eye for art. A visit to the Indiana Dunes during his college years intrigued Van Horn, drawing his eye to plant life, but also to the resident birds. Alongside biology, Van Horn studied watercolor painting, but after graduating and going into military service, he switched from watercolor to photography.

Van Horn went on to graduate school to earn a master’s and then his doctoral degree in zoology at the University of Colorado. He was a professor of biology at several colleges and universities, later also a founding member of the University of Colorado-Colorado Springs biology department shortly after the branch opened in 1966. Since retiring from teaching, he has immersed himself in art again, winning many awards. He is a signature member of four national watercolor societies, and in 2013, Van Horn was selected for the American Watercolor Society’s 146th Annual Exhibition. The show is traveling to many venues across the United States throughout 2013.

Van Horn lives in Colorado Springs, Colorado, with his wife, but because he grew up in Chicago, many of his watercolors feature that city.

Preparation for Turbulent Times

Convocation crowd gathers at Stetson ChapelThe College’s Alumni Relations department invited (via an e-mail titled “Welcome to the Class of 2017”) the friends and alumni of the College to share in this year’s Summer Common Reading experience, part of the annual Orientation program. SCR 2013 featured a campus visit by author Vaddey Ratner, who spoke with faculty, staff, and the first-year class that had read her book, In the Shadow of the Banyan. The e-mail invited alumni to “join in on the reading as you think about a new chapter that begins in the lives of our new K students, and remember your first year experiences through this process.” The e-mail also included an old photo (at left) of the inside of Stetson Chapel, and to its call was received at least one response–from Moses Thompson ’70, from quite a distance. “I am in remote, actually very remote, Zambia,” he wrote. “Nevertheless I will find the book on line and join in. Just looking at that photo of the chapel,” he added, “reminded me of the last time I was there, in 1970, well after midnight one evening, sitting in the balcony preparing to graduate and leave the next day: somehow a very powerful place. And musing over the cornerstone: ’The end of learning is gracious living’, which we enjoyed transposing as ’the end of yearning is gracious loving’. Yet, that chapel had a powerful effect on me. It was at a time when the College was in a great transition of culture change, not smooth but turbulent change: for the students then it was a transition from in loco parentis, required chapel, and closed dorms, to personal responsibility, choice about chapel, and mixed dorms–a huge uproar this caused at the time. Trivial issues of change when compared to the enormous and sweeping transformations about to be unleashed around the globe; still, in a microcosm these small changes captured the energy and heart of new directions. It was not to be a simple coming of age for a generation of young people pushing the limits of their local environment. This would be a change in the way we understood personal responsibility, in and beyond our narrow community and interests.

“In 1972 I became director of a predominantly black organization, hired by phone and assumed to be black because of my name, and spent a few years in the midst of the nation’s worst racial tension. I went on to 30 more years in international development assistance. And the decision, and to be sure the desire, to take on these challenges might have been formulated at K, perhaps that evening, in the dark of Stetson Chapel, seated in the back row of the balcony, feet up on the pew before me: chapel no longer required, now a choice. The locus of motivation had changed from the outside and others trying to coerce, to the inside with a personal desire to go out and create something of value.

“Kalamazoo is a wonderful college and a great place to prepare for turbulent times.”

Thompson would have enjoyed the ways in which, during the course of two days, the author, her novel, and its readers touched one another and learned from one another. Ratner posted her reflections of her experience at K. She wrote, “My journey there was as enriching, exciting, and full of life-affirming discoveries and learning as any fantastical adventure conjured up by the magic of imagination. Indeed, I felt I was walking into a sanctuary of learning, where the essence of youthful energy and curiosity is focused in a shared endeavor to know, to understand.”

Second Generation Peace Corps

Anna Williams ’10 is a Peace Corps volunteer who began her two-year commitment this past June. Her title is Education Volunteer, and she will live and work in a community in the West African country of Togo to encourage critical thinking in the classroom, and integrate issues like health education and environmental awareness into English classes. Her story appears in an article (“Piece by Peace: The Peace Corps Volunteers of Tomorrow”), which credits her dream of serving in the Peace Corps in part to her K study abroad experience in Dakar, Senegal. The fact that she’s a second generation Peace Corps volunteer no doubt was an influence as well. She shares a Peace Corps experience with her father and her mother, who both served as volunteers in Tunisia. She shares a K experience with her father, Bill Williams, a member of the Kalamazoo College Class of 1971.

The In-Between Place

The Louisiana Museum recently interviewed Kalamazoo College alumna and artist Julie Mehretu ’92. The interview is titled “The in-between place,” and in it Mehretu talks about some of her recent work and its various influences, including the architecture of Cairo, Egypt, and recent events surrounding the Arab spring and the revolution that is ongoing in Egypt. She talks about the influence of her own origins as a person who was born in Ethiopia and whose family migrated to the United States, and she shares insights into the layered textures of her work and the large scale of her paintings, which provides multiple perspectives and experiences as the viewer processes the painting in multiple parts as well as its wholeness. Mehretu is one of the most celebrated artists of our time whose work has appeared in galleries and museums throughout the world. She maintains studios in New York City and Berlin.

K Artists in ArtPrize 2013

Vintage neon sign at Michigan theater
Russell Cooper’s photographic ArtPrize tour gives a view of vintage neon signs across Michigan.

Russell Cooper ’89, help desk administrator for Kalamazoo College Information Services, is a popular figure around the K campus for his ability to fix all things computerized. He is also known for his love of roller coasters and his skill with a camera, many of his photos appearing on the College website. And others made up his first and second entries to ArtPrize 2012 and ArtPrize 2013, respectively. His 2012 entry was a photographic representation of his two children; his current entry, Michiganeon, explores the world of neon signs.

ArtPrize is an international, open art competition based in Grand Rapids, Michigan, with $560,000 awarded by public vote and juried awards, making it the world’s largest art prize. From September 18 to October 6, three square miles of downtown Grand Rapids will become an open-air art venue, with many businesses opening their doors to participate, giving their space over to become art galleries.

“I love the look of the vintage neon,” says Cooper. “I would see something cool one time, and drive by another time, and it would be gone (business closed, sign gone). I’ve seen other photographers shooting neon, but no one focusing on Michigan. I’ve been working on this collection for about three years, but only considered it for ArtPrize this year.”

Annie Belle with her ArtPrize entry
Annie Belle ’13 with her art entry, a knitted house called “Woolhouse”

Annie Belle ’13 (artist’s name for Joanna Eckrich) is exhibiting “Woolhouse” as her ArtPrize entry. Her entry was her Senior Individualized Project at Kalamazoo College, a house knitted out of wool, complete with furniture.

Homecoming and Reunion Weekend

Buzz the Hornet with a family of three at HomecomingWelcome back, Orange and Black, on October 18-20. Homecoming registration is open NOW! Please check out the schedule of events to view all of the opportunities to connect. Highlights from the weekend will include: reunion activities for the classes of 1963, 1968, 1973, 1978, 1983, 1988, 1993, 1998, 2003, 2008 (as well as special gatherings for the Class of 2013 and emeriti alumni); a student film festival featuring works created in K’s introductory and advanced documentary film production classes; family friendly activities on the Quad, featuring the Fresh Food Fairy, Cirque Du K, and the College’s three a cappella groups; the Hornet football game vs. the Albion Britons at the new Kalamazoo College Athletic Field Complex; and an opportunity to tell your K story or record a favorite memory at the Story Zoo booth in the library. There is so much to share, and alumni relations staff members are looking forward to seeing you and your family. Kalamazoo area hotels are filling up fast so please do not forget to book your hotel and mention “Kalamazoo College Homecoming” to receive a special rate. If you would like a registration form mailed to you or need assistance with online registration, please contact the Office of Alumni Relations at 269-337-7300 or aluminfo@kzoo.edu. All alumni, faculty, staff, students and K friends are invited.

Psych of Music

Book cover for The Psychology of Music in Multimedia A book co-edited and co-authored by Associate Professor of Psychology Siu-Lan Tan  was published this summer by Oxford University Press (United Kingdom). The Psychology of Music in Multimedia (edited by Siu-Lan Tan, Annabel J. Cohen, Scott D. Lipscomb, and Roger A. Kendall) is the first book to consolidate the scientific research on how we integrate sound and image when engaging with film, television, video, interactive games, and computer interfaces. Tan served as primary editor of this edited volume, which includes the work of 20 contributors representing seven countries and a wide range of disciplines including psychology, musicology, neuroscience, media studies, film, and communication.  She also contributed three chapters, including one on the role of sound and music in video games. Research studies co-authored by Tan and Kalamazoo College alumni Matthew Bezdek ’07, John Baxa ’09, and Elizabeth Wakefield ’08 are also discussed in the book.

Time to Reprise

Kalamazoo College alumna Gail Griffin
Gail Griffin in the 1986 Festival Playhouse production of UNCOMMON WOMEN AND OTHERS

It’s been 50 years of great theatre at Festival Playhouse of Kalamazoo College. What have been the highlights? And who should choose? Let’s start with the people who have acted and directed many of that half century of productions. They have picked their favorites, and you can enjoy them.

An Evening of Kalamazoo College Theatre Alumni Scenes occurs Saturday, October 19, at 4 PM in the Nelda K. Balch Playhouse. Alumni of past Festival Playhouse productions will present staged readings of their favorite plays. On the schedule:

William Shakespeare’s Hamlet, featuring Emilia LaPenta ’10 and Emily Harpe ’08;

Top Girls, by Caryl Churchill, featuring Wa-Louisa Hubbard ’03, Lisa Ludwinsk ’06, Anne LaTarte ’03, and Betsy King ’05;

Uncommon Women and Others, by Wendy Wasserstein, featuring recently retired Professor of English Gail Griffin and Laura Livingstone-McNellis ’89;

Pullman, WA, by Young Jean Lee, featuring Ryan Hatch ’04 and Matt Pieknik ’04;

Twilight: Los Angeles, 1992, by Anna Deavere Smith, featuring Kristala Pouncy ’02;

subUrbia, by Eric Bogosian, featuring Ben Harpe ’09 and Paul Whitehouse ’08;

Waiting for Godot, by Samuel Beckett, featuring Todd Beck ’60 and Bill Vincent ’60