“Three out of four … like a coffin or a door”

Writer-in-Residence Diane Seuss won the Indiana Review 1/2K Prize for prose of 500 words or less. Brief nonfiction, prose poetry, or short-short stories are eligible for the prize. Di’s winning entry is titled “Wal-Mart Parking Lot,” and about it the contest judge wrote: “[It] offers readers an unexpected vision of American culture filtered through consumer culture and 20th century art history.” Di also was a finalist in three prestigious poetry competitions: the Orlando Prize (from A Room of Her Own Foundation); the River Styx Poetry Prize, 2013; and the Able Muse Poetry Prize, 2013. Last fall she was the MacLean Distinguished Visiting Professor in the English department at Colorado College.

New poems of Di’s appear in Unsplendid, Rattle, North American Review, and The Missouri Review. The latter journal featured the four poems in its online Text Box anthology, which includes an introduction to the poems (from which comes the Di Seuss quote that serves as title to this post) as well as questions and writing prompts. Di’s next public readings will occur November 4 (in Mount Pleasant, Mich., as part of the Wellspring Literary Series) and February 6, 2014 (at the University of Michigan, as part of the Zell Visiting Writers Series). Her third collection of poems, Four-Legged Girl, is forthcoming from Graywolf Press in 2015.

Wilde for Potts

Professor of Theatre Arts Lanny Potts received a 2013 Wilde Award for the “Best Lighting Designer Of The Year.” The award honors his work on The Light in the Piazza this past summer at Farmers Alley Theatre. The Wilde Awards were established by Pride Source Media Group to honor the excellent work produced by Michigan’s professional theaters. The Wildes are presented by EncoreMichigan.com, the most comprehensive resource for news and information about the state’s professional theater industry. Its team of 10 critics reviewed 179 productions produced or presented by 47 theater companies across the state and narrowed the slate to 71 productions. Of the 71 productions nominated, the top-honored show was The Light in the Piazza with six awards, including Lanny’s.

Double Intern

Zoe Beaudry with young students in HaitiSo eventful was the junior year of senior Zoe Beaudry that she made sure the summer following was just as worthy in terms of experiential opportunities. Zoe studied abroad in Israel during her junior fall and winter terms. That was followed with spring quarter on campus, during which she worked toward her major in art. Then came a summer of two internships. The first found Zoe in Massachusetts, working with Israeli and Palestinian youth to build community across cultures and differences through art. The second half of Zoe’s summer was spent in Haiti, as an intern with International Child Care. ICC is a Christian health development organization that has operated in Haiti since 1967. It works to change the conditions of poverty that impact health and well-being. Zoe kept a blog while she was in Haiti. Its entries cover her first impressions and hopes and her first art session with children at ICC’s Grace Children’s Hospital. She also worked in the wider community. ICC’s community outreach program serves families of mentally or physically handicapped children in the community by sending hospital staff to their homes for weekly physical therapy or mental exercise sessions. News of her art sessions spread, and so she did artwork with children who participate in community inclusion program. The photo was taken after that session: Zoe is pictured in the back row, at left. Her blog entries are worth a read. Zoe’s senior year promises to be as rewarding as her junior year. Among other activities, she is a Civic Engagement Scholar (CES) for the program Partners in Art. The CES program is administered by the College’s Mary Jane Underwood Stryker Center for Civic Engagement.

Writer’s Voice Rising

Alejandra Castillo ’15 will be the first in her family to graduate from college, and she is making her family proud every step of the way. “My three siblings dropped out of high school in the 9th grade. The fact that I’m at a prestigious liberal arts college is truly a dream come true, not just for me but for my whole family.”

Castillo is a Posse scholar, attending Kalamazoo College on a full scholarship awarded to teens from urban areas who exhibit high academic achievement and leadership skills.

Four years ago, while still a high school student, Castillo began work at a Los Angeles-based nonprofit organization called WriteGirl. This summer, she returned to the organization, but this time on an “independent internship” through K’s Center for Career and Professional Development’s Field Experience Program. WriteGirl challenges interns to think critically about the world, to write about it, and then to voice their work out loud. Leadership, communication skills and self-confidence are qualities nurtured in the program.

“I came back to WriteGirl because I want to be as ready as I can be to enter the workforce when I graduate college,” says Castillo.

At Kalamazoo College, Castillo is majoring in anthropology and sociology AND distinguishing herself as a playwright. Her one-act play, How Miss Long Beach Became Miss Long Beach, will be performed at the Kalamazoo College Festival Playhouse as part of the Senior Performance Series under direction of senior Amy Jimenez. The Senior Performance Series will occur May 1-4, 2014.

“Alejandra has been my student in playwriting class, and she developed this play in an independent study,” says her theatre arts professor, Ed Menta. “It’s a heartfelt and funny story of a young Latina who has mixed feelings about her mother forcing her to participate in a beauty pageant. The play touches on issues of mother/daughter, body image, assimilation, and sexuality.”

Another Castillo play, Say Yes, a conversation between two young people in the parking lot of a convenience store in Los Angeles, was selected for the Kalamazoo New Play Festival.

Shaping Space and Social Interaction

Hannah Knoll's ArtPrize entryHannah Knoll ’13 is a recent Kalamazoo College graduate with a passion for design and an aspiration to be an architect. She majored in physics with minors in mathematics and studio art. “I am interested primarily in the relationship between community and the physical landscape, leading to my desired career in architecture or urban design, fields I began to explore through jobs, internships and my study abroad experience in Copenhagen, Denmark,” said Knoll. She is currently updating architectural drawings for K’s facilities management department and serving as the Post-Baccalaureate Fellow in Art for the 2013-2014 academic year. Her busy schedule nevertheless left her time to enter ArtPrize. Her submission is called “Spaces Between.” The entry includes five bench-like objects that together outline a single rectangular form that relates to the room it is in.

“The fragmentation of this rectangle creates spaces between the individual pieces, spaces that can be experienced by the viewer as they sit and interact with the work. This is part of a series of projects exploring how physical elements and objects that shape space can influence social interactions.”

The Art of a Scientist

Kalamazoo College alumnus Dan Van HornWhen Dan Van Horn ’50 earned his degree in biology, focusing on ornithology, at Kalamazoo College, he came to science with an eye for art. A visit to the Indiana Dunes during his college years intrigued Van Horn, drawing his eye to plant life, but also to the resident birds. Alongside biology, Van Horn studied watercolor painting, but after graduating and going into military service, he switched from watercolor to photography.

Van Horn went on to graduate school to earn a master’s and then his doctoral degree in zoology at the University of Colorado. He was a professor of biology at several colleges and universities, later also a founding member of the University of Colorado-Colorado Springs biology department shortly after the branch opened in 1966. Since retiring from teaching, he has immersed himself in art again, winning many awards. He is a signature member of four national watercolor societies, and in 2013, Van Horn was selected for the American Watercolor Society’s 146th Annual Exhibition. The show is traveling to many venues across the United States throughout 2013.

Van Horn lives in Colorado Springs, Colorado, with his wife, but because he grew up in Chicago, many of his watercolors feature that city.

The In-Between Place

The Louisiana Museum recently interviewed Kalamazoo College alumna and artist Julie Mehretu ’92. The interview is titled “The in-between place,” and in it Mehretu talks about some of her recent work and its various influences, including the architecture of Cairo, Egypt, and recent events surrounding the Arab spring and the revolution that is ongoing in Egypt. She talks about the influence of her own origins as a person who was born in Ethiopia and whose family migrated to the United States, and she shares insights into the layered textures of her work and the large scale of her paintings, which provides multiple perspectives and experiences as the viewer processes the painting in multiple parts as well as its wholeness. Mehretu is one of the most celebrated artists of our time whose work has appeared in galleries and museums throughout the world. She maintains studios in New York City and Berlin.

K Artists in ArtPrize 2013

Vintage neon sign at Michigan theater
Russell Cooper’s photographic ArtPrize tour gives a view of vintage neon signs across Michigan.

Russell Cooper ’89, help desk administrator for Kalamazoo College Information Services, is a popular figure around the K campus for his ability to fix all things computerized. He is also known for his love of roller coasters and his skill with a camera, many of his photos appearing on the College website. And others made up his first and second entries to ArtPrize 2012 and ArtPrize 2013, respectively. His 2012 entry was a photographic representation of his two children; his current entry, Michiganeon, explores the world of neon signs.

ArtPrize is an international, open art competition based in Grand Rapids, Michigan, with $560,000 awarded by public vote and juried awards, making it the world’s largest art prize. From September 18 to October 6, three square miles of downtown Grand Rapids will become an open-air art venue, with many businesses opening their doors to participate, giving their space over to become art galleries.

“I love the look of the vintage neon,” says Cooper. “I would see something cool one time, and drive by another time, and it would be gone (business closed, sign gone). I’ve seen other photographers shooting neon, but no one focusing on Michigan. I’ve been working on this collection for about three years, but only considered it for ArtPrize this year.”

Annie Belle with her ArtPrize entry
Annie Belle ’13 with her art entry, a knitted house called “Woolhouse”

Annie Belle ’13 (artist’s name for Joanna Eckrich) is exhibiting “Woolhouse” as her ArtPrize entry. Her entry was her Senior Individualized Project at Kalamazoo College, a house knitted out of wool, complete with furniture.

Time to Reprise

Kalamazoo College alumna Gail Griffin
Gail Griffin in the 1986 Festival Playhouse production of UNCOMMON WOMEN AND OTHERS

It’s been 50 years of great theatre at Festival Playhouse of Kalamazoo College. What have been the highlights? And who should choose? Let’s start with the people who have acted and directed many of that half century of productions. They have picked their favorites, and you can enjoy them.

An Evening of Kalamazoo College Theatre Alumni Scenes occurs Saturday, October 19, at 4 PM in the Nelda K. Balch Playhouse. Alumni of past Festival Playhouse productions will present staged readings of their favorite plays. On the schedule:

William Shakespeare’s Hamlet, featuring Emilia LaPenta ’10 and Emily Harpe ’08;

Top Girls, by Caryl Churchill, featuring Wa-Louisa Hubbard ’03, Lisa Ludwinsk ’06, Anne LaTarte ’03, and Betsy King ’05;

Uncommon Women and Others, by Wendy Wasserstein, featuring recently retired Professor of English Gail Griffin and Laura Livingstone-McNellis ’89;

Pullman, WA, by Young Jean Lee, featuring Ryan Hatch ’04 and Matt Pieknik ’04;

Twilight: Los Angeles, 1992, by Anna Deavere Smith, featuring Kristala Pouncy ’02;

subUrbia, by Eric Bogosian, featuring Ben Harpe ’09 and Paul Whitehouse ’08;

Waiting for Godot, by Samuel Beckett, featuring Todd Beck ’60 and Bill Vincent ’60

Festival Playhouse Golden Anniversary Features A DREAM PLAY

Playbill cover for "A Dream Play"Theatergoers should not miss Festival Playhouse of Kalamazoo College’s production of August Strindberg’s masterpiece of early expressionism, A Dream Play. The opening night performance includes a pre-show ceremony to inaugurate the grand re-opening of the Nelda K. Balch Playhouse. Dates and times are: Thursday, November 7, 7:30 PM; Friday and Saturday, November 8 and 9, 8 PM;, and Sunday, November 10, 2 PM. Tickets are $5/students, $10/seniors, and $15/adults. Thursday night’s performance is “pay-what-you-like.” Call 269-337-7333 for reservations.

“It’s a beautiful theatrical experience,” says Festival Playhouse Manager Laura Livingstone-McNellis (an alumna theatre arts minor from the Class of 1989). Her statement captures the irony of art and suffering, of art on suffering. “The way cast and crew combine movement, text, and voice to create the semblance of a dream is nothing less than stunning,” she adds.

The play depicts a female demigod’s visit to earth to explore the nature and depth of human suffering. Livingstone-McNellis’s “semblance of a dream” description and the play’s theme reminds this author of poet Lucille Clifton’s poem “sorrows,” recently anthologized in Poetry magazine’s The Open Door: 100 Poems, 100 Years of Poetry Magazine.

sorrows

who would believe them winged
who would believe they could be

beautiful        who would believe
they could fall so in love with mortals

that they would attach themselves
as scars attach and ride the skin

sometimes we hear them in our dreams
rattling their skulls             clicking their bony fingers

envying our crackling hair
our spice filled flesh

they have heard me beseeching
as I whispered into my own

cupped hands       enough not me again
enough         but who can distinguish

one human voice
amid such choruses of desire