Intercultural Conference and Hip Hop Collective

Book club flyerKalamazoo College’s Intercultural Student Life group presents the “Intercultural Conference and Hip Hop Collective,” a two-day event on April 29 and 30 featuring guest speakers, the Black History 101 Mobile Museum, panels, discussions and a performance featuring five Hip Hop artists. The event’s venues include the Hicks Banquet Hall and Hicks Center.

Among the event’s goals are building relationships and learning about the intercultural ethos of K. “My student advisory board and I decided to focus our first event on Hip Hop because Hip Hop has a way to cross over cultural boundaries and speak to multiple groups,” said Natalia Carvalho-Pinto, director for intercultural student life.

The museum exhibit is open both days of the conference and is a powerful experience. “Khalid El-Hakim, the museum’s curator, travels with about 1,000 exhibit pieces,” says Carvalho-Pinto, “ranging from the slavery era through Jim Crow and the Civil Rights movement up to Hip Hop and the modern era.” El-Hakim will deliver the keynote address Saturday, talking about the museum and the importance on continuity in social justice work.

The Conference also features Ernie Pannicioli, a photographer who has documented Hip Hop from its birth through modern days and photographed every celebrity in Hip Hop,” according to Carvalho-Pinto. She adds, “He published a book titled Who Shot Ya, and he speaks about ’the other side of Hip Hop,’ the movement building and struggles that few discuss.” Carvalho-Pinto also is excited about the presence of OLMECA at the conference. “He is a very unique artist,” she says, “and his keynote address will focus on his experiences in the Zapatista movement and Hip Hop in Latin America.”

A Hip Hop panel occurs Saturday afternoon with Miz Korona, Mu, Supa Emcee and Kenny Muhammed THE HUMAN ORCHESTRA. Five Hip Hop artists will perform Saturday night for the “Zoo After Dark” activity.

“Our speakers, panelists and performers are really great people,” says Carvalho-Pinto. I would love to see as many students, staff and faculty as possible attend some or all the conference. My hope is that the event opens more opportunities for dialogue and serves as a place of empowerment for our students of color on campus.”

Forum on Education Abroad bestows honor on the late Joe Brockington, former head of international educational at Kalamazoo College

Joe Brockington 2016 Forum on Education Abroad awardFrom The Forum on Education Abroad:

The Forum on Education Abroad gave its 2016 Peter A. Wollitzer Advocacy Award to the late Joe Brockington, Ph.D., at the 12th Annual Forum Conference in Atlanta. The award was accepted on his behalf by Joe’s wife, Cathy, and sons, David, Sam and Drew. The award was presented to the Brockington family by Joe’s colleague and friend, Margaret Wiedenhoeft, Ph.D., acting director of the Center for International Programs at Kalamazoo College.

Here is an excerpt from Margaret’s citation delivered at the award ceremony:

“Throughout his twenty-plus years in international education, Joe Brockington consistently contributed to and advocated for the Standards of Good Practice for Education Abroad, mentoring colleagues at institutions on how to develop and provide programs incorporating The Forum’s Standards that met curricular goals while also fully supporting students. His contributions to the research of the development of the profession of international education helped to create recognition of the increasing professionalization of our work while acknowledging how much the field has changed. Throughout his career, Joe never missed an opportunity to remind colleagues that having standards was so important because, as he would say in his very Midwestern, dry, humorous tone, ‘that next to parenting, education abroad is the world’s greatest amateur sport.’”

Cathy, David, Sam and Drew Brockington
Cathy, David, Sam and Drew Brockington

Joe Brockington, a member of the founding Board of Directors of The Forum, passed away in August 2015. He served as associate provost for international programs and professor of German language and literature at Kalamazoo College. He was instrumental in the founding of The Forum and over the years contributed to the field in innumerable ways by presenting at conferences and initiating projects.

The Peter A. Wollitzer Advocacy Award was established to honor a Forum member who has been remarkably effective in influencing institutions of higher learning to understand and support education abroad through the dissemination of the Forum’s goals: standards of good practice, data collection and research, curricular development and academic design, and assessment. The award will be given to an individual, but individual achievement pre-supposes institutional efficacy and impact and provides inspiration to the field of education abroad. Awardees can be individuals who work on a U.S. or foreign university campus or for domestic or foreign providers or organizations.

The award is presented each year at The Forum’s Annual Conference.

The Forum on Education Abroad (https://forumea.org) is recognized by the U.S. Department of Justice and the Federal Trade Commission as the Standards Development Organization (SDO) for the field of education abroad. The Forum provides training and resources to education abroad professionals and its Standards of Good Practice are recognized as the definitive means by which the quality of education abroad programs may be judged. The Quality Improvement Program for Education Abroad (QUIP) and The Professional Certification for Education Abroad Program provide quality assurance for the field through use of the Standards in rigorous self-study and peer reviews for institutions and professional certification for individuals.

Blind Date

Kalamazoo College Professor Di SeussDI SEUSS NAMED one of two finalists for the 2016 Pulitzer Prize for Poetry! A first in the history of Kalamazoo College to have one of her own so honored. Di is an alumna (class of 1978) and Di is our writer-in-residence and Di is an assistant professor of English. “Di is” is the roiling wellspring and outflow of her remarkable books, most particularly Four-Legged Girl, which the Pulitzer jurors describe as “A richly improvisational poetry collection that leads readers through a gallery of incisive and beguiling portraits and landscapes.”

I like to think of each Di’s books as a glimpse (part dark, part light, and both motion) of a journey into “Di Seuss named,” a good name for a vast, strange and absolutely singular land at the margins of the world.

Graywolf Press commissioned Di to write an essay on Myrtle Corbin, the four-legged girl and Di’s muse for part of her recent collection. You can see Myrtle–or a portion of her–on the cover of Di’s book. Di’s essay, writes her publisher, is “something dark, weird, and beautiful.” It calls forth the poet Emily Dickinson and (at least for me, albeit less explicitly) another hero, another “Di,” the photographer Diane Arbus.

“When born with two vaginas, what is a girl to do?” writes Di Seuss in her essay, “Wear white, collect plants by moonlight and construct an herbarium, become a recluse, write poems? Or take the other route: join the circus, become, as Myrtle did at thirteen, a live exhibit. Without the economic privilege a poetic genius freak like Dickinson was born into, the Four-Legged Girl went for the paycheck. She dressed all four of her appendages in striped socks and black boots and pulled up her skirt to reveal the four knots of her knees. She wore fringe and silk and a hair bow. Her bangs were plastered to her forehead in spit curls with whatever they used for styling gel in those days. Oh yeah. spit.”Four Legged Girl Book Cover

Arbus once wrote, “Freaks was a thing I photographed a lot….There’s a quality of legend about freaks. Like a person in a fairy tale who stops you and demands you answer a riddle. Most people go through life dreading they’ll have a traumatic experience. Freaks are born with their trauma. They’ve already passed their test in life. They’re aristocrats.”

Later in her remarkable essay about her remarkable book’s namesake, Di Seuss writes, “I believe my association with her predecessor paved the way. My first love was the taxidermied two-headed lamb in my little hometown museum. He was John the Baptist to Myrtle’s Jesus. In his two soft heads and four sweet eyes I discovered the vulnerability and genius of marginality, the burden and the gift of originality….I love and lust after Myrtle Corbin because she is queered and empowered by her idiosyncrasy…dizzied by the realization of her absolute singularity. I experience my own body as a spectacle, an exhibit, a performance, and a condition. My legs are exponential….

“Our whole guise,” echoes Arbus, “is like giving a sign to the world to think of us in a certain way but there’s a point between what you want people to know about you and what you can’t help people knowing about you….I mean if you scrutinize reality closely enough, if in some way you really, really get to it, it becomes fantastic. You know it really is totally fantastic…. Nothing is ever the same as they said it was. It’s what I’ve never seen before that I recognize.”

Di’s poems (and prose) take me to what I’ve never seen before.

Scores Make Waves

Ronald Sadoff, Siu-Lan Tan, Elizabeth Margulis and Stefan Koelsch
Making waves at “Making Waves” were (l-r): Ronald Sadoff, Siu-Lan Tan, Elizabeth Margulis and Stefan Koelsch.

Answer this question, “What’s the best movie you ever saw?” and chances are your answer will be accurate  for a slightly different question: “What’s the best movie you ever heard?”

Professor of Psychology Siu-Lan Tan, a leading figure in the psychology of film music and the editor of The Psychology of Music in Multimedia, has been involved in two recent projects exploring the critical role of musical scores (some say the “heartbeat,” others the “symphonic music of our day”) to the emotional impact of a film.

The most recent project is a film titled SCORE: A Film Music Documentary. Siu-Lan’s was one of some 60 live interviews compiled for the film, including conversations with the top living film composers in United States and the United Kingdom (Hans Zimmer, Danny Elfman, Randy Newman,  Howard Shaw, Trent Reznor, Alexandre Desplat, among others), film directors like James Cameron, producers like Quincy Jones, and several film scholars.

Siu-Lan will appear in SCORE several times. In the meantime you can view a short trailer for the film.

A related project that occurred in late March was the panel discussion “Making Waves: Why Movies Move Us.” The conversation was sponsored by the New York University (NYU) Steinhardt School of Culture, Education, and Human Development, and in addition to Siu-Lan it featured Ronald Sadoff, chair of the NYU department of music and performing arts professions and director of film scoring at NYU Steinhardt; neuroscientist Stefan Koelsch, professor of biological psychology and music psychology at Freie University Berlin; and Professor Elizabeth Margulis, director of music cognition lab at the University Arkansas.

At the event Siu-Lan used movie clips from films including Indiana Jones, Gravity, and The Shining to explore why music is an essential component of how emotion is conveyed in film. The panel occurred at NYU’s Frederick Loewe Theatre.

Danny Kim prepared four short videos that were shown at the presentation. “One surprising highlight was when we played Danny’s last video,” said Siu-Lan, “an eight-minute collage of scenes and music from films. It was meant to play in the background as people left the theater, and we invited them to do so. But to our astonishment, the whole audience stayed and watched with rapt attention and applauded at the end!” That’s the surprising power of music.

Nor was it the only surprise of the evening. Alumnus Matthew Jong ’15 (currently a graduate student pursuing a degree in music business at NYU) showed up for the panel discussion. “I was delighted that Matt could come,” said Siu-Lan. “We were unable to connect in person, but he emailed me later to let me know he was there, and he wrote, ’Please tell ‘K’ I miss it for me!’”

War Crimes Trial Anniversary Occasion for Human Rights Workshop

David Barclay
David Barclay

A workshop on human rights (April 14-16) at Kalamazoo College will offer the opportunity for some of the world’s leading scholars to discuss their work among themselves and an audience that includes students, faculty and the general public. The workshop is titled “Seventy Years After Nuremberg: Genocide and Human Rights in Comparative Perspective.”

“Seventy years after the end of the Second World War and the Nuremberg War Crimes Trials of 1945-46 is a particularly appropriate time to reflect on genocide and responses to genocide in the 20th and 21st centuries,” said workshop organizer David Barclay, the Margaret and Roger Scholten Professor of International Studies. “Although the study of genocide, the Holocaust, international human right and related issues has become an essential component of academic scholarship and civic education, the current anniversary of the first war-crimes trials after World War II offers important opportunities to reflect comparatively, and in a focused way, on these vital matters.”

The workshop begins on Thursday evening, April 14, with a keynote address by Daniel Chirot (University of Washington) titled “No End in Sight: Why Mass Political Murder Continues to Occur.” Friday morning’s session focuses on genocide prior to the Second World War (and before the invention of the word), locating the phenomenon of genocide in the larger context of global history from the 19th to the 21st centuries. The session includes new scholarship concerning the Armenian genocide and new work detailing colonialism and genocide in Africa. Friday afternoon features two sessions on recent discussions of the Holocaust.

The workshop will conclude on Saturday morning with a consideration of other examples of 20th-century genocide, responses to genocide, and genocide and the protection of international human rights. Public participation and discussion will be encouraged. The event occurs in the Mandelle Hall Olmsted Room and is free to the public. In addition to Chirot and Barclay, among the other scholars featured are Joseph Bangura, Kalamazoo College; Carter Dougherty ’92, Bloomberg News; John Dugas, Kalamazoo College; Hilary Earl, Nipissing University, Canada; Amy Elman, Kalamazoo College; Geoffrey J. Giles, University of Florida; Lesley Klaff Sheffield Hallam University, United Kingdom; Paul Gordon Lauren, University of Montana; Wendy Lower, Claremont McKenna College; Samuel Moyn, Harvard Law School; James Nafziger, Willamette University and American Society of Comparative Law; Raffael Scheck, Colby College; and Ronald Suny, University of Michigan.
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Nights (and Days) in the Museums

Melany Simpson
Melanie Sympson

Join an evening of “Exploring Museum Careers with Kalamazoo College Alumni” on Thursday, April 21, at 7:30 p.m. in Dewing Hall Room 103. The discussion and Q&A comes from the inspiration of Professor Emerita of Art History Billie Fischer and Visiting Instructor of Art History Melanie Sympson. Sympson is teaching the spring term course “The Modern Art Museum,” and she has enlisted the three alumni panelists to visit her class in addition to sharing their stories with the general public. The alumni participants are John Cummins Steele ’83, Holly (Rarick) Witchey ’83, and Courtney Tompkins ’08. Each will speak about 10 minutes, sharing their from-there-to-here stories (where “there” is K and “here” is working in museums) and then take questions from the audience. The evening will be a true liberal arts fest, says Sympson, for museums are situated at the intersection of many disciplines. Steele is the director of conservation and conservator of sculpture and decorative arts at the Detroit Institute of Arts. He supervises conservation department staff in the examination, documentation, analysis, scientific research, conservation treatment, preservation, exhibition and interpretation of the DIA’s permanent collection. He earned his M.A. and certificate of advanced studies at Buffalo State College. At K he majored in history and earned a concentration in art history. He studied abroad in Erlangen, Germany.

Witchey is director of the Wade Project at the Western Reserve Historical Society. The Wade Project is a multi-year collaborative effort to create a model for studying individual family histories. She also teaches museum work related courses for Johns Hopkins University. Witchey earned her Ph.D. at Case Western Reserve University. At K she majored in political science and art history. She studied abroad in Muenster, Germany.

Tompkins is assistant to the program of research, Center for Advanced Study in the Visual Arts, at the National Gallery of Art in Washington, D.C. CASVA is a research institute that fosters study of the production, use, and cultural meaning of art, artifacts, architecture, urbanism, photography, and film worldwide from prehistoric times to the present. Tompkins earned her M.A. at American University. At K she majored in art history, and she studied abroad in Rome, Italy.

Better than a “Night at the Museum” is an evening exploring museum careers with these three distinguished alums. The event is free and open to the public.

The Rosemary K. Brown Professor Chosen

Kalamazoo College Professor Alyce BradyKalamazoo College today named Alyce Brady, Ph.D., the Rosemary K. Brown Professor in Mathematics and Computer Science. Alyce has taught in those departments at Kalamazoo College for 22 years. She earned her bachelor’s degree from Bowdoin College and her master’s degree and Ph.D. from Rensselaer Polytechnic Institute. She teaches a variety of courses in computer science from introductory classes to advanced courses on programming languages, data structure, dynamic Internet apps and software development in a global context. Her research interests include the application of computer science to social justice (Alyce served as the Arcus Center for Social Justice Leadership Faculty Fellow from 2013-2015), the development of more effective computer science education exercises and opportunities for students, software design, academic computing applications and human-computer interfaces. In 2007 she co-authored a seminal article in computer science education, “A 2007 model curriculum for a liberal arts degree in computer science,” and in 2010 she co-wrote the article “Case studies of liberal arts computer science programs.”

The professorship was established with an endowed gift by Rosemary Kopel Brown and John Wilford Brown in 2001 as part of the College’s campaign, Enlightened Leadership in the 21st Century. The endowment was strengthened by another gift from the Browns during the recently completed Campaign for Kalamazoo College. Endowed professorships help ensure the presence of great faculty at K, and the faculty-student relationship is the cornerstone of the excellence of the K learning experience. The Rosemary K. Brown professorship funds “the position of an established teacher/scholar with demonstrated achievement and the promise of continued exceptional performance.” Rosemary and John have a deep and enduring connection with Kalamazoo College and Kalamazoo. Both served as trustees of the College. Rosemary is a lifelong mathematics educator who worked in several Kalamazoo Schools. John is the retired president, chief executive officer and chairman of the board of Stryker Corporation in Kalamazoo.

Endowed professorships do great and indispensable things for K. They confer a prestige that helps attract and retain the best faculty. The gifts that are their financial foundation free operational funds that an institution can use for other educational opportunities. And they provide the wherewithal for a great teacher to extend the power of his or her pedagogy and scholarly work. Case in point is the former Rosemary K. Brown Professor of Mathematics and Computer Science, John Fink, who retired in 2015. John used the endowed fund in many ways, to the benefit of students in the United States and abroad. He attended critical workshops and served in the Michigan Section of the Mathematical Association of America; he attended and accompanied students to meetings that allowed students to experience the culture of professional mathematics, he helped develop a middle school math outreach program in Kalamazoo and, with student involvement, sowed the seeds for a similar program in Ecuador. All these efforts, and more, were made possible the endowed professorship. Of K’s work in Ecuador John said, “It’s remarkable! The fewest crumbs of possibility inspire a feast of dreams.” The Rosemary K. Brown professorship allows great teachers to conceive and implement such possibilities and dreams.

Like John, Alyce is committed to projects that foster computer science and social justice together. As the ACSJL faculty fellow she helped launch and maintain a collaborative, social justice project to computerize academic

Kalamazoo College Professor Alyce Brady with colleagues and students
© Chris McGuire Photography.

records for two partner higher educational institutions in Sierra Leone. And she found ways to involve her students in that project. See photo, picturing (l-r): front row–Justin Leatherwood ’13; Jonas Redwood-Sawyerr, vice chancellor and principal, University of Sierra Leone; Alyce Brady;Abu Sesay, vice chancellor and principal Njala University; Ashton Galloway ’13; back row–Chris Clerville ’13; Tendai Mudyiwa ’14; Kayan Hales ’’14; Chirs Cain ’13; and Keaton Adams ’14.

The appointment, announced today, becomes effective September. The College congratulates Alyce Brady, its second Rosemary K. Brown Professor of Mathematics and Computer Science, and the College is honored to have Rosemary’s name associated with Kalamazoo College in perpetuity.

Call for Response to Zika in Puerto Rico

Associate Professor of Anthropology Adriana Garriga-LópezAssociate Professor of Anthropology Adriana Garriga-López is a member of a group of experts that co-authored an essay and call to action titled “Public Statement on Zika Virus in Puerto Rico.” The essay appeared in Savage Minds (15 March 2016) with the Spanish language version forthcoming in a few days. The authors are members of the Society for Medical Anthropology’s Zika Interest Group. Among other courses at K, Garriga-López teaches “Medicine and Society.” She is an expert on the intersection of politics, societies, social justice, disease and epidemics and completed her doctoral work on the confluence of these forces in the HIV epidemic in Puerto Rico.

The essay on the Zika virus notes the influence of water and waste management, church proscriptions, the corporate use and development of experimental insecticides, and U.S. Congressional policy on the advent and future course of the epidemic in Puerto Rico. Zika is a public health emergency, and the essay calls for Zika prevention actions to benefit the people of Puerto Rico. Those actions include: “provide and install window screens in homes and businesses, assist in water systems management, and distribute vector surveillance and control strategies  In particular, public health authorities can assist with disposing of any waste that might collect water in order to minimize mosquito populations.

“The CDC has a Dengue station headquarters in San Juan, PR and should use that station as a base to conduct Zika prevention and mosquito mitigation campaigns. All prevention and research activities on the island should follow the principles of open access and collaboration appropriate for a public health emergency.  Furthermore, given the strongly suspected association between Zika, microcephaly, and Guillain-Barré syndrome, the CDC should be on high alert for these cases in Puerto Rico and prepared to deal with these diseases as they arise.

“Finally, care and support must be provided to pregnant women and their families who have or will experience Zika infection. Puerto Rico birth outcomes have been worsening since the advent of the economic crisis. The infant mortality rate climbed to 9.5 per 1000 live births for 2012. This burden is exacerbated by the large number of health professionals that have recently emigrated from the island.

“It is imperative that the Medicaid cap be removed for the island and resources mobilized immediately to fight this public health emergency, particularly in terms of prenatal and reproductive health care. Prevention of transmission, expanded medical care, reproductive rights, and long term sustainability of the water infrastructure should be the priorities, beyond the tourist and hotel areas. We call for assistance to local initiatives and support for already existing community structures, and affirm Puerto Rico’s right to defend the health of its population.”

Happy Birthday, Center for Civic Engagement

Center for Civic Engagement turns 15 this yearThe Mary Jane Underwood Stryker Center for Civic Engagement (CCE) turns 15 this year, and its hard to imagine better origins. It began as a joint brainstorming effort between students, faculty and several community partners with the intent on redefining what a liberal arts education was all about. Students were not just de facto city residents while they studied at K; they were community assets as well. Annually, about 600 K students participate in service-learning in some way with the CCE.

From work on sustainability issues to girl’s and women’s empowerment to health and economic equality to food justice, CCE programming engages students in work that promotes social justice, further pushing the College’s mission to create lifelong learners.

“For some of our students, it’s the first time they’ve witnessed first-hand a variety of ‘isms,’” says Alison Geist, CCE’s director. “We put students on the front lines of many societal issues in a way that sitting in a lecture or classroom just can’t.”

Center for Civic Engagement (CCE) turns 15 this yearSusmitha Daggubati ’16 mentors a second-grader at Woodward Elementary School in Kalamazoo’s Stuart Neighborhood, adjacent to K’s campus. Daggubati, a senior majoring in chemistry and earning a concentration in biochemistry and molecular biology, is in her second year at Woodward and serves as a Civic Engagement Scholar, a kind of on-site leader who mentors other K students working at sites across the community, scheduling their shifts and organizing meetings to brainstorm programming ideas.

Daggubati moved with her family to the Kalamazoo area from their native India ten years ago. Still very much tied to her Indian roots, her time in service-learning has also given her a greater understanding of the complex social issues at play in American society “In many classes, we learn the theories about the roots of so many social problems,” she says. “But I am able to make those connections to the real world when I’m involved. It keeps me rooted in the realities of the world, and it has given me a greater understanding of American culture.”

Tom Thornburg is the managing attorney at Farmworker Legal Services, a non-profit agency based in Bangor, Mich., a small community about 25 miles west of Kalamazoo, in an agricultural area where hundreds of migrant workers flock each year to work in fields and orchards. His agency assists these workers – overwhelmingly Hispanic – with everything from language services to information on their legal rights to informing them of resources available to them. He’s been working with the CCE for almost a decade, and the K students who’ve come through his doors have become an invaluable resource.

“The students from K are some of the brightest, best-equipped and most professional volunteers we get,” Thornburg says. “They come here with a sense of enthusiasm to help, a sense of what to do, an autonomy. They’re excellent, right up there in many ways with the law students we have working here.”

Over the years, hundreds of the nearly 2,000 students Associate Professor of Psychology Karyn Boatwright has taught have participated in service-learning programs, in a diverse group of local agencies, from the Kalamazoo Public Schools to Planned Parenthood to Goodwill Industries.

Through more than 30 different courses at the College designed with community partners, faculty at K have engaged thousands of students, community residents and leaders to create opportunities for experiential learning and impact derived organically and intentionally from service-learning work.

Says Boatwright, “The CCE and their students consistently impress upon us the need for reflection to ensure that we are not only connecting the proverbial dots, but understanding the political and social connections between success and social factors. Civic engagement experiences improve the quality of learning for our students and strengthen our community.”

The College’s solid commitment to developing the next generation of leaders who are observant, lifelong learners intent on crafting solutions to problems plaguing a suffering world is stronger now than ever. Concludes Geist: “The founders of K were always interested in social justice, and our programming is a manifestation of that. It’s the idea that we should be creating a fellowship of learning, not just working in ivory towers tucked away from society.”

(Text by Chris Killian; photo by Keith Mumma)

Colloquium About Blackness to Occur at Kalamazoo College

Colloquium About Blackness at KKalamazoo College will present the Physics of Blackness Colloquium on March 31 and April 1. March 31 features a lecture (7 p.m. in Dalton Theatre) by Michelle M. Wright, Professor of African American Studies and Comparative Literary Studies at Northwestern University, and author of The Physics of Blackness: Beyond the Middle Passage Epistemology. Wright’s lecture is titled “Blackness by Other Names: Beyond Linear Histories.” On the next day (April 1, 5 p.m. in the Arcus Center for Social Justice Leadership) will follow an interactive event developed by the Beyond the Middle Passage Organizers. That group includes Justin Berry, assistant professor of political science; Nakeya Boyles ’16; Quincy Crosby ’17; Reid Gómez, the Mellon visiting assistant professor of ethnic studies; Allia Howard ’17; Bruce Mills, professor of English; and Shanna Salinas, assistant professor of English. “Wright looks at the argument of race, particularly Blackness, and the ways that argument plays out in economic, political and physically embodied ways,” says Gómez. “Her work will help us look at differences within difference and move beyond thinking in categories.”

According to Gómez, the colloquium will stress three themes, all of which relate to one another: horizontal connections instead of vertical frameworks; the inability of temporally linear progress narratives (which often structure the notion of Blackness) alone to realize the broad and complicated truth and meaningfulness of Blackness; and a “See Me-Hear Me” approach during the colloquium that will ask participants to enter each others’ lives in meaningful ways. Wright’s book uses concepts from physics to expand thinking and discussion beyond linearity that makes “it difficult to understand or accept people, places, or event that do not easily fit inside a single narrative,” explains Gómez. Toward that end Gómez has helped facilitate “The Physics of Blackness at Kalamazoo College,” a blog in the form of a mosaic that makes approaching the subject of Blackness nonlinear and dynamic.

Nonlinearity is the true nature of the physical universe, wrote Gómez in a summary of Wright’s book. Such nonlinearity doesn’t preclude all cause and effect, but instead complicates it. Gómez writes that Wright “cautions against cause and effect laws that make history solely the consequence of oppression, where Blackness only appears in terms of resistance to, or the direct result of, that oppression.” The ability to think and discuss freed from such overly narrow restrictions allows us to “reimagine choice and agency in relationship to Blackness,” says Gómez, “the choice to ’notice and wonder’ at what is left out of linear progress narratives, and to conceive of self outside those terms.”

The Beyond the Middle Passage Organizers group invites colloquium participants to help one another prepare for the event by sharing talking points, images and points of entry into Wright’s theory via Instagram _bmp._ and Twitter @_bmpo_.