Writer-in-Residence Diane Seuss ’78 will have her third volume of poems, Four-Legged Girl, published in 2015.
Her first collection was It Blows You Hollow, and her second, Wolf Lake, White Gown Blown Open, received the Juniper Prize for Poetry.
Last month Seuss was interviewed by Missouri Review intern Anne Barngrover for the Review’s Text Box anthology (October 15). It’s a fascinating read, much like a Di poem: “Four-Legged Girl is specifically concerned with embodiment, beauty, loss, addiction and desire,” says Seuss. “Maybe it is post-body, post-beauty, post-grief, post-addiction, post-desire. I think so. I believe it is located more outside the boundary of community than my other books; its imagination is more iconoclastic, arriving at ferocity, femaleness, freakishness, and solitude–which to me is poetry.”
The interview touches on the treatment of religion (“I tried to be Catholic about the same year as I got breast buds.”), female sexuality (“The four-legged girl’s lonely freakishness is a signal of her monstrous royalty.”), and the recurrence of the name “Mary” throughout her work (“…maybe the four-legged girl is named Mary. I think my notion of the goddess has gotten a lot racier. But in tandem with that raciness is an omnipresent grief.)” The reader also learns a great deal about the College’s resident writer’s writing process–“I have never been someone who writes daily….There is a window of opportunity in which I know all and see all from the poem’s point of view and language palette….Once the window closes, I’m lost. Out of that lostness, when it’s just me and the dog and the nameless stars, comes the next poem.”
The Kalamazoo College Symphonic Band presents its Fall 2013 concert: SPIN CYCLE: A Concert of Theme and Variations. The concert takes place on Friday, November 15, at 8 PM in the Light Fine Arts Dalton Theatre on the Kalamazoo College Campus. The event is free and open to the public. The Symphonic Band is directed by Professor of Music Thomas Evans and functions as a beloved creative outlet for woodwind, brass, and percussion students. The Symphonic Band holds one concert each quarter playing exciting arrays of band music both challenging and simple but–as Dr. Evans attests–never “simple-minded.” The band is a great favorite for both its members and its audiences, as the programs are usually coordinated around greatly diverse themes that allow for performances of much-loved pieces, both classic and new. SPIN CYCLE selections include Fantasy on Yankee Doodle (Mark Williams), Pachelbel’s Canon (Calvin Custer), Variations on a Korean Folk Song (John Barnes Chance), Themes from Green Bushes (Percy Grainger), Variations on Scarborough Fair (Calvin Custer), Variations on a Shaped Note Tune (Johnnie Vinson), First Suite in E-flat (Gustav Holst), and Joyful Variations-Ode to Joy (Brian Beck). The concert is sponsored by the Kalamazoo College music department.
REGENERATION, the Kalamazoo Philharmonia’s Fall 2013 concert, features soprano Rhea Olivaccé, whose work as a concert and recital soloist has been widely recognized for her versatility of repertoire and medium. REGENERATION occurs Saturday, November 16, at 8 PM in the Light Fine Arts Dalton Theatre on the Kalamazoo College campus. Tickets are $5 general admission and $2 for students. The concert is free to Kalamazoo College students. Olivaccé and the Philharmonia will perform the Four Last Songs by Richard Strauss. The content of Four Last Songs features a solo soprano voice given remarkable soaring melodies against a full orchestra, and all four songs have prominent horn parts. The combination of a beautiful vocal line with supportive brass accompaniment references Strauss’s own life. His wife, Pauline de Ahna, was a famous soprano and his father, Franz Strauss, a professional horn player. The Kalamazoo Philharmonia will also perform Mahler’s First Symphony, referred to as “The Titan.” The symphony lasts around just under an hour, making it one of Mahler’s shortest symphonies. The Kalamazoo Philharmonia is under the direction of Associate Professor of Music Andrew Koehler. The event is sponsored by the Kalamazoo College music department.
Keith Geiman will perform a recital at Kalamazoo College on Saturday, November 9, in the Light Fine Arts Dalton Theatre. The recital begins at 7 PM and is free an open to the public. Geiman is 2nd trumpet with the Battle Creek Symphony Orchestra, a member of the Kalamazoo Brass and the Kalamazoo Symphony Brass Quintet, and an instructor of applied trumpet at K. Geiman will be accompanied by Thomas Britton, piano, performing selections by a variety of composers. The program also features Associate Professor of Music Andrew Koehler, violin, and Professor of Music Leslie Tung, piano, accompanying in The Trio for Trumpet, Violin and Piano (Eric Ewazen). Other compositions to be performed include Selections from Suite in D Major (Jacques Alexandre de Saint-Luc), Sicilienne (Maria Theresia von Paradis), Concerto in F minor, Op. 18 (Oskar Böhme), and Tango from ‘Espana’ Op. 165 No. 2 (Isaac Albéniz). Geiman served as principal trumpet of the Northwest Indiana Symphony Orchestra from 2009 to 2011. The recital is sponsored by the Kalamazoo College music department.
Associate Professor of Psychology Siu-Lan Tan wrote an article (“Why Does this Baby Weep when her Mother Sings?”) for Psychology Today that elucidates an infant’s actions in a You Tube video gone viral. The video shows an infant — Mary Lynne Leroux — emoting deeply to her mother’s singing. Tan suggests the infant’s reactions result from psychological phenomena called emotional contagion and emotional synchrony in combination with the bell-shaped melody of the song itself and just plain wonder. Of course, people (21 million views and counting) are responding more to the magic of the piece rather than its clinical explanation. And the latter in no way diminishes the former. To the question of whether her analysis made the video “any less magical,” Tan wrote, “In my view, it may be even more remarkable and even more compelling to think that what we are witnessing may not just be the power of the human voice and singing — but a window into how deeply and powerfully we are moved by the emotions of those around us, even in our earliest interactions.” It’s an intriguing video and article.
Kalamazoo College Professor Peter Erdi (left), Plamen Angelov (Lancaster University), and Daniel Levine (University of Texas at Arlington) received Outstanding Service Awards at the 2013 International Joint Conference on Neural Networks. Photo by Wentao Guo.
Péter Érdi, K’s Henry R. Luce Professor of Complex Systems Studies, served as the Program Chair for the 2013 International Joint Conference on Neural Networks (IJCNN), the premier international conference in the area of neural networks theory, analysis, and application. This year’s IJCNN was held in Dallas, Texas and was attended by more than 500 people.
He joined other big names in neural research who received awards at the conference, including Stephen Grossberg (Boston University), considered by many in the field to be the father/inventor of adaptive resonance theory; Terry Sejnowski (University California at San Diego) who works on President Obama’s Brain Research through Advancing Innovative Neurotechnologies initiative, which is being compared to the Human Genome Project and the moon landing initiative; and Frank Lewis, a Distinguished Professor at University of Texas Arlington Research Institute who received the IEEE Pioneer in Neural Networks Award for his work in bringing together optimal and adaptive control.
Alexander Ross ’17 plays the Officer and Emma Franzel ’17 the Daughter in the Festival Playhouse production of August Strindberg’s A DREAM PLAY
Festival Playhouse of Kalamazoo College performs August Strindberg’s A Dream Play in the Nelda K. Balch Playhouse in November. The show opens on Thursday, November 7, at 7.30 PM (“pay-what-you-like-night”). A brief talk-back will follow Thursday’s performance. Additional evening performances are on Friday and Saturday, November 8 and 9, at 8 PM; a matinee concludes the run on Sunday, November 10 at 2 PM. Tickets are $5 for students with an ID, $10 for seniors, $15 for other adults. A Dream Play is part of the Festival Playhouse’s Golden Anniversary season.
The play explores fundamental questions: Why do we exist, and why is life so difficult? The plot surrounds the daughter of the Hindu god, Indra, who leaves heaven to visit humans on earth. In living with humans as a human herself, her mission is to determine why humans suffer. Director Ed Menta says the production will attempt to create a theatre poem by interweaving Strindberg’s text with Festival Playhouse’s staging, performance, and design.
Senior David M. Landskroener, who serves as composer and music producer for the production, says that “creating live sound effects is such an interesting experience because I’m making sound to accompany a dream. Many times while tinkering around with effects I reject my initial thoughts about a certain sound in a scene and try out multiple options that may not at first sound completely congruent with the action onstage, but reflect the idea of associative links found in a dream.”
Before 1901, plays may have contained a dream sequence, but Strindberg created a new genre with a play that is entirely a dream. In the play’s foreword Strindberg wrote: “Everything can happen, everything is possible and probable. Time and place do not exist; on an insignificant basis of reality, the imagination spins, weaving new patterns; a mixture of memories, experiences, free fancies, incongruities and improvisations.”
Given such source materials, one can understand why “It has been a challenge to make all of the 30+ characters come to life,” according to K senior Michael Wecht, assistant director for A Dream Play. “It is my goal, through movement coaching and exercises emphasizing physicality, to help the cast discover each of their roles. This is especially pertinent because most of the actors are playing multiple roles.”
For reservations or more information about Festival Playhouse’s Golden Anniversary season (stay tuned for The Firebugs and Peer Gynt) call 269.337.7333.
The Kalamazoo College Jazz performs a concert titled “A Tribute to Freddie Hubbard” on Saturday, November 2, at 8 PM in Dalton Theatre, located in the Light Fine Arts building on the Kalamazoo College campus. The concert is free and open to the public. Hubbard (1938-2008) was an American jazz trumpeter whose musical career spanned 50 years.
The 18-member Kalamazoo College Jazz Band will perform selections composed by Hubbard and by other jazz greats with whom he played. Included are: “A Nasty Bit of Blues,” “Ready Freddie,” “Little Sunflower,” “Povo,” “Alianza,” “Red Clay,” and “Out of the Doghouse.” The Kalamazoo College Jazz Band is directed by Professor of Music Tom Evans. Featured performers include Jon Husar ’14, trombone; Ian Williams ’17, piano; Riley Lundquist ’16, tenor sax; Kieran Williams ’16, trumpet; Chris Monsour ’16, drums; and Curtis Gough ’14, bass.
Kalamazoo College has been selected to the Honor Roll of the 2013 Michigan’s Healthiest Employers program. Word of the award came to Ken Wood, the College’s wellness and fitness advisor. The awards and best practices program is presented by Crain’s Detroit Business, MiBiz, and Priority Health to recognize companies around the state whose policies, programs, and culture create healthy employees and healthy workplaces. As an honor roll member, the College will be invited to attend the Healthiest Employers Awards & Best Practices event (January 10, 2014) at DeVos Place in downtown Grand Rapids. After a healthy breakfast, finalists and honor roll organizations will enjoy a panel discussion with the winning companies to learn about their best practices, challenges, and plans for the future.
The Kalamazoo College community is saddened to learn of the death of Professor Emeritus of Physics David Michael Winch, age 78. David, of Taos, New Mexico, passed away unexpectedly October 7, 2013 while riding his bicycle. David taught at the College from 1967 to 2001. Before coming to K he taught at John Carroll University, Clarkson College of Technology, the United States Air Force Academy, and British Open University. He conducted research for the National Aeronautics and Space Administration, the Argonne National Laboratory, and the Desert Research Institute.
Winch was an enthusiastic bicyclist, and was often seen on campus on his bicycle. He usually biked the 13-mile round trip from his home to K. He also loved the out-of-doors, especially mountains, and he co-founded the College’s popular LandSea wilderness first-year orientation program.
In addition to physics, he was deeply involved in science education at all levels. He believed that science is best learned using a hands-on approach, and he believed that science is best learned through collaboration and group work. He was a founding board member of the Kalamazoo Area Mathematics and Science Center, a magnet school for gifted high school math and science students in Kalamazoo County. He also was a teacher and director with ScienceGrasp, a national program that encouraged elementary school teachers to use hands-on science teaching strategies in their classrooms. During his career he received more than $2.8 million in grants on behalf of science education, and he published more than a dozen articles and presentations on physics education for various learning levels. In one of those publications he wrote, “An infant reaches for a brightly colored object; tiny fingers squeeze the object, exploring its shape and texture. The infant shakes the object to see if it rattles and almost certainly puts the object in her mouth. She uses all of her senses to experience the sizes, shapes, colors, sounds, and textures of her world. A child is naturally curious and begins at an early age the lifelong business of learning about this world in which we live. This innate curiosity is perhaps most evident during the period of human development marked by the question ’Why?’ It can be frustrating to deal with a child who wants to know ’why,’ yet it can also be refreshing to have renewed contact with this childlike curiosity. Science tries to answer the ’why’ of the physical world. It is a grand journey, guided by a myriad of questions and a few answers. We, as teachers, are guides in this journey of exploration.” Winch said that the most important element of his pedagogy was to “ask questions and then keep quiet,” and he noted the difficulty of the latter for teachers. And yet the duration of the period of silence following a question, said Winch, is (to paraphrase an aphorism about teaching often ascribed to Socrates) the difference between kindling a flame and filling a vessel.
After moving to Taos in 2002, he served as president of the Upper Las Colonias Neighborhood Association. He loved Taos. He also loved skiing, kayaking, canoeing, He is survived by his wife, Suzanne Winch; children, Michael Winch, Janet McBarnes, Martin Winch, Douglas Winch (Lisa), Kenneth Winch, Robert Kuiper, Shelli Kuiper, Joseph Kuiper (Kim); and 11 grandchildren, two great-grandchildren, many other family and friends. A memorial service in New Mexico will be held at a later date. In lieu of flowers, please make a donation to C.A.R.E. or the American Red Cross.
A memorial service for David will be held Sunday October 20, 1:30 p.m., in Stetson Chapel on the K campus followed by a reception in the Olmsted Room, Mandelle Hall. An obituary appears in the Kalamazoo Gazette.
