Ah, spring–one day sunny and 70 degrees, the very next, overcast and 40. This most improvisational of seasons is the perfect time for…Jazz! The Kalamazoo College Department of Music invites everyone to enjoy an afternoon of jazz music at its “Jazz for Springtime Concert” on Sunday, April 23, at 4 p.m. in Dalton Theatre. Amina Figarova, jazz pianist, and Bart Platteau, flute, will present original music and will also assist Ron Di Salvio with the premiere of his work “Puglia Suite”, based upon a recent visit to Puglia (Apulia), Italy. Amina and Bart are from the Netherlands and now reside in New York City where they perform with a jazz sextet. Ron is the adjunct jazz piano instructor at Kalamazoo College as well as a fine jazz pianist and composer. Please plan to attend this incredible Sunday event and celebrate the spring season!
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K Professor Helps SCORE the Power of the Music Creeping in our Ears
The very same expertise (teaching and music) that made the role of Siu-Lan Tan so prominent in the documentary SCORE also prohibited her from attending any of the more than 40 public screenings of the film–she was, after all, busy teaching classes. That changed in early April, when the professor of psychology at Kalamazoo College was finally able to see a festival screening of the film at the 41st Annual Cleveland International Film Festival (CIFF).
She picked a great screening, or screenings.
“The first screening at Cedar Lee Theater sold out,” says Siu-Lan. “On day two, they moved the film [full title: SCORE: A Film Music Documentary] to a theater complex at Tower City and the cinema sold out again. So they opened a second theater, and that one filled too! On the last screening day, they filled two theaters for SCORE and had to turn more people away.”
That enthusiastic reception kept Siu-Lan busy.
“The director [Matt Schrader] asked if I could attend as a special guest from the cast, and I joined Q&A sessions at the first and third screenings. I also did 35-minute extended Q&A Chat Room by myself.”
And CIFF is no small event. This year more than 100,000 people attended. The festival featured the work of some 300 filmmakers and a total of 418 films from 71 countries. SCORE won in its category (Music Movies Competition) and was one of only 15 films recognized on closing night.
Why the great response? Because the best movie you ever saw is the best, in part, because it’s the best movie you ever heard. Siu-Lan and some 60 other people interviewed for SCORE help explain the critical role of music scores to the emotional impact of a film. In addition to Siu-Lan, others interviewed include some of the top living film composers in United States and the United Kingdom (Hans Zimmer, Danny Elfman, Randy Newman, Howard Shaw, Trent Reznor, Alexandre Desplat, among others), as well as film directors like James Cameron, producers like Quincy Jones and several film scholars.
An expert in the psychology of music (a course she teaches at K) Siu-Lan appears five times in the film. Kalamazoo College is mentioned every time Siu-Lan appears, and K is thanked in the end credits along with the filming location of Dalton Theater.
The popular film is on the docket for many upcoming festivals. You can also check upcoming screenings here. So if you get a chance, go see SCORE; it’s likely to be the best film you’ve ever heard, or at least reveal why your favorite movie has as much to do with your ears as your eyes.
Shakespeare was right when he had Lorenzo say (Merchant of Venice, Act 5, Scene 1) that it is music creeping in our ears that has the sweet power (like Orpheus) to change the very nature of reality and the way we perceive it. A film without its score is a body without its heart.
SCORE is scheduled for release in theaters in 20-25 major cities on June 16.
3 Music Groups Offer Concerts This Week
Three must-see concerts are scheduled for this week at Kalamazoo College.
K’s Jazz Band features contemporary and classic jazz arrangements to provide the students participating and the audience an enjoyable experience. Attend this concert from 8 to 9 p.m. Friday at the Dalton Theatre in the Light Fine Arts Building.
The Kalamazoo Philharmonia brings together students, faculty, and amateur and professional musicians. The group won the 2014 American Prize Vytautas Marijosius Memorial Award for Orchestral Programming and has produced several CDs. It also has appeared on “CBS Sunday Morning,” and collaborated with the Bach Festival Chorus, as well as many renowned soloists. The Philharmonia concert will be from 8 to 10 p.m. Saturday at the Dalton Theatre in the Light Fine Arts Building.
The College Singers and Women’s Ensemble will perform from 3 to 4 p.m. Sunday at Stetson Chapel, featuring a diverse array of songs with performers who enjoy advanced and challenging music with an emphasis on working together as an ensemble.
The concerts are free to attend and the public is welcome. For more information on these concerts, contact Susan Lawrence at 269-337-7070 or Susan.Lawrence@kzoo.edu.
SCORE Shows Scores Matter
The world premier of a documentary that prominently features Kalamazoo College Professor of Psychology Siu-Lan Tan occurred at the Hamptons International Film Festival. For SCORE: A Film Music Documentary Siu-Lan was one of some 60 live interviews compiled for the film, including conversations with the top living film composers in United States and the United Kingdom (Hans Zimmer, Danny Elfman, Randy Newman, Howard Shaw, Trent Reznor, Alexandre Desplat, among others), film directors like James Cameron, producers like Quincy Jones, and several film scholars.
Last Saturday’s world premier will be quickly followed by this Thursday’s showing of Score as the Closing Night Film at the Tacoma Film Festival in Washington. That is quite an honor! Each year TFF receives more than 1,000 submissions, whittled down to 100 films. Of those, one is chosen the Opening Night Film, the other for Closing Night Film. Both draw the largest audiences.
Siu-Lan appears five times in the film, and she has its final soundbite, finishing a sentence begum by director James Cameron. Kalamazoo College is mentioned every time Siu-Lan appears, and K is thanked in the end credits along with the filming location of Dalton Theater. Siu-Lan not only has the last word in the film; she has the last word in the film’s first review (by Sheri Linden of The Hollywood Reporter).
If you get a chance, see Score; it’s likely to be the best film you’ve ever heard, or at least reveal why your favorite movie has as much to do with your ears as your eyes.
Hornet (and Bee) Artists Feted
The Arts Council of Greater Kalamazoo has awarded Kalamazoo College Professor of Music Jim Turner its 2016 Award for Arts Leadership-Educator, and the Arts Council awarded Kalamazoo College Alumnus Ladislav Hanka ’75 a Community Medal of Arts.
Turner, who directs the Bach Festival Choir, will be honored as “a recognized leader in arts and education community” whose work has a strong impact on the greater Kalamazoo community through art and creates positive and productive relationships in the community far beyond Kalamazoo College.
Hanka, whose etchings, prints, and drawings illustrate the intricacies and mystery of nature, is honored as a leading artist with a significant body of creative activity, who has received local and/or national acclaim, and has deeply affected the community through art. The CMA award encompasses all art forms–visual, musical, theatrical, literary, performing, multi-
media, architecture or design. And, in Hanka’s case, collaborations between man and bee. His most recent ArtPrize entry, “Great Wall of Bees: Intelligence of the Beehive,” featured live bees that buzzed and danced and chewed over three rows of Hanka’s etchings—-detailed images of toads, salmon, trees, insects, birds. The bees built honeycomb along the curves of his lines in seeming collaboration that is at times startling.
Turner and Hanka are part of a group that will receive awards on Sunday, July 17, at the Sunday Concerts in the Park in Bronson Park. The event begins at 4 p.m. with the award presentation at 4:30 p.m. The concert and presentation ceremony are free and open to the public. A reception will follow at the Kalamazoo Institute of Arts. The reception is free but reservations would be appreciated. Reservations can be made by calling the Arts Council at 269.342.5059.
The Psychology of Film and TV Music
Professor of Psychology Siu-Lan Tan convened and co-chaired a symposium titled “Film, Television, and Music: Embodiment, Neurophysiology, Perception, and Cognition” on July 6, at the 14th International Conference for Music Cognition and Perception held at the Hyatt Regency in San Francisco. This conference gathers more than 550 music cognition researchers from around the world.
The panel presented theoretical and empirical work using diverse multimedia excerpts from Star Trek, Mission Impossible, Pirates of the Caribbean, Gladiator, and various television commercials for products such as Doritos, Apple iPhone, and Gaultier perfume. The photo shows the seven participants of the Film and Television Music symposium group at a planning session the night before the July 6 presentation, at the Palio d’Asti restaurant in San Francisco. Seated left to right are David Ireland, Siu-Lan, Juan Chattah, Scott Lipscomb, Mark Shevy. Standing are Roger Dumas and Peter Kupfer.
Siu-Lan is a a leading figure in the psychology of film music and the editor of The Psychology of Music in Multimedia. She has been involved in several recent projects that focus on the role and power of music in movies.
Intercultural Conference and Hip Hop Collective
Kalamazoo College’s Intercultural Student Life group presents the “Intercultural Conference and Hip Hop Collective,” a two-day event on April 29 and 30 featuring guest speakers, the Black History 101 Mobile Museum, panels, discussions and a performance featuring five Hip Hop artists. The event’s venues include the Hicks Banquet Hall and Hicks Center.
Among the event’s goals are building relationships and learning about the intercultural ethos of K. “My student advisory board and I decided to focus our first event on Hip Hop because Hip Hop has a way to cross over cultural boundaries and speak to multiple groups,” said Natalia Carvalho-Pinto, director for intercultural student life.
The museum exhibit is open both days of the conference and is a powerful experience. “Khalid El-Hakim, the museum’s curator, travels with about 1,000 exhibit pieces,” says Carvalho-Pinto, “ranging from the slavery era through Jim Crow and the Civil Rights movement up to Hip Hop and the modern era.” El-Hakim will deliver the keynote address Saturday, talking about the museum and the importance on continuity in social justice work.
The Conference also features Ernie Pannicioli, a photographer who has documented Hip Hop from its birth through modern days and photographed every celebrity in Hip Hop,” according to Carvalho-Pinto. She adds, “He published a book titled Who Shot Ya, and he speaks about ’the other side of Hip Hop,’ the movement building and struggles that few discuss.” Carvalho-Pinto also is excited about the presence of OLMECA at the conference. “He is a very unique artist,” she says, “and his keynote address will focus on his experiences in the Zapatista movement and Hip Hop in Latin America.”
A Hip Hop panel occurs Saturday afternoon with Miz Korona, Mu, Supa Emcee and Kenny Muhammed THE HUMAN ORCHESTRA. Five Hip Hop artists will perform Saturday night for the “Zoo After Dark” activity.
“Our speakers, panelists and performers are really great people,” says Carvalho-Pinto. I would love to see as many students, staff and faculty as possible attend some or all the conference. My hope is that the event opens more opportunities for dialogue and serves as a place of empowerment for our students of color on campus.”
Scores Make Waves
Answer this question, “What’s the best movie you ever saw?” and chances are your answer will be accurate for a slightly different question: “What’s the best movie you ever heard?”
Professor of Psychology Siu-Lan Tan, a leading figure in the psychology of film music and the editor of The Psychology of Music in Multimedia, has been involved in two recent projects exploring the critical role of musical scores (some say the “heartbeat,” others the “symphonic music of our day”) to the emotional impact of a film.
The most recent project is a film titled SCORE: A Film Music Documentary. Siu-Lan’s was one of some 60 live interviews compiled for the film, including conversations with the top living film composers in United States and the United Kingdom (Hans Zimmer, Danny Elfman, Randy Newman, Howard Shaw, Trent Reznor, Alexandre Desplat, among others), film directors like James Cameron, producers like Quincy Jones, and several film scholars.
Siu-Lan will appear in SCORE several times. In the meantime you can view a short trailer for the film.
A related project that occurred in late March was the panel discussion “Making Waves: Why Movies Move Us.” The conversation was sponsored by the New York University (NYU) Steinhardt School of Culture, Education, and Human Development, and in addition to Siu-Lan it featured Ronald Sadoff, chair of the NYU department of music and performing arts professions and director of film scoring at NYU Steinhardt; neuroscientist Stefan Koelsch, professor of biological psychology and music psychology at Freie University Berlin; and Professor Elizabeth Margulis, director of music cognition lab at the University Arkansas.
At the event Siu-Lan used movie clips from films including Indiana Jones, Gravity, and The Shining to explore why music is an essential component of how emotion is conveyed in film. The panel occurred at NYU’s Frederick Loewe Theatre.
Danny Kim prepared four short videos that were shown at the presentation. “One surprising highlight was when we played Danny’s last video,” said Siu-Lan, “an eight-minute collage of scenes and music from films. It was meant to play in the background as people left the theater, and we invited them to do so. But to our astonishment, the whole audience stayed and watched with rapt attention and applauded at the end!” That’s the surprising power of music.
Nor was it the only surprise of the evening. Alumnus Matthew Jong ’15 (currently a graduate student pursuing a degree in music business at NYU) showed up for the panel discussion. “I was delighted that Matt could come,” said Siu-Lan. “We were unable to connect in person, but he emailed me later to let me know he was there, and he wrote, ’Please tell ‘K’ I miss it for me!’”
Sweet Music in North Georgia
If you happen to be in the Atlanta area this weekend you might want to make your way to Jasper, where the Episcopal Church of the Holy Family presents internationally acclaimed organist Calvert Johnson ’71 in an organ concert of works from the Middle East, featuring music by Baboukas, Hovhaness and Hakim.
Johnson is the Charles A. Dana Professor Emeritus of Music and College Organist Emeritus, Agnes Scott College, and Organist, First Presbyterian, Marietta, Georgia. At Agnes Scott, he taught courses in Sacred Music, Women in Music, Music before 1750, as well as organ and harpsichord lessons. Johnson earned the doctorate and master’s in organ performance at Northwestern University, where he studied with Karel Paukert.
At K, Johnson majored in music and studied abroad in Madrid, Spain. The concert occurs Sunday, April 17, at 3:30 p.m. It is the eighth in a season of free concerts. Holy Family is located at 202 Griffith Road in Jasper.
Does Good Need Memorable?
BuzzFeed’s Reggie Ugwu wrote an explication of a new vocal phenomenon he calls “Indie Pop Voice” (“Selena Gomez’s ’Good for You’ and the Rise of the ’Indie Pop Voice’”). The trend refers to many singers’ creative reshaping of vowel sounds. But why do that?
To arrive at a more comprehensive answer to that question, Reggie turned to Kalamazoo College’s Professor of Psychology Siu-Lan Tan, who also posts a blog (“What Shapes Film”) for Psychology Today online. Siu-Lan expands on Reggie’s question in her “Six Reasons Pop Singers Pronounce Some Lyrics in Odd Ways: ’Secret Asian Man’ and Other Mysteries of Song.” The reasons range from the more prosaic “making a song one’s own” to the wonderfully poetic “tightening or relaxing one’s lips or throat to change the tone color of your voice.” How cool is the fact that a voice has tone colors!
According to Siu-Lan it’s vowels that make the song, so those might be re-shaped in any number of ways for any number of reasons. Consonants, on the other hand, are flow-stoppers and are therefore emphasized…or omitted entirely…depending on the effect a singer desires. (That’s why Siu-Lan for some time thought Johnny Rivers was singing about a secret Asian man rather than a “Secret Agent Man”). Both Reggie and Siu-Lan cite the desire to be more interesting or catchy—“good” needs “memorable,” according to Reggie. Okay, agrees Siu-Lan, but be careful. Too much “capital-M Memorable” via pronunciation deviation carries some risk—such as a feeling of contrived affectation or garbled words. You especially don’t want the latter if the lyric’s magic.
Here’s another question Reggie or some other inquirer might one day ask: Why’s a top notch psychology professor weighing in on independent pop music? “Although as an academic I spend most of my time on scholarly works, I think bringing what we do to the public is also important,” says Siu-Lan. “Technical aspects of singing include articulators and resonators and formants. But when applied to Selena Gomez and Top 40 pop singers, we can make the basic ideas relevant to the general public—and perhaps make them aware of some more nuances involved in singing.”