music

SCORE Shows Scores Matter

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K Psychology Professor Siu-Lan TanThe world premier of a documentary that prominently features Kalamazoo College Professor of Psychology Siu-Lan Tan occurred at the Hamptons International Film Festival. For SCORE: A Film Music Documentary Siu-Lan was one of some 60 live interviews compiled for the film, including conversations with the top living film composers in United States and the United Kingdom (Hans Zimmer, Danny Elfman, Randy Newman,  Howard Shaw, Trent Reznor, Alexandre Desplat, among others), film directors like James Cameron, producers like Quincy Jones, and several film scholars.

Last Saturday’s world premier will be quickly followed by this Thursday’s showing of Score as the Closing Night Film at the Tacoma Film Festival in Washington. That is quite an honor! Each year TFF receives more than 1,000 submissions, whittled down to 100 films. Of those, one is chosen the Opening Night Film, the other for Closing Night Film. Both draw the largest audiences.

Siu-Lan appears five times in the film, and she has its final soundbite, finishing a sentence begum by director James Cameron. Kalamazoo College is mentioned every time Siu-Lan appears, and K is thanked in the end credits along with the filming location of Dalton Theater. Siu-Lan not only has the last word in the film; she has the last word in the film’s first review (by Sheri Linden of The Hollywood Reporter).

If you get a chance, see Score; it’s likely to be the best film you’ve ever heard, or at least reveal why your favorite movie has as much to do with your ears as your eyes.

Hornet (and Bee) Artists Feted

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Jim Turner
Jim Turner

The Arts Council of Greater Kalamazoo has awarded Kalamazoo College Professor of Music Jim Turner its 2016 Award for Arts Leadership-Educator, and the Arts Council awarded Kalamazoo College Alumnus Ladislav Hanka ’75 a Community Medal of Arts.

Turner, who directs the Bach Festival Choir, will be honored as “a recognized leader in arts and education community” whose work has a strong impact on the greater Kalamazoo community through art and creates positive and productive relationships in the community far beyond Kalamazoo College.

Hanka, whose etchings, prints, and drawings illustrate the intricacies and mystery of nature, is honored as a leading artist with a significant body of creative activity, who has received local and/or national acclaim, and has deeply affected the community through art. The CMA award encompasses all art forms–visual, musical, theatrical, literary, performing, multi-Hornet and Bee Artistrymedia, architecture or design. And, in Hanka’s case, collaborations between man and bee. His most recent ArtPrize entry, “Great Wall of Bees: Intelligence of the Beehive,” featured live bees that buzzed and danced and chewed over three rows of Hanka’s etchings—-detailed images of toads, salmon, trees, insects, birds. The bees built honeycomb along the curves of his lines in seeming collaboration that is at times startling.

Turner and Hanka are part of a group that will receive awards on Sunday, July 17, at the Sunday Concerts in the Park in Bronson Park. The event begins at 4 p.m. with the award presentation at 4:30 p.m. The concert and presentation ceremony are free and open to the public. A reception will follow at the Kalamazoo Institute of Arts. The reception is free but reservations would be appreciated. Reservations can be made by calling the Arts Council at 269.342.5059.

The Psychology of Film and TV Music

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Kalamazoo College Psychology Professor Siu-Lan TanProfessor of Psychology Siu-Lan Tan convened and co-chaired a symposium titled “Film, Television, and Music: Embodiment, Neurophysiology, Perception, and Cognition” on July 6, at the 14th International Conference for Music Cognition and Perception held at the Hyatt Regency in San Francisco. This conference gathers more than 550 music cognition researchers from around the world.

The panel presented theoretical and empirical work using diverse multimedia excerpts from Star Trek, Mission Impossible, Pirates of the Caribbean, Gladiator, and various television commercials for products such as Doritos, Apple iPhone, and Gaultier perfume. The photo shows the seven participants of the Film and Television Music symposium group at a planning session the night before the July 6 presentation, at the Palio d’Asti restaurant in San Francisco. Seated left to right are David Ireland, Siu-Lan, Juan Chattah, Scott Lipscomb, Mark Shevy. Standing are Roger Dumas and Peter Kupfer.

Siu-Lan is a a leading figure in the psychology of film music and the editor of The Psychology of Music in Multimedia. She has been involved in several recent projects that focus on the role and power of music in movies.

Intercultural Conference and Hip Hop Collective

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Book club flyerKalamazoo College’s Intercultural Student Life group presents the “Intercultural Conference and Hip Hop Collective,” a two-day event on April 29 and 30 featuring guest speakers, the Black History 101 Mobile Museum, panels, discussions and a performance featuring five Hip Hop artists. The event’s venues include the Hicks Banquet Hall and Hicks Center.

Among the event’s goals are building relationships and learning about the intercultural ethos of K. “My student advisory board and I decided to focus our first event on Hip Hop because Hip Hop has a way to cross over cultural boundaries and speak to multiple groups,” said Natalia Carvalho-Pinto, director for intercultural student life.

The museum exhibit is open both days of the conference and is a powerful experience. “Khalid El-Hakim, the museum’s curator, travels with about 1,000 exhibit pieces,” says Carvalho-Pinto, “ranging from the slavery era through Jim Crow and the Civil Rights movement up to Hip Hop and the modern era.” El-Hakim will deliver the keynote address Saturday, talking about the museum and the importance on continuity in social justice work.

The Conference also features Ernie Pannicioli, a photographer who has documented Hip Hop from its birth through modern days and photographed every celebrity in Hip Hop,” according to Carvalho-Pinto. She adds, “He published a book titled Who Shot Ya, and he speaks about ’the other side of Hip Hop,’ the movement building and struggles that few discuss.” Carvalho-Pinto also is excited about the presence of OLMECA at the conference. “He is a very unique artist,” she says, “and his keynote address will focus on his experiences in the Zapatista movement and Hip Hop in Latin America.”

A Hip Hop panel occurs Saturday afternoon with Miz Korona, Mu, Supa Emcee and Kenny Muhammed THE HUMAN ORCHESTRA. Five Hip Hop artists will perform Saturday night for the “Zoo After Dark” activity.

“Our speakers, panelists and performers are really great people,” says Carvalho-Pinto. I would love to see as many students, staff and faculty as possible attend some or all the conference. My hope is that the event opens more opportunities for dialogue and serves as a place of empowerment for our students of color on campus.”

Scores Make Waves

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Ronald Sadoff, Siu-Lan Tan, Elizabeth Margulis and Stefan Koelsch
Making waves at “Making Waves” were (l-r): Ronald Sadoff, Siu-Lan Tan, Elizabeth Margulis and Stefan Koelsch.

Answer this question, “What’s the best movie you ever saw?” and chances are your answer will be accurate  for a slightly different question: “What’s the best movie you ever heard?”

Professor of Psychology Siu-Lan Tan, a leading figure in the psychology of film music and the editor of The Psychology of Music in Multimedia, has been involved in two recent projects exploring the critical role of musical scores (some say the “heartbeat,” others the “symphonic music of our day”) to the emotional impact of a film.

The most recent project is a film titled SCORE: A Film Music Documentary. Siu-Lan’s was one of some 60 live interviews compiled for the film, including conversations with the top living film composers in United States and the United Kingdom (Hans Zimmer, Danny Elfman, Randy Newman,  Howard Shaw, Trent Reznor, Alexandre Desplat, among others), film directors like James Cameron, producers like Quincy Jones, and several film scholars.

Siu-Lan will appear in SCORE several times. In the meantime you can view a short trailer for the film.

A related project that occurred in late March was the panel discussion “Making Waves: Why Movies Move Us.” The conversation was sponsored by the New York University (NYU) Steinhardt School of Culture, Education, and Human Development, and in addition to Siu-Lan it featured Ronald Sadoff, chair of the NYU department of music and performing arts professions and director of film scoring at NYU Steinhardt; neuroscientist Stefan Koelsch, professor of biological psychology and music psychology at Freie University Berlin; and Professor Elizabeth Margulis, director of music cognition lab at the University Arkansas.

At the event Siu-Lan used movie clips from films including Indiana Jones, Gravity, and The Shining to explore why music is an essential component of how emotion is conveyed in film. The panel occurred at NYU’s Frederick Loewe Theatre.

Danny Kim prepared four short videos that were shown at the presentation. “One surprising highlight was when we played Danny’s last video,” said Siu-Lan, “an eight-minute collage of scenes and music from films. It was meant to play in the background as people left the theater, and we invited them to do so. But to our astonishment, the whole audience stayed and watched with rapt attention and applauded at the end!” That’s the surprising power of music.

Nor was it the only surprise of the evening. Alumnus Matthew Jong ’15 (currently a graduate student pursuing a degree in music business at NYU) showed up for the panel discussion. “I was delighted that Matt could come,” said Siu-Lan. “We were unable to connect in person, but he emailed me later to let me know he was there, and he wrote, ’Please tell ‘K’ I miss it for me!’”

Sweet Music in North Georgia

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Calvert JohnsonIf you happen to be in the Atlanta area this weekend you might want to make your way to Jasper, where the Episcopal Church of the Holy Family presents internationally acclaimed organist Calvert Johnson ’71 in an organ concert of works from the Middle East, featuring music by Baboukas, Hovhaness and Hakim.

Johnson is the Charles A. Dana Professor Emeritus of Music and College Organist Emeritus, Agnes Scott College, and Organist, First Presbyterian, Marietta, Georgia. At Agnes Scott, he taught courses in Sacred Music, Women in Music, Music before 1750, as well as organ and harpsichord lessons. Johnson earned the doctorate and master’s in organ performance at Northwestern University, where he studied with Karel Paukert.

At K, Johnson majored in music and studied abroad in Madrid, Spain. The concert occurs Sunday, April 17, at 3:30 p.m. It is the eighth in a season of free concerts. Holy Family is located at 202 Griffith Road in Jasper.

Does Good Need Memorable?

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Psychology Professor Siu-Lan Tan outdoors
Kalamazoo College Professor of Psychology Siu-Lan Tan

BuzzFeed’s Reggie Ugwu wrote an explication of a new vocal phenomenon he calls “Indie Pop Voice” (“Selena Gomez’s ’Good for You’ and the Rise of the ’Indie Pop Voice’”). The trend refers to many singers’ creative reshaping of vowel sounds. But why do that?

To arrive at a more comprehensive answer to that question, Reggie turned to Kalamazoo College’s Professor of Psychology Siu-Lan Tan, who also posts a blog (“What Shapes Film”) for Psychology Today online. Siu-Lan expands on Reggie’s question in her “Six Reasons Pop Singers Pronounce Some Lyrics in Odd Ways: ’Secret Asian Man’ and Other Mysteries of Song.” The reasons range from the more prosaic “making a song one’s own” to the wonderfully poetic “tightening or relaxing one’s lips or throat to change the tone color of your voice.” How cool is the fact that a voice has tone colors!

According to Siu-Lan it’s vowels that make the song, so those might be re-shaped in any number of ways for any number of reasons. Consonants, on the other hand, are flow-stoppers and are therefore emphasized…or omitted entirely…depending on the effect a singer desires. (That’s why Siu-Lan for some time thought Johnny Rivers was singing about a secret Asian man rather than a “Secret Agent Man”). Both Reggie and Siu-Lan cite the desire to be more interesting or catchy—“good” needs “memorable,” according to Reggie. Okay, agrees Siu-Lan, but be careful. Too much “capital-M Memorable” via pronunciation deviation carries some risk—such as a feeling of contrived affectation or garbled words. You especially don’t want the latter if the lyric’s magic.

Here’s another question Reggie or some other inquirer might one day ask: Why’s a top notch psychology professor weighing in on independent pop music? “Although as an academic I spend most of my time on scholarly works, I think bringing what we do to the public is also important,” says Siu-Lan. “Technical aspects of singing include articulators and resonators and formants. But when applied to Selena Gomez and Top 40 pop singers, we can make the basic ideas relevant to the general public—and perhaps make them aware of some more nuances involved in singing.”

Beyond the Blood

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K students rehearse for "Carrie"
Gabrielle Holme-Miller ’17 (Carrie White) and members of the cast (background) in CARRIE the musical. Photo by Emily Salswedel ’16.

The outside gaze that condemns is the subject of Festival Playhouse of Kalamazoo College’s spring term production of CARRIE the musical.

“Almost the very first lyrics concern the horror of going to high school every day and the pain of trying to fit in–‘Every Day, I Just Pray Every Move I Make is Right,’” said Ed Menta, the James A. B. Stone College Professor of Theatre Arts, and the director of CARRIE the Musical. “Through song, choreography, social media, light scenery, and costumes, we hope to make this musical a fun and interactive experience for our audience that also explores one of the major social issues of our time: bullying,” he added.

Gabrielle Holme-Miller ’17, who plays the lead role of Carrie, emphasizes the need for the focus on aggression: “Almost everyone in their adolescence will find themselves a victim, aggressor, or witness to bullying in some form. Carrie’s suffering and torment is symbolic of the unacknowledged bullying many young people face.”

Festival Playhouse and the Kalamazoo College Department of Music will collaborate on the May production. The play opens Thursday, May 14, at 7:30 p.m., and continues Friday and Saturday, May 15 and 16, at 8 p.m., and on Sunday, May 17, with a matinee at 2 p.m. Additional performances occur Thursday, May 21, at 7:30 p.m. and Friday, May 22 at 8 p.m. Tickets are $5 for students, $10 for seniors, and $15 for other adults. For reservations call 269.337.7333. For more information visit the Festival Playhouse website.

The performance features Professor of Music James Turner, vocal director; Jack Brooks, conductor; Kate Yancho, choreographer; Lanford J. Potts, scenic designer; Katie Anderson ’15, lighting designer; and Lindsay Worthington ’15, sound designer. CARRIE the musical is based on the novel, Carrie, by Stephen King and the book by Lawrence D. Cohen. Michael Gore scored the music; Dean Pitchford wrote the lyrics.

Sunday Concert

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Soprano Katelin SpencerSoprano Katelin Spencer will do a concert at Kalamazoo College on Sunday, January 25. The Brighton (Mich.) native received her bachelor’s degree in voice performance from the University of Michigan and her master’s degree in opera performance and literature from Northwestern University. Spencer currently lives in Kalamazoo and is a frequent soloist with the Kalamazoo Bach Festival. Her other recent appearances in Kalamazoo included Farmer’s Alley Theatre productions of “The Light in the Piazza” and “Pinkalicious.” Her Sunday performance will feature works by Fauré, Schubert, Bernstein, Carpenter, among others. The concert is free and open to the public. It was take place at 4 p.m. in Dalton Theatre. For more information call 269.337.7070. Article by Mallory Zink ’15

First Language: Music!

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Kalamazoo College Professor of Psychology Siu-Lan TanOur first “language” is music, according to the latest Psychology Today blog post of Kalamazoo College Professor of Psychology Siu-Lan Tan. Or, more accurately, our first language is the interaction of our bodies with music, which begins as young as 10 months old! We may not synchronize our movements with the sound until the age of four (or thereabouts), but as infants we sure love to enlist our new skills in movement to explore sounds. In fact, this is how we build our knowledge about the physical properties of objects. And young as they may be, infants engage in that exploration very systematically. Finally, infants express their musical sensitivity in the way they listen to music. Siu-Lan provides video examples of the many nuances she discusses in this, her most recent blog post, and the infants she enlists to underscore her points are unforgettable (some have been seen by more than 20 million viewers). Our music-body language may be our first, but it lasts. I was thinking about this idea (and Siu-Lan’s blog) just yesterday on my walk to the bus, reciting in my head two lines from Shakespeare’s Romeo and Juliet (nearly the last words the two lovers speak to each other when both are conscious). Juliet: “O, now begone! More light and light it grows.”/ Romeo: “More light and light, more dark and dark our woes.” Two lines of iambic pentameter that match the iambs of a human heart beat, or a walk to the bus stop. What’s interesting is whether the music of the lines (and heart’s systole and diastole) help the hearer more deeply understand the complex combination of sorrow and joy that Shakespeare explores in his play. If so (and this reader thinks it is), then our first language matters a great deal to a life deeply lived.