Disabling Life’s Challenges: A Paradigm Shift

Sean Bogue ’18, Emma Franzel ’17, and Kyle Lampar ’17 in a scene from IMMOBILE
Sean Bogue ’18, Emma Franzel ’17, and Kyle Lampar ’17 in a scene from IMMOBILE by Brittany Worthington ’13. Photo by Emily Salswedel ’16.

Festival Playhouse of Kalamazoo College presents the world premiere of Immobile, a play by alumna Brittany Worthington ’13, on April 28 through May 1. The play is directed by senior Maddie Grau ’16 as part of Festival Playhouse’s annual Senior Performance Series

Immobile is a story of relationships and self. Megan’s husband Alexander (Kyle Lampar ’17) is a quadriplegic as a result of an auto accident. Though he loves Megan (Emma Franzel ’17), who is also his primary caregiver, Alexander encourages her to start a new chapter—-with a new man, Caleb (Sean Bogue ’18)—-thereby challenging each character to reexamine what being mobile—-both physically and emotionally—-really means.

“These three characters are on the path of realizing their able-bodied privilege, and the loss of that privilege,” says Grau. “Megan struggles to find happiness once Alexander asks her to prioritize herself in a world that tells her to put him first. The unconventional relationships that develop in the wake of his decision are unchartered territory that Worthington explores through moments of unforgiving humor and emotional uncertainty.”

Worthington originally wrote Immobile for a playwriting class in her senior year. It was chosen for a showcase reading in the Student Playwrights Staged Reading Series at Kalamazoo College in 2014, and then featured in the Theatre Kalamazoo New Play Festival that same year. This month’s show is the first completely staged full production.

Says Worthington of her play, “I wanted to explore this idea of ‘selflessness,’ of putting others before yourself. What I found while writing Immobile is that every relationship in life forces us to make sacrifices but also provides unique gains. How do we reconcile those relationships that come into conflict with each other? If you’re a different person depending on the relationship you’re in, is one identity more authentic than another? In order to have a full sense of self, must we in fact be ‘selfless,’ and give up something we love or should we strive to ‘have it all,’ despite the pain it may cause others?”

The play opens in The Dungeon Theatre (139 Thompson Street) on Thursday, April 28, at 7:30 p.m.; continues Friday and Saturday, April 29 and 30, at 8 p.m.; and concludes with a final performance on Sunday, May 1, at 2 p.m. Tickets are $5. All students, faculty/staff members of Kalamazoo College are invited to attend the performance at no charge. Tickets may also be purchased at the door one hour prior to performance. To make reservations, please call 269.337.7333. For more information, please visit the Festival Playhouse website.

Festival Playhouse Presents Joshua Harmon’s “Bad Jews”

Festival Playhouse Presents Joshua Harmon’s "Bad Jews"
Rehearsal for the Festival Playhouse production of Bad Jews. (left to right) Aidan Johnson ’17, Kate Kreiss ’19, Lauren Landman ’18, Kyle Lampar ’17. (Photo by Emily Salswedel ’17)

Festival Playhouse of Kalamazoo College presents the contemporary comedy Bad Jews, a play that explores what it means to be Jewish in contemporary American society. Written by Joshua Harmon, the play will have four performances in the Dungeon Theatre (Light Fine Arts Building) on Thursday through Sunday (Feb. 25-28). It is part of Festival Playhouse’s 2015-16 season “Theatre and Belonging: Stories of Ethnicity and Racial Identity.”

Staged in the round, with production design by Lanny Potts (professor of theatre arts) and costumes by Elaine Kauffman, the story takes place in an apartment in New York City shortly after the death of the family patriarch, the grandfather of Liam, his younger brother Jonah, and their cousin, Daphna.

Liam is Jewish in name only and chooses to pursue everything that has nothing to do with his heritage. Daphna intentionally embraces all things Jewish. Like Melody, Liam’s shiksa girlfriend, Jonah often seems caught in the middle between the extremes of his cousins. It is not until the end of the play we learn where he stands on the question, “How Jewish are you?”  The New York Times praised the play as the best comedy of the season, characterized by ”delectably savage humor.” The subject matter and language are for mature audiences.

K’s production is a collaboration between director Ed Menta (the James A. B. Stone College Professor of Theatre Arts) and Jeffrey Haus (associate professor of history and religion and director of the College’s Jewish Studies Program). Menta and Haus invited Dr. Jonathan Freedman, Jewish studies scholar from the University of Michigan, to speak about the play and its themes on Wednesday, February 24, in the Olmsted Room at 7 p.m.. Freedman and Haus will also lead a talkback following the Thursday performance of the play.

The play opens Thursday, February 25, at 7:30 p.m. Additional evening performances occur Friday and Saturday, February 26 and 27, at 8 p.m., and a matinee concludes the run on Sunday, February 27, at 2 p.m. Tickets are $5 for students, $10 for senior citizens, and $15 for other adults. For reservations call 269.337.7333. For more information, visit the Festival Playhouse website.

Performance Features Work of K Senior Student Playwright

Festival Playhouse Cast of Family Crimes
The cast of the Festival Playhouse production of FAMILY CRIMES (photo by Emily Salswedel ‘16)

Playwright and director Belinda McCauley ’16 presents her one-act play, Family Crimes, in the Dungeon Theatre on Thursday, February 11, through Sunday, February 14. The four performances are part of Kalamazoo College’s Senior Performance Series.

The play centers on a family of three generations of Latina women who have made enormous sacrifices in their pasts, resulting in long held secrets. “Each must decide what she values and what family means to her as these secrets are revealed to the audience and each other,” says McCauley.

Cast member Johanna Keller Flores ’18 (Marta) stresses the role of race in the story: “The play is a depiction of a family battling its demons like any other, but recognizes the damage racism, machismo and prejudice can inflict on relationships and actions.”

The result, according to actress Aliera Morasch ’16 (Estela), is a complex and deeply layered story. “I am honored to be part of a production that recognizes my body and my family’s story through developed, flawed, and multi-dimensional characters,” says Morasch. “Family Crimes challenges me to think about identity, family dynamics, and family histories in a new and complex way. Its blend of secrets, race, abandonment, love, sexuality and morality makes for dynamic storytelling that is simultaneously haunting and uplifting.”

Tickets are free for Kalamazoo College community members (students, faculty and staff) and five dollars for general admission. Thursday’s show begins at 7:30 p.m.; curtain rises at 8 p.m for Friday and Saturday’s performances and at 2 p.m. for Sunday’s concluding production. Call 269.337.7333 for reservations. Tickets also may be purchased at the door one hour before performance. The Dungeon Theatre is located in the Light Fine Arts Building on Kalamazoo College’s campus.

What is the Temple of Artemis?

Alex Trebek and Theresa Tejada
Alex Trebek and Theresa Tejada

Theresa Tejada ’10 won the episode of the television show JEOPARDY! that aired on Tuesday, December 22. Her one-day winnings totaled $21,599. She defended her champion status, albeit unsuccessfully, the following day. Two episodes of Jeopardy seems a fitting tribute to a liberal arts education. On her championship day Theresa’s major in classics came in handy for the Final Jeopardy category: “The Ancient World.” The Final Jeopardy answer: “Dedicated to a female, it’s among the few of the seven ancient wonders whose ruins you can visit.” Theresa got the question: “What is the Temple of Artemis?” She even provided the location, Ephesus, the ancient Greek city that is today a part of Turkey. Perhaps Theresa’s study abroad in Athens came into play with that extra information. Theresa’s liberal arts breadth was on display and indispensable. In Double Jeopardy Theresa found the second Daily Double on the board in the category “Arts and Culture” under the $1,600 clue. At the time, she led the returning champion by $1,800. She bet $2,000 and won! The answer: “Because it has six units called iambs, the poetic line ’Thou art unseen but yet I hear thy shrill delight’ is in iambic this.” Theresa’s correct question: “What is hexameter?” Perhaps she had a literature class at K. Among other categories rewarding a liberal arts background on the day she won: Geographic Features, 8-Letter Words, Double Up On Your Countries, Oscar Nominations, and Christmas Songs and Singers.

Turns out Associate Professor of Classics Elizabeth Manwell managed to watch both shows. “Two really wonderful moments for me,” wrote Elizabeth. “Theresa won the game her first night on the show, in part by answering a final jeopardy question about the seven wonders of the ancient world—a topic she worked on for her Senior Individualized Project in the classics department. The other occurred the second night—-Theresa spoke of an influential Latin teacher, Steve Rosenquist, who taught her at Cranbrook, and who also taught for us for a couple of years. He died recently—-and hers was such a lovely tribute to him. She’s a super young woman!”

Choreopoem Ready to Move

Students rehearsing for a Festival Playhouse production
Rehearsal for the Festival Playhouse production of “for colored girls who have considered suicide/ when the rainbow is enuf.” Photo by Emma Franzel ’17

Festival Playhouse of Kalamazoo College will present Ntozake Shange’s for colored girls who have considered suicide/ when the rainbow is enuf in the Nelda K. Balch Playhouse. The play opens Thursday, November 12, at 7:30 p.m. Additional evening performances occur Friday and Saturday, November 13 and 14, at 8 p.m., and a matinee concludes the run on Sunday, November 15, at 2 p.m. Tickets are $5 for students, $10 for senior citizens, and $15 for other adults. For reservations call 269.337.7333. For more information, visit the Festival Playhouse website.

Directed by Associate Professor of Theatre Arts Karen Berthel, Shange’s “choreopoem” is an award-winning landmark in American theatre. It has been described as “a dramatic elegy for black women” and noted for poetry “that gives you chills and makes you tremble” and its thematic treatment of courage. The play recently has been made into an award-winning film.

“Through storytelling and dance For Colored Girls depicts authentic renditions of Black women’s experiences,” according to Omari Oliver ’16, who plays the role of Lady in Red.

“Shange addresses issues that women of color have dealt with for centuries,” adds Nakeya Boyles ’16, who plays the role of Lady in Yellow and serves as the production’s dramaturg. “In the face of these issues, the women have found a way to prosper and defy the odds set against them.,”

Unlike traditional scripts built upon a sequence of scenes, For Colored Girls… is a series of poems infused with movement and music. “It is important for the audience to have an open heart and mind,” Boyles says.

Movement Coach Bianca Washington has remained true to the spirit of the original show and at the same time provided creative space for individual growth and expression. “It is important for me to help guide the cast into finding their own shape with the piece.”

Book launches, annual colloquium concludes for Olasope Oyelaran

Kalamazoo College Scholar-in-Residence Olasope O. Oyelaran
Olasope Oyelaran

Within a 24-hour period, Kalamazoo College Scholar-in-Residence Olasope O. Oyelaran, Ph.D., will see his new book launch and his annual International Colloquium at the National Black Theatre Festival close for another year.

Oyelaran, husband of K President Eileen Wilson-Oyelaran, edited “Gem of the Ocean: Essays on August Wilson in the Black Diaspora” with Kwame S. Dawes. The book launched August 7 at Winston-Salem State University where Oyelaran taught in the Department of English and Foreign Languages from 1990 to 2005.

In 1993, Oyelaran founded the International Colloquium at the National Black Theatre Festival at Winston-Salem and remains its coordinator. The colloquium, which runs concurrently with the Festival, provides a forum for black-theater scholars and professionals from black cultures worldwide to examine real-life issues through the lens of theater. “Gem of the Ocean” documents much of the 2007 Colloquium, which paid tribute to August Wilson and to festival founder Larry Leon Hamlin, who died that year.

The 2015 colloquium, titled “Sexual Orientation and Gender Identity in Black Theatre and Performance,” concludes Aug. 8, one day following the book’s launch.

“August Wilson was all about access in the theater,” Oyelaran said in a recent Winston-Salem Journal article. “It is a coincidence that the book is coming out on Friday.”

Kalamazoo College People in the News: Professors Lindley and Menta talk arts, Tim Eastman ’90 leads a new high school, and Grace Lee Boggs turns 100

Mattawan High School Principal Tim Eastman
Tim Eastman with Hackett high school students (Kalamazoo Gazette)

Tim Eastman ’90 is the new principal of Mattawan (Mich.) High School, about ten miles west of Kalamazoo. Tim spent more than 20 years as a teacher and principal (since 2002) at Hackett Catholic Prep in Kalamazoo. He has a master’s degree from Western Michigan University.

Sarah Lindley stands next to her 3D art
Sarah Lindley and “Exposure Pathways” (Allegan County News)

Sarah Lindley, associate professor of art, and some of her recent K art students needed an estimated 800-1,000 hours to assemble “Exposure Pathways,” an art exhibit in Plainwell, Mich., north of Kalamazoo on view through July. The exhibit coincides with a traveling exhibition from the Smithsonian called “The Way We Work.” Read about Professor Lindley and her exhibit in the Allegan News. Watch her talk about it on the Lori Moore Show, a Kalamazoo-area television talk-show. AND listen to her talk about her exhibit on WMUK (102.1 FM) radio.

Ed Menta, James A. B. Stone College Professor of Theatre, was a recent guest on “The Lori Moore Show” television talk show to discuss Tony Award-winning playwright Lisa Kron ’83, television stars Steven Yeun ’05 (The Walking Dead) and Jordan Klepper ’10 (The Daily Show), and other K alumni who have gone on to successful careers in theatre, television, and film.

Grace Lee Boggs turns 100
Grace Lee Boggs turns 100! (Deadline Detroit)

Grace Lee Boggs recently celebrated her 100th birthday. The Detroit-based author, civil rights activist, and labor organizer received an honorary doctor of humane letters degree from K in 2007. She’s visited campus numerous times in the past 10 years to meet with students, faculty, staff, and community members. Read about Grace Lee Boggs in Deadline Detroit: http://bit.ly/1dA7pRb

Lisa Ludwinski ’06 opens Sister Pie bakery in Detroit with help from $50,000 Hatch Detroit award

Lisa Ludwinski holding a pie
Lisa Ludwinski ’06 with a Sister Pie creation (Photo by Sylvia Rector, Detroit Free Press)

Lisa Ludwinski ’06 has opened Sister Pie, a bakery and coffee shop at 8066 Kercheval in Detroit’s West Village neighborhood. Lisa was the winner of Comerica Bank’s 2014 Hatch Detroit development grant meant to champion and support independent retail businesses in Detroit through funding, exposure, education, and mentoring. A $50,000 Hatch award allowed her to build out the new bakery complete with double convection ovens that help her create Buckwheat Chocolate Chip cookies, Salted Maple pies, savory hand pies, and more.

“I like whimsical things,” she told a Detroit Free Press reporter. “I come up with flavor combinations in my sleep and I try them in the kitchen the next day.” She also said she uses high-fat French butter, unbleached all-purpose and whole-grain flours, and locally sourced fruits and berries in season.

Lisa is a Detroit Mercy High School grad who earned a B.A. degree in Theatre Arts from K.

Lisa Ludwinski and Hatch Detroit representatives hold a prop check
Lisa Ludwinski ’06 wins $50,000 Hatch Detroit award in 2014.

Visit her and Sister Pie in person or at http://sisterpie.com and friend her on www.Facebook.com/SisterPie.

Read more here: www.deadlinedetroit.com/articles/12106/sister_pie_a_detroit-baked_startup_opens_in_west_village#.VUD1PRDQpoE

NINE PARTS OF DESIRE in the Dungeon Theatre

Eight students rehearse for "Nine Parts of Desire"
The cast of NINE PARTS OF DESIRE (l-r): standing — Aliera Morasch (Mullaya), Anita Ghans (The Doctor) Anya Opshinsky (Lalal), Isabela Agosa (Umm Ghada); seated — Jasmine Khin (Nanna), Grace Gilmore (Huda), Cheynne Harvey (Amal), and Abby Fraser (Iraqi Girl)

When Nine Parts of Desire premiered in New York City in the early 2000s, Gloria Steinem wrote, “The female half of Iraq has come to America.” It is with this philosophy in mind that Festival Playhouse of Kalamazoo College presents Heather Raffo’s play about the lives and stories of nine women, all of whom have a relationship to the physical, spiritual, and emotional spaces of modern Iraq. The play opens Thursday, April 30, at 7:30 p.m. and runs Friday and Saturday, May 1 and 2, at 8 p.m. The final performance occurs Sunday, May 3, at 2 p.m. All performances occur in the Dungeon Theatre in the Light Fine Arts Building on Kalamazoo College’s campus.

The play strives to celebrate the lives and identities of these women by complicating the archetypal portrayal of their country and its citizens. Each character seems to walk on a knife’s edge between contrasts—freedom and containment, tenacity and docility, knowledge and naivety, danger and desire—and each character tells a story of how these tensions have dictated her life.

None of Raffo’s characters are oppressed in a simple, two-dimensional way. Each woman approaches the world differently, and their stories and struggles are distinctly their own. What connects the women to each other and to the audience is far deeper than a shared experience of time and place. It is love–the negotiation and exploration of its many manifestations–that makes the piece cohesive and universal. In the play, one character muses, “It is the same, anywhere you live. if you love like an Iraqi woman. If you love like you can’t breathe.”

Festival Playhouse of Kalamazoo College invites you to come bear witness to these stories of struggle and triumph. In post-911 America, where ignorance and discrimination, and even hatred, often stand in the way of human connection, it is essential that we open our hearts, our ears, and our to these stories. In the words of Raffo herself, “Come. Now you sign the witness book.”

Tickets are $5 for students, $10 for seniors 65 and older, and $15 for other adults. Please call 269.337.7333 or visit the Festival Playhouse website for more information.

Text by Jane Huffman ’15. Photo by Emily Salswedel ’16.

Beyond the Blood

K students rehearse for "Carrie"
Gabrielle Holme-Miller ’17 (Carrie White) and members of the cast (background) in CARRIE the musical. Photo by Emily Salswedel ’16.

The outside gaze that condemns is the subject of Festival Playhouse of Kalamazoo College’s spring term production of CARRIE the musical.

“Almost the very first lyrics concern the horror of going to high school every day and the pain of trying to fit in–‘Every Day, I Just Pray Every Move I Make is Right,’” said Ed Menta, the James A. B. Stone College Professor of Theatre Arts, and the director of CARRIE the Musical. “Through song, choreography, social media, light scenery, and costumes, we hope to make this musical a fun and interactive experience for our audience that also explores one of the major social issues of our time: bullying,” he added.

Gabrielle Holme-Miller ’17, who plays the lead role of Carrie, emphasizes the need for the focus on aggression: “Almost everyone in their adolescence will find themselves a victim, aggressor, or witness to bullying in some form. Carrie’s suffering and torment is symbolic of the unacknowledged bullying many young people face.”

Festival Playhouse and the Kalamazoo College Department of Music will collaborate on the May production. The play opens Thursday, May 14, at 7:30 p.m., and continues Friday and Saturday, May 15 and 16, at 8 p.m., and on Sunday, May 17, with a matinee at 2 p.m. Additional performances occur Thursday, May 21, at 7:30 p.m. and Friday, May 22 at 8 p.m. Tickets are $5 for students, $10 for seniors, and $15 for other adults. For reservations call 269.337.7333. For more information visit the Festival Playhouse website.

The performance features Professor of Music James Turner, vocal director; Jack Brooks, conductor; Kate Yancho, choreographer; Lanford J. Potts, scenic designer; Katie Anderson ’15, lighting designer; and Lindsay Worthington ’15, sound designer. CARRIE the musical is based on the novel, Carrie, by Stephen King and the book by Lawrence D. Cohen. Michael Gore scored the music; Dean Pitchford wrote the lyrics.