Choreopoem Ready to Move

Students rehearsing for a Festival Playhouse production
Rehearsal for the Festival Playhouse production of “for colored girls who have considered suicide/ when the rainbow is enuf.” Photo by Emma Franzel ’17

Festival Playhouse of Kalamazoo College will present Ntozake Shange’s for colored girls who have considered suicide/ when the rainbow is enuf in the Nelda K. Balch Playhouse. The play opens Thursday, November 12, at 7:30 p.m. Additional evening performances occur Friday and Saturday, November 13 and 14, at 8 p.m., and a matinee concludes the run on Sunday, November 15, at 2 p.m. Tickets are $5 for students, $10 for senior citizens, and $15 for other adults. For reservations call 269.337.7333. For more information, visit the Festival Playhouse website.

Directed by Associate Professor of Theatre Arts Karen Berthel, Shange’s “choreopoem” is an award-winning landmark in American theatre. It has been described as “a dramatic elegy for black women” and noted for poetry “that gives you chills and makes you tremble” and its thematic treatment of courage. The play recently has been made into an award-winning film.

“Through storytelling and dance For Colored Girls depicts authentic renditions of Black women’s experiences,” according to Omari Oliver ’16, who plays the role of Lady in Red.

“Shange addresses issues that women of color have dealt with for centuries,” adds Nakeya Boyles ’16, who plays the role of Lady in Yellow and serves as the production’s dramaturg. “In the face of these issues, the women have found a way to prosper and defy the odds set against them.,”

Unlike traditional scripts built upon a sequence of scenes, For Colored Girls… is a series of poems infused with movement and music. “It is important for the audience to have an open heart and mind,” Boyles says.

Movement Coach Bianca Washington has remained true to the spirit of the original show and at the same time provided creative space for individual growth and expression. “It is important for me to help guide the cast into finding their own shape with the piece.”

Book launches, annual colloquium concludes for Olasope Oyelaran

Kalamazoo College Scholar-in-Residence Olasope O. Oyelaran
Olasope Oyelaran

Within a 24-hour period, Kalamazoo College Scholar-in-Residence Olasope O. Oyelaran, Ph.D., will see his new book launch and his annual International Colloquium at the National Black Theatre Festival close for another year.

Oyelaran, husband of K President Eileen Wilson-Oyelaran, edited “Gem of the Ocean: Essays on August Wilson in the Black Diaspora” with Kwame S. Dawes. The book launched August 7 at Winston-Salem State University where Oyelaran taught in the Department of English and Foreign Languages from 1990 to 2005.

In 1993, Oyelaran founded the International Colloquium at the National Black Theatre Festival at Winston-Salem and remains its coordinator. The colloquium, which runs concurrently with the Festival, provides a forum for black-theater scholars and professionals from black cultures worldwide to examine real-life issues through the lens of theater. “Gem of the Ocean” documents much of the 2007 Colloquium, which paid tribute to August Wilson and to festival founder Larry Leon Hamlin, who died that year.

The 2015 colloquium, titled “Sexual Orientation and Gender Identity in Black Theatre and Performance,” concludes Aug. 8, one day following the book’s launch.

“August Wilson was all about access in the theater,” Oyelaran said in a recent Winston-Salem Journal article. “It is a coincidence that the book is coming out on Friday.”

Kalamazoo College People in the News: Professors Lindley and Menta talk arts, Tim Eastman ’90 leads a new high school, and Grace Lee Boggs turns 100

Mattawan High School Principal Tim Eastman
Tim Eastman with Hackett high school students (Kalamazoo Gazette)

Tim Eastman ’90 is the new principal of Mattawan (Mich.) High School, about ten miles west of Kalamazoo. Tim spent more than 20 years as a teacher and principal (since 2002) at Hackett Catholic Prep in Kalamazoo. He has a master’s degree from Western Michigan University.

Sarah Lindley stands next to her 3D art
Sarah Lindley and “Exposure Pathways” (Allegan County News)

Sarah Lindley, associate professor of art, and some of her recent K art students needed an estimated 800-1,000 hours to assemble “Exposure Pathways,” an art exhibit in Plainwell, Mich., north of Kalamazoo on view through July. The exhibit coincides with a traveling exhibition from the Smithsonian called “The Way We Work.” Read about Professor Lindley and her exhibit in the Allegan News. Watch her talk about it on the Lori Moore Show, a Kalamazoo-area television talk-show. AND listen to her talk about her exhibit on WMUK (102.1 FM) radio.

Ed Menta, James A. B. Stone College Professor of Theatre, was a recent guest on “The Lori Moore Show” television talk show to discuss Tony Award-winning playwright Lisa Kron ’83, television stars Steven Yeun ’05 (The Walking Dead) and Jordan Klepper ’10 (The Daily Show), and other K alumni who have gone on to successful careers in theatre, television, and film.

Grace Lee Boggs turns 100
Grace Lee Boggs turns 100! (Deadline Detroit)

Grace Lee Boggs recently celebrated her 100th birthday. The Detroit-based author, civil rights activist, and labor organizer received an honorary doctor of humane letters degree from K in 2007. She’s visited campus numerous times in the past 10 years to meet with students, faculty, staff, and community members. Read about Grace Lee Boggs in Deadline Detroit: http://bit.ly/1dA7pRb

Lisa Ludwinski ’06 opens Sister Pie bakery in Detroit with help from $50,000 Hatch Detroit award

Lisa Ludwinski holding a pie
Lisa Ludwinski ’06 with a Sister Pie creation (Photo by Sylvia Rector, Detroit Free Press)

Lisa Ludwinski ’06 has opened Sister Pie, a bakery and coffee shop at 8066 Kercheval in Detroit’s West Village neighborhood. Lisa was the winner of Comerica Bank’s 2014 Hatch Detroit development grant meant to champion and support independent retail businesses in Detroit through funding, exposure, education, and mentoring. A $50,000 Hatch award allowed her to build out the new bakery complete with double convection ovens that help her create Buckwheat Chocolate Chip cookies, Salted Maple pies, savory hand pies, and more.

“I like whimsical things,” she told a Detroit Free Press reporter. “I come up with flavor combinations in my sleep and I try them in the kitchen the next day.” She also said she uses high-fat French butter, unbleached all-purpose and whole-grain flours, and locally sourced fruits and berries in season.

Lisa is a Detroit Mercy High School grad who earned a B.A. degree in Theatre Arts from K.

Lisa Ludwinski and Hatch Detroit representatives hold a prop check
Lisa Ludwinski ’06 wins $50,000 Hatch Detroit award in 2014.

Visit her and Sister Pie in person or at http://sisterpie.com and friend her on www.Facebook.com/SisterPie.

Read more here: www.deadlinedetroit.com/articles/12106/sister_pie_a_detroit-baked_startup_opens_in_west_village#.VUD1PRDQpoE

NINE PARTS OF DESIRE in the Dungeon Theatre

Eight students rehearse for "Nine Parts of Desire"
The cast of NINE PARTS OF DESIRE (l-r): standing — Aliera Morasch (Mullaya), Anita Ghans (The Doctor) Anya Opshinsky (Lalal), Isabela Agosa (Umm Ghada); seated — Jasmine Khin (Nanna), Grace Gilmore (Huda), Cheynne Harvey (Amal), and Abby Fraser (Iraqi Girl)

When Nine Parts of Desire premiered in New York City in the early 2000s, Gloria Steinem wrote, “The female half of Iraq has come to America.” It is with this philosophy in mind that Festival Playhouse of Kalamazoo College presents Heather Raffo’s play about the lives and stories of nine women, all of whom have a relationship to the physical, spiritual, and emotional spaces of modern Iraq. The play opens Thursday, April 30, at 7:30 p.m. and runs Friday and Saturday, May 1 and 2, at 8 p.m. The final performance occurs Sunday, May 3, at 2 p.m. All performances occur in the Dungeon Theatre in the Light Fine Arts Building on Kalamazoo College’s campus.

The play strives to celebrate the lives and identities of these women by complicating the archetypal portrayal of their country and its citizens. Each character seems to walk on a knife’s edge between contrasts—freedom and containment, tenacity and docility, knowledge and naivety, danger and desire—and each character tells a story of how these tensions have dictated her life.

None of Raffo’s characters are oppressed in a simple, two-dimensional way. Each woman approaches the world differently, and their stories and struggles are distinctly their own. What connects the women to each other and to the audience is far deeper than a shared experience of time and place. It is love–the negotiation and exploration of its many manifestations–that makes the piece cohesive and universal. In the play, one character muses, “It is the same, anywhere you live. if you love like an Iraqi woman. If you love like you can’t breathe.”

Festival Playhouse of Kalamazoo College invites you to come bear witness to these stories of struggle and triumph. In post-911 America, where ignorance and discrimination, and even hatred, often stand in the way of human connection, it is essential that we open our hearts, our ears, and our to these stories. In the words of Raffo herself, “Come. Now you sign the witness book.”

Tickets are $5 for students, $10 for seniors 65 and older, and $15 for other adults. Please call 269.337.7333 or visit the Festival Playhouse website for more information.

Text by Jane Huffman ’15. Photo by Emily Salswedel ’16.

Beyond the Blood

K students rehearse for "Carrie"
Gabrielle Holme-Miller ’17 (Carrie White) and members of the cast (background) in CARRIE the musical. Photo by Emily Salswedel ’16.

The outside gaze that condemns is the subject of Festival Playhouse of Kalamazoo College’s spring term production of CARRIE the musical.

“Almost the very first lyrics concern the horror of going to high school every day and the pain of trying to fit in–‘Every Day, I Just Pray Every Move I Make is Right,’” said Ed Menta, the James A. B. Stone College Professor of Theatre Arts, and the director of CARRIE the Musical. “Through song, choreography, social media, light scenery, and costumes, we hope to make this musical a fun and interactive experience for our audience that also explores one of the major social issues of our time: bullying,” he added.

Gabrielle Holme-Miller ’17, who plays the lead role of Carrie, emphasizes the need for the focus on aggression: “Almost everyone in their adolescence will find themselves a victim, aggressor, or witness to bullying in some form. Carrie’s suffering and torment is symbolic of the unacknowledged bullying many young people face.”

Festival Playhouse and the Kalamazoo College Department of Music will collaborate on the May production. The play opens Thursday, May 14, at 7:30 p.m., and continues Friday and Saturday, May 15 and 16, at 8 p.m., and on Sunday, May 17, with a matinee at 2 p.m. Additional performances occur Thursday, May 21, at 7:30 p.m. and Friday, May 22 at 8 p.m. Tickets are $5 for students, $10 for seniors, and $15 for other adults. For reservations call 269.337.7333. For more information visit the Festival Playhouse website.

The performance features Professor of Music James Turner, vocal director; Jack Brooks, conductor; Kate Yancho, choreographer; Lanford J. Potts, scenic designer; Katie Anderson ’15, lighting designer; and Lindsay Worthington ’15, sound designer. CARRIE the musical is based on the novel, Carrie, by Stephen King and the book by Lawrence D. Cohen. Michael Gore scored the music; Dean Pitchford wrote the lyrics.

Jane and Grace

Seniors Jane Huffman and Grace Gilmore
Current seniors Jane Huffman (left) and Grace Gilmore during one of their sophomore year collaborations–Shakespeare’s “Titus Andronicus”

Seniors Jane Huffman and Grace Gilmore are collaborating on the Festival Playhouse at Kalamazoo College’s production of Ann-Marie MacDonald’s Good Night Desdemona (Good Morning Juliet).

Jane is the assistant director of Good Night Desdemona…, a different–or, perhaps more accurately–an “expanded” directing experience than the one she enjoyed previously this term when her own play, Where the Bee Sucks, was performed at the New Play House Festival in downtown Kalamazoo. “To go from a one act play with three actors to a two act play with six actors has been illuminating,” says Jane. “I’ve learned a great deal from Karen Berthel [director of Good Night Desdemona… and an associate professor of theatre arts] about how to work in a bigger space, with a bigger company.”

Jane also finds this term’s work good preparation for the spring term, when she will direct the play, Nine Parts of Desire. Jane is earning majors in theatre arts and in English, and she has published quite a few of her poems. “I’ve learned that getting published is about 90 percent submitting and 10 percent writing.” Next year she plans to begin work on an MFA in poetry.

Grace Gilmore plays the lead role of Constance in Good Night Desdemona…. “At times I feel really connected with Constance but other times so far away from her. Her views and opinions come from second-wave feminism, which is difficult for me to relate to.” Fall term Grace performed her Senior Individualized Project, the one-woman show “2.5 Minute Ride” by Kalamazoo College alumna (and Tony Award nominee) Lisa Kron ’83. Grace also won the Irene Ryan Award for Performance for Region 3 of the American College Theatre Festival. Grace competed against 274 other contestants from Region 3, ACTF’s largest, which includes Wisconsin, Illinois, Michigan, and Indiana. She and the seven winners from the other ACTF regions will take part in a national program at the John F. Kennedy Center this summer. Grace will work with national directors, perform at various venues in New York, and participate in a final showcase performance at the Kennedy Center. In the meantime, we can enjoy the work of these two talented seniors at Festival Playhouse this coming weekend. —Text and Photo by Mallory Zink ’15

Kalamazoo College Presents Juliet and Desdemona…Together?!

Seven students rehearsing for "Goodnight Desdemona {Good Morning Juliet}"
The players in a scene from “Goodnight Desdemona {Good Morning Juliet}” are (l-r): Katelyn Anderson ’15 (Desdemona/Ramona), Aidan Johnson ’17 (Iago/Chorus), Grace Gilmore ’15 (Constance Ledbelly), Lauren Landman ’18 (Juliet/Student), Cameron Schneberger ’16 (Othello/Claudio/Tybalt/Nurse), Sam Meyers ’18 (Romeo/Ghost), and Jasmine Khin ’18 (Mercutio/Servant/Soldier). Photo by Robert Manor ’17.

Juliet and Desdemona, somewhat askew their famous contexts, come together when Festival Playhouse of Kalamazoo College presents Goodnight Desdemona {Good Morning Juliet} by Ann-Marie MacDonald in the Nelda K. Balch Playhouse. The play opens Thursday, February 26, at 7:30 p.m. Additional evening performances occur Friday and Saturday, February 27-28, at 8 p.m., and a matinee (2 p.m.) concludes the run on Sunday, March 1. Tickets are $5 for students, $10 for seniors, and $15 for other adults. For reservations call 269.337.7333. For more information visit the website.

The characters from the tragedies Othello and Romeo and Juliet appear with unexpected outcomes, thanks to the scholarship of MacDonald’s character Constance. Goodnight Desdemona {Good Morning Juliet} explores the borderlands between imagination, scholarship, and literature. Constance, a stumbling academic, embarks on a quest to find the holy grail of comparative literature: the true source of Shakespeare’s often-contested texts. She falls down the Elizabethan rabbit hole and finds herself immersed in the tomfoolery, betrayal, swordplay and wit of Shakespeare’s iconic worlds. As Constance journeys closer to proving her thesis true, she discovers that the answer is within herself, and returns to the real world with confidence. We are presented with the age-old dichotomy of the unfit hero—the underdog—who must come to terms with her own life before she can save another’s. Constance challenges us to find solace—and truth—in imagination.

The play is playful. MacDonald riffs on Shakespeare’s verse and meter, and exacerbates his characterizations to an extent that is gut-wrenchingly funny. Desdemona is a ruthless and bloodthirsty warrior, Iago is conniving for the sake of being conniving, and Romeo and Juliet fall in love with anything that moves. Constance must come face to face (and sometimes hand to hand, lip to lip) with these characters in order to navigate through their worlds. She seeks to find the “missing fool”—a character absent from Shakespeare’s tragedies who should have interrupted the narratives and made them comedic. But what Constance discovers is that she, in her stumbling but brilliant ignorance, is the missing link. Even though Constance’s path—riddled with deception, drag, and cans of Coors Light—bites its thumb at the traditional hero’s journey, she does find her way home again, the wiser for the way.

Directors Debut

Emma Franzel and Haroon Chaudhury play Emma Franzel and Haroon Chaudhury in "Wooed and Viewed"
WOOED AND VIEWED characters Emma and Hector are played by Emma Franzel and Haroon Chaudhury.

Liberal arts in theatre arts means a chance for multiple roles—as in actor, crew member, and director. Kalamazoo College’s Senior Performance Series provides senior students a chance to do the latter. This winter’s SPS features The Gas Heart, directed by Joseph Westerfield ’15, and Wooed and Viewed, directed by Arik Mendelevitz ’15. The performances will occur Thursday through Sunday, February 12-15, in Kalamazoo College’s Dungeon Theatre (Light Fine Arts Building). Tickets are $5. Thursday’s performance begins at 7:30 p.m. Friday and Saturday shows begin at 8 p.m. Sunday’s matinee begins at 2 p.m.

The Gas Heart was written by Tristan Tzara, who, according to director Westerfield, described his piece as “the only and greatest three act hoax of the century; it will satisfy only industrialized imbeciles who believe in the existence of men of genius.” Westerfield explained that his production of the play “questions the conventions of normative theatre and invites the audience to participate in their emancipation as a spectator.”

Wooed and Viewed is a French farce (by playwright Georges Feydau) that, like The Gas Heart, defies societal expectations. The character of Emma (played by sophomore Emma Franzel) defies the traditional role of passivity when she orders a stranger to make love to her in order to provoke her husband’s jealousy. Emma has “made herself an other but not the other she is told to be,” says director Mendelevitz. “Women, especially when it comes to sex, exist in a marginalized place in our society where they are told that their role is to put themselves on display for men to come by and window shop,” he added. Mendelevitz has chosen to present the play using a deconstructionist approach in order “to explore new possibilities that would be impossible…on the firm, familiar ground, Art exists in relation to our world, yet simultaneously steps outside of it.” Mendelevitz has written a philosophy treatise about the play which he will present at the Michigan Academy of Science, Arts and Letters at Andrews University (Berrien Springs, Mich.) in March.

For more information about SPS, which is part of the 51st season of Festival Playhouse visit the website or call 269.337.7333

“Wherefore art thou …?”

Jenna Wood, Madison Donoho and Benvolio rehearsing
The clash of love and the world manifests in passion and violence in Shakespeare’s Romeo and Juliet. One fight scene beguiles (l-r) Tybalt (Jenna Wood ’16), Mercutio (Madison Donoho ’17), and Benvolio (Emma Franzel ’17). Costumes by Elaine Kauffman. Photo by Lanford Potts

Things are not always what they seem–and names (“What’s in a name?”) do not fully define identity. Festival Playhouse of Kalamazoo College opens its 51st season with a classic, Shakespeare’s Romeo and Juliet, and with more, or less, historical accuracy than some would expect.

Originally, Shakespeare’s plays were performed exclusively by male actors playing both male and female roles. “Shakespeare’s male actors were not trying to lampoon women or comment on them. Rather, those actors were trying to behave truthfully in imaginary circumstances–they just happened to be playing women,” explains Todd Espeland, guest director.

Today, there are almost always more female actresses than male actors, so Espeland has decided to reverse the genders of the actors. Juliet is being played by a young man–as would have been the case in Elizabethan times–but Romeo will be played by a young woman. The experiment will deepen the experience of the play, Shakespeare’s first foray into the genre of tragedy.

“One of my jobs as a director in educational theatre is to provide the best experiences possible to grow and educate my students as well as our audiences,” says Espeland. “What we hope to do is look at the various ways power is a function of gender.”

“Now that I’m suddenly in many extremely powerless positions as Juliet, I’ve had to change my physicality,” says Thaddeus Buttrey ’17. “This is an extremely challenging role that puts me far out of my comfort zone, but it will make me a better performer, a better thinker.”

In the play, unclear thinking and rash decisions result in a variety of clashes, including sword fights. “I have learned a lot about how gender roles can sometimes influence action and the language that we use,” says Lindsay Worthington’17. “This has made me reflect on its role in my life outside the theatre.”

Because of its notoriety, the play challenges designers as well. “As a scenic and lighting designer, it has been fun to work on one of the most well-known plays in the English language and still make it original,” says Katelyn Anderson ’15. Others on the design team include Elaine Kauffman (costumes) and Arik Mendelevitz ’15 (sound). The fight scenes were choreographed by Jon Reeves.

The show opens on Thursday, November 6 at 7:30 p.m. and runs Friday and Saturday, November 7-8 at 8 p.m. The show’s final performance is Sunday, November 9, at 2 p.m. For ticket reservations, please call 269.337.7333. Tickets are $5 for students, $10 for seniors and $15 for other adults; they may also be purchased at the door. For more information about the 51st season at Festival Playhouse, call 269.337.7333 or visit online.