theatre

Jane and Grace

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Seniors Jane Huffman and Grace Gilmore
Current seniors Jane Huffman (left) and Grace Gilmore during one of their sophomore year collaborations–Shakespeare’s “Titus Andronicus”

Seniors Jane Huffman and Grace Gilmore are collaborating on the Festival Playhouse at Kalamazoo College’s production of Ann-Marie MacDonald’s Good Night Desdemona (Good Morning Juliet).

Jane is the assistant director of Good Night Desdemona…, a different–or, perhaps more accurately–an “expanded” directing experience than the one she enjoyed previously this term when her own play, Where the Bee Sucks, was performed at the New Play House Festival in downtown Kalamazoo. “To go from a one act play with three actors to a two act play with six actors has been illuminating,” says Jane. “I’ve learned a great deal from Karen Berthel [director of Good Night Desdemona… and an associate professor of theatre arts] about how to work in a bigger space, with a bigger company.”

Jane also finds this term’s work good preparation for the spring term, when she will direct the play, Nine Parts of Desire. Jane is earning majors in theatre arts and in English, and she has published quite a few of her poems. “I’ve learned that getting published is about 90 percent submitting and 10 percent writing.” Next year she plans to begin work on an MFA in poetry.

Grace Gilmore plays the lead role of Constance in Good Night Desdemona…. “At times I feel really connected with Constance but other times so far away from her. Her views and opinions come from second-wave feminism, which is difficult for me to relate to.” Fall term Grace performed her Senior Individualized Project, the one-woman show “2.5 Minute Ride” by Kalamazoo College alumna (and Tony Award nominee) Lisa Kron ’83. Grace also won the Irene Ryan Award for Performance for Region 3 of the American College Theatre Festival. Grace competed against 274 other contestants from Region 3, ACTF’s largest, which includes Wisconsin, Illinois, Michigan, and Indiana. She and the seven winners from the other ACTF regions will take part in a national program at the John F. Kennedy Center this summer. Grace will work with national directors, perform at various venues in New York, and participate in a final showcase performance at the Kennedy Center. In the meantime, we can enjoy the work of these two talented seniors at Festival Playhouse this coming weekend. —Text and Photo by Mallory Zink ’15

Kalamazoo College Presents Juliet and Desdemona…Together?!

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Seven students rehearsing for "Goodnight Desdemona {Good Morning Juliet}"
The players in a scene from “Goodnight Desdemona {Good Morning Juliet}” are (l-r): Katelyn Anderson ’15 (Desdemona/Ramona), Aidan Johnson ’17 (Iago/Chorus), Grace Gilmore ’15 (Constance Ledbelly), Lauren Landman ’18 (Juliet/Student), Cameron Schneberger ’16 (Othello/Claudio/Tybalt/Nurse), Sam Meyers ’18 (Romeo/Ghost), and Jasmine Khin ’18 (Mercutio/Servant/Soldier). Photo by Robert Manor ’17.

Juliet and Desdemona, somewhat askew their famous contexts, come together when Festival Playhouse of Kalamazoo College presents Goodnight Desdemona {Good Morning Juliet} by Ann-Marie MacDonald in the Nelda K. Balch Playhouse. The play opens Thursday, February 26, at 7:30 p.m. Additional evening performances occur Friday and Saturday, February 27-28, at 8 p.m., and a matinee (2 p.m.) concludes the run on Sunday, March 1. Tickets are $5 for students, $10 for seniors, and $15 for other adults. For reservations call 269.337.7333. For more information visit the website.

The characters from the tragedies Othello and Romeo and Juliet appear with unexpected outcomes, thanks to the scholarship of MacDonald’s character Constance. Goodnight Desdemona {Good Morning Juliet} explores the borderlands between imagination, scholarship, and literature. Constance, a stumbling academic, embarks on a quest to find the holy grail of comparative literature: the true source of Shakespeare’s often-contested texts. She falls down the Elizabethan rabbit hole and finds herself immersed in the tomfoolery, betrayal, swordplay and wit of Shakespeare’s iconic worlds. As Constance journeys closer to proving her thesis true, she discovers that the answer is within herself, and returns to the real world with confidence. We are presented with the age-old dichotomy of the unfit hero—the underdog—who must come to terms with her own life before she can save another’s. Constance challenges us to find solace—and truth—in imagination.

The play is playful. MacDonald riffs on Shakespeare’s verse and meter, and exacerbates his characterizations to an extent that is gut-wrenchingly funny. Desdemona is a ruthless and bloodthirsty warrior, Iago is conniving for the sake of being conniving, and Romeo and Juliet fall in love with anything that moves. Constance must come face to face (and sometimes hand to hand, lip to lip) with these characters in order to navigate through their worlds. She seeks to find the “missing fool”—a character absent from Shakespeare’s tragedies who should have interrupted the narratives and made them comedic. But what Constance discovers is that she, in her stumbling but brilliant ignorance, is the missing link. Even though Constance’s path—riddled with deception, drag, and cans of Coors Light—bites its thumb at the traditional hero’s journey, she does find her way home again, the wiser for the way.

Directors Debut

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Emma Franzel and Haroon Chaudhury play Emma Franzel and Haroon Chaudhury in "Wooed and Viewed"
WOOED AND VIEWED characters Emma and Hector are played by Emma Franzel and Haroon Chaudhury.

Liberal arts in theatre arts means a chance for multiple roles—as in actor, crew member, and director. Kalamazoo College’s Senior Performance Series provides senior students a chance to do the latter. This winter’s SPS features The Gas Heart, directed by Joseph Westerfield ’15, and Wooed and Viewed, directed by Arik Mendelevitz ’15. The performances will occur Thursday through Sunday, February 12-15, in Kalamazoo College’s Dungeon Theatre (Light Fine Arts Building). Tickets are $5. Thursday’s performance begins at 7:30 p.m. Friday and Saturday shows begin at 8 p.m. Sunday’s matinee begins at 2 p.m.

The Gas Heart was written by Tristan Tzara, who, according to director Westerfield, described his piece as “the only and greatest three act hoax of the century; it will satisfy only industrialized imbeciles who believe in the existence of men of genius.” Westerfield explained that his production of the play “questions the conventions of normative theatre and invites the audience to participate in their emancipation as a spectator.”

Wooed and Viewed is a French farce (by playwright Georges Feydau) that, like The Gas Heart, defies societal expectations. The character of Emma (played by sophomore Emma Franzel) defies the traditional role of passivity when she orders a stranger to make love to her in order to provoke her husband’s jealousy. Emma has “made herself an other but not the other she is told to be,” says director Mendelevitz. “Women, especially when it comes to sex, exist in a marginalized place in our society where they are told that their role is to put themselves on display for men to come by and window shop,” he added. Mendelevitz has chosen to present the play using a deconstructionist approach in order “to explore new possibilities that would be impossible…on the firm, familiar ground, Art exists in relation to our world, yet simultaneously steps outside of it.” Mendelevitz has written a philosophy treatise about the play which he will present at the Michigan Academy of Science, Arts and Letters at Andrews University (Berrien Springs, Mich.) in March.

For more information about SPS, which is part of the 51st season of Festival Playhouse visit the website or call 269.337.7333

“Wherefore art thou …?”

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Jenna Wood, Madison Donoho and Benvolio rehearsing
The clash of love and the world manifests in passion and violence in Shakespeare’s Romeo and Juliet. One fight scene beguiles (l-r) Tybalt (Jenna Wood ’16), Mercutio (Madison Donoho ’17), and Benvolio (Emma Franzel ’17). Costumes by Elaine Kauffman. Photo by Lanford Potts

Things are not always what they seem–and names (“What’s in a name?”) do not fully define identity. Festival Playhouse of Kalamazoo College opens its 51st season with a classic, Shakespeare’s Romeo and Juliet, and with more, or less, historical accuracy than some would expect.

Originally, Shakespeare’s plays were performed exclusively by male actors playing both male and female roles. “Shakespeare’s male actors were not trying to lampoon women or comment on them. Rather, those actors were trying to behave truthfully in imaginary circumstances–they just happened to be playing women,” explains Todd Espeland, guest director.

Today, there are almost always more female actresses than male actors, so Espeland has decided to reverse the genders of the actors. Juliet is being played by a young man–as would have been the case in Elizabethan times–but Romeo will be played by a young woman. The experiment will deepen the experience of the play, Shakespeare’s first foray into the genre of tragedy.

“One of my jobs as a director in educational theatre is to provide the best experiences possible to grow and educate my students as well as our audiences,” says Espeland. “What we hope to do is look at the various ways power is a function of gender.”

“Now that I’m suddenly in many extremely powerless positions as Juliet, I’ve had to change my physicality,” says Thaddeus Buttrey ’17. “This is an extremely challenging role that puts me far out of my comfort zone, but it will make me a better performer, a better thinker.”

In the play, unclear thinking and rash decisions result in a variety of clashes, including sword fights. “I have learned a lot about how gender roles can sometimes influence action and the language that we use,” says Lindsay Worthington’17. “This has made me reflect on its role in my life outside the theatre.”

Because of its notoriety, the play challenges designers as well. “As a scenic and lighting designer, it has been fun to work on one of the most well-known plays in the English language and still make it original,” says Katelyn Anderson ’15. Others on the design team include Elaine Kauffman (costumes) and Arik Mendelevitz ’15 (sound). The fight scenes were choreographed by Jon Reeves.

The show opens on Thursday, November 6 at 7:30 p.m. and runs Friday and Saturday, November 7-8 at 8 p.m. The show’s final performance is Sunday, November 9, at 2 p.m. For ticket reservations, please call 269.337.7333. Tickets are $5 for students, $10 for seniors and $15 for other adults; they may also be purchased at the door. For more information about the 51st season at Festival Playhouse, call 269.337.7333 or visit online.

The World is My Oyster, and I am the Pearl: Peer Gynt at Festival Playhouse

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Students rehears for "Peer Gynt"
A scene from PEER GYNT (photo by Emily Salswedel ’16)

It’s grand finale time for Festival Playhouse of Kalamazoo College’s golden anniversary. To close its 50th season, Festival Playhouse presents Colin Teevan’s adaptation of Henrik Ibsen’s Peer Gynt, Thursday through Sunday, May 15-18, in the Nelda K. Balch Playhouse.

Guest Director Todd Espeland has set the play in a contemporary punk rock club, with an “in-your face” attitude still capable of shocking a 21st century audience. (Peer Gynt contains mature subject matter and language, and some of the material may not be suitable for children.)

“I selected this modern adaptation because I felt that the updating of the language and situations would make the message and story connect more to our students,” says Espeland. “The roughness of the language, modernizing Peer’s adventures by making him a human trafficker, and its references to the way we idolize TV celebrities, brings Ibsen’s message into the 21st century while still keeping the heart of the fairy tale.

“As human beings, each of us must ask ourselves who we are, what we believe, and to whom we have obligations,” Espeland adds. “This play inverts the usual paradigm of characters that look inward for answers: Peer looks outward to the entire world to serve him. His duty toward himself is to manipulate others to fulfill his needs, regardless of the suffering his manipulations impose on others.”

Dramaturg David Landskroener ’14 comments: “Audiences will be struck by this play’s denouncement of pride and self-interest. The ever-increasing modern societal message is that everything is about ’me,’ which this adaptation deconstructs in an even more timely and resonant fashion through references to reality TV.”

Peer constantly changes his persona to suit the occasion at hand: he’ll do and say anything to get what he wants. Kyle Lampar ’17, who plays the title role, describes his character as “vulgar, carefree, and unapologetic…but behind that persona of tough teenage angst, there’s a fragile individual who only wishes to fulfill his dreams.”

The design team includes Theatre Arts Professor and Scenic Designer Lanford J. Potts, Costume Designer Elaine Kauffman, Lighting Designer Katie Anderson ’15, and Sound Designer Lindsay Worthington ’17.

The show opens Thursday, May 15 at 7:30pm (which is “pay-what-you-can” night), and runs Friday and Saturday, May 16-17, at 8pm, and Sunday, May 18, at 2pm. Tickets are $5 for students, $10 for seniors, and $15 for other adults and may be purchased at the door. To make reservations, please call 269.337.7333 or visit the website for more information. Note: Thursday’s performance will be followed by the golden anniversary’s final alumni talk back, led by Kristen Chesak ’94, managing director of the Kalamazoo Civic Theatre.

Kalamazoo College Senior Performances Feature MISS LONG BEACH and THE CHAIRS

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Members of the cast of "How Miss Long Beach Became Miss long Beach"
Members of the cast of HOW MISS LONG BEACH BECAME MISS LONG BEACH include (at left) Natalie Vazquez ’17 (seated) and Belinda McCauley ’16, and, at right (l-r): Wendy Rubio ’16, Mireya Guzman-Ortiz ’17, and Marta Gonzalez Infante ’17.

The Senior Performance Series of Festival Playhouse of Kalamazoo College presents two one-act plays: the world premiere of How Miss Long Beach Became Miss Long Beach, (written by Alejandra Castillo ’15 and directed by Amy Jimenez ’14) and a new staging of The Chairs (written by Eugene Ionesco and directed by Grace Gilmore ’15).

Performances occur Thursday, May 1, through Sunday, May 4, in the Light Fine Arts Building’s Dungeon Theatre.

Playwright Alejandra Castillo says her play poses important questions: What does it mean to be a girl? What does it mean to be a woman? What does it mean to be a Latina?

“Miss Long Beach is a play that explores femininity and womanhood in Latino culture,” she adds. “Sixteen-year-old Angie must decide whether to compete in a beauty pageant to please her glamorous mother or continue with her tomboy ways. The play touches upon issues of gender, sexuality and cultural assimilation, and the importance of mother-daughter relationships.” Director Amy Jimenez says, “Although this play speaks to the Latina experience to some extent, it is definitely relevant to all female experiences because it deals with issues of identity, sexuality, family, and the ideology of beauty.”

In Eugene Ionesco’s landmark Absurdist play, The Chairs, the Old Man and the Old Woman prepare their guests for the arrival of the mysterious Orator, whose speech will not only be the couple’s farewell to life, but also will contain a great message for humanity. The Chairs is a comedy of language,” director Grace Gilmore explains, “that forces us to imagine a world where the meaning of life is undefinable, where loneliness is in the eye of the beholder, and where what we say is not always what we mean. When we look closer we realize this world is not so different from our own.”

Katie Anderson ’15 designed the sets for the two performances, and Michael Wecht ’14 serves as the lighting engineer.

The Senior Performance Series showcases the best and brightest of Kalamazoo College students creating their own theatre. Show times for the two plays are Thursday, May 1, at 7:30pm, Friday and Saturday, May 2 and 3, at 8pm, and Sunday, May 4, at 2pm.. After Thursday’s performance the audience is invited to converse with the director and actors for The Chairs, and, after Friday’s performance, with the cast, director, and playwright of Miss Long Beach. All tickets at the door are $5, with the exception of Thursday’s performance, which is pay what you can.

Classmates’ Creativity

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Two junior writers are getting their creative work published widely. Kate Belew ’15 published three poems (“Marrow,” “Leaning Tower of Lady Liberty,” and “God Tree”) in the Fall 2013 issue of Minetta Review. Journey was the theme of that issue. Jane Huffman ’15 is an English and theatre arts major who also is publishing in quite a few places–including a recent interview in NewerYork.

Jordan Klepper ’01 joins The Daily Show with Jon Stewart

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Kalamazoo College alumnus Jordan Klepper on the Daily Show
Jordan Klepper ’01 is the newest correspondent on The Daily Show with Jon Stewart, Mon-Thu at 11pm on Comedy Central. The Kalamazoo native earned a B.A. degree in math at K and performed in Monkapult, the student-run improve troupe.

Jordan Klepper ’01 has joined The Daily Show with Jon Stewart, as the newest correspondent on the popular late-night Comedy Central show. During his March 3 debut episode, Jordan reported “live” from Ukraine, but his take on events in the politically unstable country quickly devolved in a comedic take on his own new and perhaps unstable job status.

Jordan has performed at New York City’s Upright Citizens Brigade (UBC) improvisational comedy and sketch comedy group for three years. He was also a correspondent on the comedic sports show Friday Night Tailgate on the Big Ten Network for three seasons, and performed at Second City and iO theaters in Chicago, where he met his wife and frequent collaborator Laura Grey. Together, Klepper and Grey created and starred in the UCB Comedy-produced pilot Engaged, which they later turned into a web series. His TV credits include IFC’s Bunk and MTV’s I Just Want My Pants Back.

Jordan grew up in Kalamazoo, attending Kalamazoo Central High School and the Kalamazoo Area Math and Science Center. A Heyl Scholar at K, he earned his B.A. degree in mathematics, while participating in many Theatre Department and Festival Playhouse productions. He often performed in K’s student run improv troupe, Monkapult.

Jordan’s sister, Caycee (Klepper) Sledge ’05 is K alumna and classmate of another well-known Monkapult alumnus, Steven Yuen ’05, who appears as Glenn on AMC’s popular TV show The Walking Dead.

Jordan is the first new correspondent on The Daily Show in more than two years and joins Samantha Bee, Jason Jones, Aasif Mandvi, and Jessica Williams. The Daily Show airs Monday through Thursday at 11 p.m. ET on Comedy Central.

Check out a selection of web videos, short films, and web series featuring Jordan Klepper and Laura Grey at http://klepperandgrey.tumblr.com and http://splitsider.com/2014/03/the-daily-show-hires-jordan-klepper-as-its-newest-correspondent.

Break a leg, Jordan!

FIREBUGS Alights

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Three students rehearse for "The Firebugs"
Mikey Wecht ’14 (left, Chorus Leader), Madison Donoho ’17 (center, Eisenring) and Jack Massion ’14 (Biedermann) in a scene from THE FIREBUGS. Costumes by Elaine Kauffman. Photo by Emily Salswedel, ’17

Festival Playhouse of Kalamazoo College presents Max Frisch’s The Firebugs on Thursday, February 27, through Sunday, March 2, at the Nelda K. Balch Playhouse. The reprise (the play was originally staged and directed by K theatre arts professor Nelda Balch in 1964) celebrates the 50th anniversary of Festival Playhouse, which was founded by Balch.

The Firebugs is a satirical comedy that tells the story of Biedermann, a man who foolishly allows two arsonists into his home. Fearful of offending of them, he goes out of his way to accommodate their outrageous requests, much to his own—and others’—detriment.

A comedy that Frisch himself described as “a learning play without a lesson,” Firebugs nevertheless delivers a serious and timely message. Dramaturg Belinda McCauley ’16 says, “It has been speculated for decades that Biedermann’s dilemma throughout the play is allegorical to the way humans unintentionally allow evil into their lives, most specifically how the Nazis worked their way into the lives of average German citizens.”

Director Nora Hauk ’04, currently working on her doctoral dissertation in sociocultural anthropology at the University of Michigan, emphasizes that Biedermann chooses political correctness over what he knows to be true and right—with dire consequences. “The Firebugs is a play about the trouble that people can get into as they try to maintain the status quo and their own social standing in the face of major challenges,” explains Hauk. “Despite all the warning signs, Biedermann fails to take a stand.”

“There are many messages one could possibly take away from The Firebugs,” says McCauley, “but perhaps the one to be concerned with is the way words are used. What do your words say about you? Do your words start fires? Or do your words save lives?”

The production’s design team includes Professor of Theatre Arts Lanny Potts (scenery), Elaine Kauffman (costumes), Lydia Strini ’14 (lights) and Lindsay Worthington ’16 (sound).

The show opens Thursday, February 27 (pay what you can), at 7:30 PM. Friday (February 28) and Saturday (February 28) performances begin at 8 PM. Curtain rises for Sunday’s performance (March 2) at 2 PM. For all performances except Thursday’s tickets are $5 for students, $10 for seniors, and $15 for other adults. Tickets may be purchased at the door. For more information about these and the remainder of Festival Playhouse’s golden anniversary season (including Peer Gynt) call 269.337.7333 or visit the Festival Playhouse website.

Extraordinary Women: Real and Imagined

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Festival Playhouse invites you to meet some extraordinary women, real and imagined.

Senior and junior directors Arshia Will ’14 and Jane Huffman ’15 will share their work (Maria Irene Fornes’ Mud and a compilation of Shakespeare scenes titled What She Wills) at Festival Playhouse’s Senior Performance Series, presented in Kalamazoo College’s Dungeon theatre February 13-16. The works offer two highly contrasting portrayals of women—one places Shakespeare’s female characters in a new setting with fresh voices; the other portrays a woman’s uncompromising effort to carve out her own life amidst severe poverty and abusive relationships.

Huffman chose to direct Mud in part because she sees the character Mae as a later-day Antigone: “Cunningly and aggressively, she subverts the paradigms that oppress her. She is a mirror. She is a call to action. She is a singular voice that resounds with that of countless women who have been rendered voiceless.”

In What She Wills, Will  has provided an opportunity for Shakespeare’s female characters to be heard from a woman’s perspective.

“Shakespeare may not have written roles for women actors since every role in Shakespeare’s time was played by men, but the women characters he created are complex and compelling,” says Will.  “The characters are so rich they can be found throughout history and today. We have seen countless Juliets and Lady Macbeths, and they will continue to live on. What She Wills takes these famous Shakespearean women and puts them in new environments and under ’new lights.’ It illustrates how enduring and relevant Shakespeare is today.”

The Senior Performance Series also features the work of three senior designers: Kelly Eubank (costumes), David Landskroener (sound), and Mary Mathyer (set). Sophomore Katie Lee is the lighting designer.

The show will open on Thursday, February 13, at 7:30pm, and run Friday and Saturday, February 14 and 15, at 8pm. The show closes on Sunday, February 16, at 2pm. Tickets are $5 and may be purchased at the door. For more information about these and the remainder of Festival Playhouse’s golden anniversary season (including The Firebugs and Peer Gynt), call 269.337.7333 or visit www.kzoo.edu/theatre.

The Senior Performance Series continues the tradition of featuring the work of Kalamazoo College students creating their own theatre.