theatre

The World is My Oyster, and I am the Pearl: Peer Gynt at Festival Playhouse

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Students rehears for "Peer Gynt"
A scene from PEER GYNT (photo by Emily Salswedel ’16)

It’s grand finale time for Festival Playhouse of Kalamazoo College’s golden anniversary. To close its 50th season, Festival Playhouse presents Colin Teevan’s adaptation of Henrik Ibsen’s Peer Gynt, Thursday through Sunday, May 15-18, in the Nelda K. Balch Playhouse.

Guest Director Todd Espeland has set the play in a contemporary punk rock club, with an “in-your face” attitude still capable of shocking a 21st century audience. (Peer Gynt contains mature subject matter and language, and some of the material may not be suitable for children.)

“I selected this modern adaptation because I felt that the updating of the language and situations would make the message and story connect more to our students,” says Espeland. “The roughness of the language, modernizing Peer’s adventures by making him a human trafficker, and its references to the way we idolize TV celebrities, brings Ibsen’s message into the 21st century while still keeping the heart of the fairy tale.

“As human beings, each of us must ask ourselves who we are, what we believe, and to whom we have obligations,” Espeland adds. “This play inverts the usual paradigm of characters that look inward for answers: Peer looks outward to the entire world to serve him. His duty toward himself is to manipulate others to fulfill his needs, regardless of the suffering his manipulations impose on others.”

Dramaturg David Landskroener ’14 comments: “Audiences will be struck by this play’s denouncement of pride and self-interest. The ever-increasing modern societal message is that everything is about ’me,’ which this adaptation deconstructs in an even more timely and resonant fashion through references to reality TV.”

Peer constantly changes his persona to suit the occasion at hand: he’ll do and say anything to get what he wants. Kyle Lampar ’17, who plays the title role, describes his character as “vulgar, carefree, and unapologetic…but behind that persona of tough teenage angst, there’s a fragile individual who only wishes to fulfill his dreams.”

The design team includes Theatre Arts Professor and Scenic Designer Lanford J. Potts, Costume Designer Elaine Kauffman, Lighting Designer Katie Anderson ’15, and Sound Designer Lindsay Worthington ’17.

The show opens Thursday, May 15 at 7:30pm (which is “pay-what-you-can” night), and runs Friday and Saturday, May 16-17, at 8pm, and Sunday, May 18, at 2pm. Tickets are $5 for students, $10 for seniors, and $15 for other adults and may be purchased at the door. To make reservations, please call 269.337.7333 or visit the website for more information. Note: Thursday’s performance will be followed by the golden anniversary’s final alumni talk back, led by Kristen Chesak ’94, managing director of the Kalamazoo Civic Theatre.

Kalamazoo College Senior Performances Feature MISS LONG BEACH and THE CHAIRS

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Members of the cast of "How Miss Long Beach Became Miss long Beach"
Members of the cast of HOW MISS LONG BEACH BECAME MISS LONG BEACH include (at left) Natalie Vazquez ’17 (seated) and Belinda McCauley ’16, and, at right (l-r): Wendy Rubio ’16, Mireya Guzman-Ortiz ’17, and Marta Gonzalez Infante ’17.

The Senior Performance Series of Festival Playhouse of Kalamazoo College presents two one-act plays: the world premiere of How Miss Long Beach Became Miss Long Beach, (written by Alejandra Castillo ’15 and directed by Amy Jimenez ’14) and a new staging of The Chairs (written by Eugene Ionesco and directed by Grace Gilmore ’15).

Performances occur Thursday, May 1, through Sunday, May 4, in the Light Fine Arts Building’s Dungeon Theatre.

Playwright Alejandra Castillo says her play poses important questions: What does it mean to be a girl? What does it mean to be a woman? What does it mean to be a Latina?

“Miss Long Beach is a play that explores femininity and womanhood in Latino culture,” she adds. “Sixteen-year-old Angie must decide whether to compete in a beauty pageant to please her glamorous mother or continue with her tomboy ways. The play touches upon issues of gender, sexuality and cultural assimilation, and the importance of mother-daughter relationships.” Director Amy Jimenez says, “Although this play speaks to the Latina experience to some extent, it is definitely relevant to all female experiences because it deals with issues of identity, sexuality, family, and the ideology of beauty.”

In Eugene Ionesco’s landmark Absurdist play, The Chairs, the Old Man and the Old Woman prepare their guests for the arrival of the mysterious Orator, whose speech will not only be the couple’s farewell to life, but also will contain a great message for humanity. The Chairs is a comedy of language,” director Grace Gilmore explains, “that forces us to imagine a world where the meaning of life is undefinable, where loneliness is in the eye of the beholder, and where what we say is not always what we mean. When we look closer we realize this world is not so different from our own.”

Katie Anderson ’15 designed the sets for the two performances, and Michael Wecht ’14 serves as the lighting engineer.

The Senior Performance Series showcases the best and brightest of Kalamazoo College students creating their own theatre. Show times for the two plays are Thursday, May 1, at 7:30pm, Friday and Saturday, May 2 and 3, at 8pm, and Sunday, May 4, at 2pm.. After Thursday’s performance the audience is invited to converse with the director and actors for The Chairs, and, after Friday’s performance, with the cast, director, and playwright of Miss Long Beach. All tickets at the door are $5, with the exception of Thursday’s performance, which is pay what you can.

Classmates’ Creativity

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Two junior writers are getting their creative work published widely. Kate Belew ’15 published three poems (“Marrow,” “Leaning Tower of Lady Liberty,” and “God Tree”) in the Fall 2013 issue of Minetta Review. Journey was the theme of that issue. Jane Huffman ’15 is an English and theatre arts major who also is publishing in quite a few places–including a recent interview in NewerYork.

Jordan Klepper ’01 joins The Daily Show with Jon Stewart

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Kalamazoo College alumnus Jordan Klepper on the Daily Show
Jordan Klepper ’01 is the newest correspondent on The Daily Show with Jon Stewart, Mon-Thu at 11pm on Comedy Central. The Kalamazoo native earned a B.A. degree in math at K and performed in Monkapult, the student-run improve troupe.

Jordan Klepper ’01 has joined The Daily Show with Jon Stewart, as the newest correspondent on the popular late-night Comedy Central show. During his March 3 debut episode, Jordan reported “live” from Ukraine, but his take on events in the politically unstable country quickly devolved in a comedic take on his own new and perhaps unstable job status.

Jordan has performed at New York City’s Upright Citizens Brigade (UBC) improvisational comedy and sketch comedy group for three years. He was also a correspondent on the comedic sports show Friday Night Tailgate on the Big Ten Network for three seasons, and performed at Second City and iO theaters in Chicago, where he met his wife and frequent collaborator Laura Grey. Together, Klepper and Grey created and starred in the UCB Comedy-produced pilot Engaged, which they later turned into a web series. His TV credits include IFC’s Bunk and MTV’s I Just Want My Pants Back.

Jordan grew up in Kalamazoo, attending Kalamazoo Central High School and the Kalamazoo Area Math and Science Center. A Heyl Scholar at K, he earned his B.A. degree in mathematics, while participating in many Theatre Department and Festival Playhouse productions. He often performed in K’s student run improv troupe, Monkapult.

Jordan’s sister, Caycee (Klepper) Sledge ’05 is K alumna and classmate of another well-known Monkapult alumnus, Steven Yuen ’05, who appears as Glenn on AMC’s popular TV show The Walking Dead.

Jordan is the first new correspondent on The Daily Show in more than two years and joins Samantha Bee, Jason Jones, Aasif Mandvi, and Jessica Williams. The Daily Show airs Monday through Thursday at 11 p.m. ET on Comedy Central.

Check out a selection of web videos, short films, and web series featuring Jordan Klepper and Laura Grey at http://klepperandgrey.tumblr.com and http://splitsider.com/2014/03/the-daily-show-hires-jordan-klepper-as-its-newest-correspondent.

Break a leg, Jordan!

FIREBUGS Alights

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Three students rehearse for "The Firebugs"
Mikey Wecht ’14 (left, Chorus Leader), Madison Donoho ’17 (center, Eisenring) and Jack Massion ’14 (Biedermann) in a scene from THE FIREBUGS. Costumes by Elaine Kauffman. Photo by Emily Salswedel, ’17

Festival Playhouse of Kalamazoo College presents Max Frisch’s The Firebugs on Thursday, February 27, through Sunday, March 2, at the Nelda K. Balch Playhouse. The reprise (the play was originally staged and directed by K theatre arts professor Nelda Balch in 1964) celebrates the 50th anniversary of Festival Playhouse, which was founded by Balch.

The Firebugs is a satirical comedy that tells the story of Biedermann, a man who foolishly allows two arsonists into his home. Fearful of offending of them, he goes out of his way to accommodate their outrageous requests, much to his own—and others’—detriment.

A comedy that Frisch himself described as “a learning play without a lesson,” Firebugs nevertheless delivers a serious and timely message. Dramaturg Belinda McCauley ’16 says, “It has been speculated for decades that Biedermann’s dilemma throughout the play is allegorical to the way humans unintentionally allow evil into their lives, most specifically how the Nazis worked their way into the lives of average German citizens.”

Director Nora Hauk ’04, currently working on her doctoral dissertation in sociocultural anthropology at the University of Michigan, emphasizes that Biedermann chooses political correctness over what he knows to be true and right—with dire consequences. “The Firebugs is a play about the trouble that people can get into as they try to maintain the status quo and their own social standing in the face of major challenges,” explains Hauk. “Despite all the warning signs, Biedermann fails to take a stand.”

“There are many messages one could possibly take away from The Firebugs,” says McCauley, “but perhaps the one to be concerned with is the way words are used. What do your words say about you? Do your words start fires? Or do your words save lives?”

The production’s design team includes Professor of Theatre Arts Lanny Potts (scenery), Elaine Kauffman (costumes), Lydia Strini ’14 (lights) and Lindsay Worthington ’16 (sound).

The show opens Thursday, February 27 (pay what you can), at 7:30 PM. Friday (February 28) and Saturday (February 28) performances begin at 8 PM. Curtain rises for Sunday’s performance (March 2) at 2 PM. For all performances except Thursday’s tickets are $5 for students, $10 for seniors, and $15 for other adults. Tickets may be purchased at the door. For more information about these and the remainder of Festival Playhouse’s golden anniversary season (including Peer Gynt) call 269.337.7333 or visit the Festival Playhouse website.

Extraordinary Women: Real and Imagined

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Festival Playhouse invites you to meet some extraordinary women, real and imagined.

Senior and junior directors Arshia Will ’14 and Jane Huffman ’15 will share their work (Maria Irene Fornes’ Mud and a compilation of Shakespeare scenes titled What She Wills) at Festival Playhouse’s Senior Performance Series, presented in Kalamazoo College’s Dungeon theatre February 13-16. The works offer two highly contrasting portrayals of women—one places Shakespeare’s female characters in a new setting with fresh voices; the other portrays a woman’s uncompromising effort to carve out her own life amidst severe poverty and abusive relationships.

Huffman chose to direct Mud in part because she sees the character Mae as a later-day Antigone: “Cunningly and aggressively, she subverts the paradigms that oppress her. She is a mirror. She is a call to action. She is a singular voice that resounds with that of countless women who have been rendered voiceless.”

In What She Wills, Will  has provided an opportunity for Shakespeare’s female characters to be heard from a woman’s perspective.

“Shakespeare may not have written roles for women actors since every role in Shakespeare’s time was played by men, but the women characters he created are complex and compelling,” says Will.  “The characters are so rich they can be found throughout history and today. We have seen countless Juliets and Lady Macbeths, and they will continue to live on. What She Wills takes these famous Shakespearean women and puts them in new environments and under ’new lights.’ It illustrates how enduring and relevant Shakespeare is today.”

The Senior Performance Series also features the work of three senior designers: Kelly Eubank (costumes), David Landskroener (sound), and Mary Mathyer (set). Sophomore Katie Lee is the lighting designer.

The show will open on Thursday, February 13, at 7:30pm, and run Friday and Saturday, February 14 and 15, at 8pm. The show closes on Sunday, February 16, at 2pm. Tickets are $5 and may be purchased at the door. For more information about these and the remainder of Festival Playhouse’s golden anniversary season (including The Firebugs and Peer Gynt), call 269.337.7333 or visit www.kzoo.edu/theatre.

The Senior Performance Series continues the tradition of featuring the work of Kalamazoo College students creating their own theatre.

Face Time

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We love faces; our lives depend on it from an early age. And a close-up on a face is one of the most notable differences between the experience of a movie and the experience of live theater. When we choose to see a film instead of a play it may be, in part, because were drawn to the human face. In her latest installment of her Psychology Today blog (What Shapes Film?) Associate Professor of Psychology Siu-Lan Tan explores what attracts us to cinematic face time. Her article is aptly titled “3 Reasons Why We’re Drawn to Faces in Film.” Maybe it should be four reasons, because music plays a big role as well. It’s a fascinating read, and Tan demonstrates her points with faces from some pretty famous films, including Amelie, It’s a Wonderful Life, Saving Private Ryan, and Toy Story 2, among others. Of particular interest is how facial close-ups make us, the audience, both mirror and blank-canvas-and-painter, depending on a face’s intensity or nuance, respectively.

Dream Approaches

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Alexander Ross and Emma Franzel rehearse for "A Dream Play"
Alexander Ross ’17 plays the Officer and Emma Franzel ’17 the Daughter in the Festival Playhouse production of August Strindberg’s A DREAM PLAY

Festival Playhouse of Kalamazoo College performs August Strindberg’s A Dream Play in the Nelda K. Balch Playhouse in November. The show opens on Thursday, November 7, at 7.30 PM (“pay-what-you-like-night”). A brief talk-back will follow Thursday’s performance. Additional evening performances are on Friday and Saturday, November 8 and 9, at 8 PM; a matinee concludes the run on Sunday, November 10 at 2 PM. Tickets are $5 for students with an ID, $10 for seniors, $15 for other adults.  A Dream Play is part of the Festival Playhouse’s Golden Anniversary season.

The play explores fundamental questions: Why do we exist, and why is life so difficult? The plot surrounds the daughter of the Hindu god, Indra, who leaves heaven to visit humans on earth. In living with humans as a human herself, her mission is to determine why humans suffer. Director Ed Menta says the production will attempt to create a theatre poem by interweaving Strindberg’s text with Festival Playhouse’s staging, performance, and design.

Senior David M. Landskroener, who serves as composer and music producer for the production, says that “creating live sound effects is such an interesting experience because I’m making sound to accompany a dream. Many times while tinkering around with effects I reject my initial thoughts about a certain sound in a scene and try out multiple options that may not at first sound completely congruent with the action onstage, but reflect the idea of associative links found in a dream.”

Before 1901, plays may have contained a dream sequence, but Strindberg created a new genre with a play that is entirely a dream. In the play’s foreword Strindberg wrote: “Everything can happen, everything is possible and probable. Time and place do not exist; on an insignificant basis of reality, the imagination spins, weaving new patterns; a mixture of memories, experiences, free fancies, incongruities and improvisations.”

Given such source materials, one can understand why “It has been a challenge to make all of the 30+ characters come to life,” according to K senior Michael Wecht, assistant director for A Dream Play. “It is my goal, through movement coaching and exercises emphasizing physicality, to help the cast discover each of their roles. This is especially pertinent because most of the actors are playing multiple roles.”

For reservations or more information about Festival Playhouse’s Golden Anniversary season (stay tuned for The Firebugs and Peer Gynt) call 269.337.7333.

Wilde for Potts

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Professor of Theatre Arts Lanny Potts received a 2013 Wilde Award for the “Best Lighting Designer Of The Year.” The award honors his work on The Light in the Piazza this past summer at Farmers Alley Theatre. The Wilde Awards were established by Pride Source Media Group to honor the excellent work produced by Michigan’s professional theaters. The Wildes are presented by EncoreMichigan.com, the most comprehensive resource for news and information about the state’s professional theater industry. Its team of 10 critics reviewed 179 productions produced or presented by 47 theater companies across the state and narrowed the slate to 71 productions. Of the 71 productions nominated, the top-honored show was The Light in the Piazza with six awards, including Lanny’s.

Writer’s Voice Rising

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Alejandra Castillo ’15 will be the first in her family to graduate from college, and she is making her family proud every step of the way. “My three siblings dropped out of high school in the 9th grade. The fact that I’m at a prestigious liberal arts college is truly a dream come true, not just for me but for my whole family.”

Castillo is a Posse scholar, attending Kalamazoo College on a full scholarship awarded to teens from urban areas who exhibit high academic achievement and leadership skills.

Four years ago, while still a high school student, Castillo began work at a Los Angeles-based nonprofit organization called WriteGirl. This summer, she returned to the organization, but this time on an “independent internship” through K’s Center for Career and Professional Development’s Field Experience Program. WriteGirl challenges interns to think critically about the world, to write about it, and then to voice their work out loud. Leadership, communication skills and self-confidence are qualities nurtured in the program.

“I came back to WriteGirl because I want to be as ready as I can be to enter the workforce when I graduate college,” says Castillo.

At Kalamazoo College, Castillo is majoring in anthropology and sociology AND distinguishing herself as a playwright. Her one-act play, How Miss Long Beach Became Miss Long Beach, will be performed at the Kalamazoo College Festival Playhouse as part of the Senior Performance Series under direction of senior Amy Jimenez. The Senior Performance Series will occur May 1-4, 2014.

“Alejandra has been my student in playwriting class, and she developed this play in an independent study,” says her theatre arts professor, Ed Menta. “It’s a heartfelt and funny story of a young Latina who has mixed feelings about her mother forcing her to participate in a beauty pageant. The play touches on issues of mother/daughter, body image, assimilation, and sexuality.”

Another Castillo play, Say Yes, a conversation between two young people in the parking lot of a convenience store in Los Angeles, was selected for the Kalamazoo New Play Festival.